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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Anna Gourari, Orchestra della Svizzera italiana & Markus Poschner - Paul Hindemith / Alfred Schnittke (2024)

    Posted By: delpotro
    Anna Gourari, Orchestra della Svizzera italiana & Markus Poschner - Paul Hindemith / Alfred Schnittke (2024)

    Anna Gourari, Orchestra della Svizzera italiana & Markus Poschner - Paul Hindemith / Alfred Schnittke (2024)
    WEB FLAC (tracks) - 344 Mb | MP3 CBR 320 kbps - 185 Mb | 01:19:55
    Classical | Label: ECM Records

    After three acclaimed solo piano programmes for the label, here Anna Gourari widens the instrumental spectrum with the Lugano-based Orchestra della Svizzera italiana under Markus Poschner’s direction in striking performances of Alfred Schnittke’s Concerto for Piano and String Orchestra and Paul Hindemith’s The Four Temperaments. Gourari’s pianistic command is one of “virtuoso polish and with flawless action”, to quote the German daily Süddeutsche Zeitung, and her holistic, wide-reaching grasp of the instrument is on full display in Schnittke’s shape-bending polystylistic concerto. The orchestra furthermore shines in a powerful interpretation of Hindemith’s Symphony Mathis der Maler. Contrasts emerge not only through the juxtaposition of the three works but from within the pieces, which have fiery temperaments and technically demanding scores in common. Recorded at the Auditorio Stelio Molo in Lugano in December 2021, the album was produced by Manfred Eicher.

    Martha Argerich, Renaud Capucon, Mischa Maisky - Beethoven: Triple Concerto, Op. 56; Schumann: Piano Concerto, Op. 54 (2004)

    Posted By: Designol
    Martha Argerich, Renaud Capucon, Mischa Maisky - Beethoven: Triple Concerto, Op. 56; Schumann: Piano Concerto, Op. 54 (2004)

    Ludwig van Beethoven: Triple Concerto, Op. 56; Robert Schumann: Piano Concerto, Op. 54 (2004)
    Martha Argerich, piano; Renaud Capuçon, violin; Mischa Maisky, cello;
    Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky

    EAC | FLAC | Image (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 182 Mb | Scans included
    Genre: Classical | Label: EMI | # 7243 5 57773 2 4 | Time: 01:04:35

    The Beethoven Triple Concerto is a strange work, with the most important–-or at least prominent–-solos given to the cello; it is the instrument which introduces each movement. The remarkable Martha Argerich wisely allows Mischa Maisky to shine in his solos and leading position, but her contribution is anything but back seat. Her customary virtuosity is everywhere in evidence, and, in a way, she turns the piano into the spinal column of the work, with the violin and cello playing around her. Every time Maisky is about to lapse into a mannerism which might detract–-too much sliding, a dynamic slightly exaggerated–-Argerich brings him back, and both of them play with handsome tone. Capucon's violin is recorded a bit stridently (this was taped live in Lugano), but his playing is equally stunning. Alexandre Rabinovitch-Barakovsky leads the orchestra matter-of-factly until the final movement, when he catches the proper fire. In the Schumann A minor concerto Argerich is wonderful the solo passages and a fine partner in orchestrated ones and she really makes much of both the lyrical runs and the dance-like passages in the last movement. Recommended.