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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Emil Gilels, New Philharmonia, Sir Adrian Boult - Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)

    Posted By: Designol
    Emil Gilels, New Philharmonia, Sir Adrian Boult - Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)

    Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)
    Emil Gilels, piano; New Philharmonia Orchestra; Sir Adrian Boult, conductor

    EAC | FLAC | Image (Cue&Log) ~ 372 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
    Classical | Label: ICA Classics, BBC Worldwide | # ICAC 5000 | 01:10:24

    Emil Gilels, along with fellow Russian artists, Sviatoslav Richter, David Oistrakh and Mstislav Rostropovich represented four of the greatest artists of the 20th Century. These live performances from London's Royal Festival Hall in 1967 capture Gilels at his best playing in front of an audience away from the confines of the studio. William Mann in the Times wrote after the concert of Concerto No.3, "For all his truly Beethovian brio in the first movement, Gilels never allowed this to get the better of the clarity and firmness of his phraseology, indeed his opening was like chiselled stone. There was immense dignity in the Largo and in the Rondo, taken at what I thought to be exactly the right speed, came across with remarkable vivacity". These archive recordings in stereo are extremely rare and have never been issued before.