ANDERS CHYDENIUS was collecting music at a time when public concerts and interest in classical music were just taking their first steps in Finland. His collection occupies an important position in Finnish musical history. Similar, much bigger private collections had long before been made in Central Europe and Sweden, but the musical vision in the spirit of the Enlightenment of the vicar of a small, remote parish was quite exceptional. This new release is an homage to his work and features the Ostrobothnian Chamber Orchestra performing compositions that held a place in Chydenius’s collection- works by Gaetano Pugnani, Christian Ernst Graf, Giuseppe Maria Giacchino Cambini, Antonio Sacchini, and Lebrecht Julius Schulz.

Soprano Sandrine Piau's new project is dedicated to French baroque repertoire, offering a wide range of very beautiful arias by Rameau, Lully, Campra etc in a 100-year journey that mixes very famous music with little-know pieces, such as arias by Grétry or Sacchini > Sandrine Piau and Jérôme Correas, a former singer, founder and music director of Les Paladins, have worked together on a regular basis since their early careers, especially with William Christie.

In October 2007, the Centre Musical de Baroque de Versailles celebrated its 20th anniversary, together with the best French musicians around. To complete this anniversary, they now present the release of a 20-CD box with numerous musical highlights, both of the anniversary concerts as well as releases from the previous 20 years. Thanks to this jubilee box, you can now witness this landmark of French Baroque music.

Antonio Sacchini was one of the leading composers of Italian opera seria of the late 18th century. Oedipe à Colone, his last work, was extraordinarily successful, with regular performances at the Paris Opéra between 1787 and 1844. Based on Sophocles’ tragedy Oedipus at Colonus, the second item in a trilogy that is one of the glories of Greek literature, Sacchini’s opera is notable for both its high drama and tender, moving lyricism. It was championed by Berlioz who considered it to be an inspired and even sublime work.