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    Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)

    Posted By: Designol
    Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)

    Johann Sebastian Bach: Suite No. 1 in G BWV 1007
    Sándor Veress: Sonata for violin; Sonata for violoncello; Trio per Archi
    Thomas Demenga, cello; Hansheinz Schneeberger, violin; Tabea Zimmermann, viola

    EAC | FLAC | Tracks (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
    Genre: Classical | Label: ECM | # ECM New Series 1477, 437 440-2 | 01:04:14

    This disc continues Thomas Demenga's project of juxtaposing Bach cello suites with contemporary compositions—by Elliott Carter (12/90), Heinz Holliger, and now Sandor Veress, whose music we can hear growing out of, and away from, its neo-classical roots in Bach's polyphony.

    Andras Schiff, Budapest FO, Heinz Holliger - Sandor Veress: Hommage a Paul Klee; Concerto; 6 Csardas (1998)

    Posted By: Designol
    Andras Schiff, Budapest FO, Heinz Holliger - Sandor Veress: Hommage a Paul Klee; Concerto; 6 Csardas (1998)

    Sándor Veress: Hommage à Paul Klee;
    Concerto for Piano, Strings & Percussion; 6 Csárdás (1998)
    András Schiff, piano; Dénas Várjon, piano; Gábor Takács-Nagy, violin
    Budapest Festival Orchestra; Heinz Holliger, conductor

    EAC | FLAC | Tracks (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 145 Mb | Scans ~ 135 Mb
    Classical | Label: Teldec Classics | # 0630-19992-2 | Time: 01:03:22

    A countryman of Bela Bartók and a sometime teacher to both György Ligeti and György Kurtág, Sándor Veress emigrated to Switzerland from what was then part of Hungary in 1949. Settling in Bern, he collected various prizes and teaching posts while working in relative obscurity on who knows how many pieces–most of which have been unavailable. This collection is made up of a pithy trio of compositions dated 1938 (Six Csárdás), 1951 (Hommage à Paul Klee), and 1952 (Concerto for Piano, Strings, and Percussion), and they show what a deftly melodic force Veress was. He's thrilled by blustery string wafts, especially in the concerto, where the percussion adds drama and immediacy. But he also favors sweetly chipper string formations, which surprise the ear during the homage to Klee, especially given the dissonances fostered early on by the twin pianos. The closing piano miniatures of Six Csárdás are counterpoint-rich gems, played with sharp precision by András Schiff.

    Camerata Bern, Heinz Holliger - Sandor Veress: Passacaglia Concertante; Songs Of The Seasons; Musica Concertante (1995)

    Posted By: Designol
    Camerata Bern, Heinz Holliger - Sandor Veress: Passacaglia Concertante; Songs Of The Seasons; Musica Concertante (1995)

    Sándor Veress: Passacaglia Concertante; Songs Of The Seasons; Musica Concertante (1995)
    Camerata Bern; Heinz Holliger, oboe & conductor; London Voices; Terry Edwards, conductor

    EAC | FLAC | Tracks (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 155 Mb | Scans included
    Classical, Modern | Label: ECM | # ECM New Series 1555, 447 390-2 | 01:02:41

    Hungarian-born Sándor Veress (1907-1992) is a sadly neglected figure in modern music. Despite his pupilage under Bela Bartók and Zoltán Kodály, and even his succession over the latter as professor of composition at the Budapest School of Music in 1943, Veress has never attained the same international recognition as his two most successful compatriots. One might blame his preference for solitude or his idiomatic methodology for keeping him in obscurity. Yet as one who made the most of his outlier status and ideological exile, he seems never to have been one to wallow in self-pity. Exposed to much of the folk music that also captivated his mentors, Veress nurtured that same spirit when sociopolitical upheaval exacerbated his emigration to Switzlerland in 1949. Whereas Kodály in particular saw cultural preservation as central to the musical act, Veress saw it as an incision to be teased open and unraveled.