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    Václav Luks, Collegium 1704 - Jean-Philippe Rameau: Les Boréades (2020)

    Posted By: ArlegZ
    Václav Luks, Collegium 1704 - Jean-Philippe Rameau: Les Boréades (2020)

    Václav Luks, Collegium 1704 - Jean-Philippe Rameau: Les Boréades (2020)
    EAC | FLAC | Image (Cue & Log) ~ 989 Mb | Total time: 69:21+62:29+33:25 | Scans included
    Classical | Label: Château de Versailles Spectacles | # CVS026 | Recorded: 2020

    Rameau’s career was nearing its end when the rehearsals of his last composition, Les Boréades, began at the Académie Royale de Musique, in spring 1764. The death of the composer in September interrupted the production of his lyric tragedy, which was only saw the light of day two centuries later! This magnificent opera is certainly the most accomplished of Rameau’s works, composed as he was aged eighty and in full possession of his creative means: the composition for orchestra and choir is highly virtuoso, the melodic invention exceptional, the drama powerful: a true musical testament.

    Frédérick Haas - Jean-Philippe Rameau: L'Œuvre de Clavecin, Livres 1 & 2 (1998)

    Posted By: ArlegZ
    Frédérick Haas - Jean-Philippe Rameau: L'Œuvre de Clavecin, Livres 1 & 2 (1998)

    Frédérick Haas - Jean-Philippe Rameau: L'Œuvre de Clavecin, Livres 1 & 2 (1998)
    EAC | FLAC | Image (Cue & Log) ~ 489 Mb | Total time: 73:20 | Scans included
    Classical | Label: Calliope | # CAL 9278 | Recorded: 1997

    New York Times - "…The [Pièces de Clavecin - Book I] has all the energy and bright self-advertisement of a composer in his early 20's….The [Book II] represents a composer of solo music at his most inventive….Mr. Haas is very good indeed…"

    The New Gustav Leonhardt Edition [35CDs] (2022)

    Posted By: ArlegZ
    The New Gustav Leonhardt Edition [35CDs] (2022)

    The New Gustav Leonhardt Edition [35CDs] (2022)
    XLD | FLAC | Image (Cue & Log) ~ 10,60 Gb | Total time: 34:14:27 | Scans included
    Classical | Label: Warner Classics | # 0190296467714 | Recorded: 1962-1995

    The abundant legacy of Gustav Leonhardt’s recordings for Telefunken’s Das Alte Werk series invites us to follow his trajectory as a performer from the early 1960’s onwards, a time when the new codes of early music had yet to be invented, when their success depended above all on the strength of conviction of the performer. Leonhardt’s was strengthened by dialogue: with a range of partners whose variety defies all preconceived ideas, with ancient instruments or modern copies of all types, with repertoires as diverse as Byrd, Purcell, Rameau, Johann Sebastian but also Carl Philipp Emanuel Bach. Not forgetting the 1970 Monteverdi LP, which has never been reissued since. The image of a pope of early music isolated in his tower and frozen in a school style does not last long after listening to this historical sum, extended here by the later series of recordings under the Virgin Veritas flag.

    Christophe Rousset, Les Talens Lyriques - Jean-Philippe Rameau: Pygmalion & Les Fêtes de Polymnie (2017)

    Posted By: ArlegZ
    Christophe Rousset, Les Talens Lyriques - Jean-Philippe Rameau: Pygmalion & Les Fêtes de Polymnie (2017)

    Christophe Rousset, Les Talens Lyriques - Jean-Philippe Rameau: Pygmalion & Les Fêtes de Polymnie (2017)
    EAC | FLAC | Image (Cue & Log) ~ 374 Mb | Total time: 72:06 | Scans included
    Classical | Label: Aparté | AP155 | Recorded: 2017

    Christophe Rousset and the Talens Lyriques bring us to the stage of the Royal Academy of Music where Pygmalion, an act of ballet by Jean-Philippe Rameau inspired by an episode of Ovid’s Metamorphoses, was created in 1748. Love, showing empathy for Pygmalion's despair of loving a statue, invigorates the sculpted woman who immediately falls in love with her creator. Very suggestive, the music of this tender and mischievous ballet deploys the grace of 18th century dances. Like Ovid's Love, Christophe Rousset instils life in this score, one of Rameau's greatest successes in his day, and offers us, thanks to his sense of drama and his impeccable leadership, a new and essential reading of this ballet.

    Hugo Reyne, La Simphonie du Marais - Musiques aux États du Languedoc (1999)

    Posted By: ArlegZ
    Hugo Reyne, La Simphonie du Marais - Musiques aux États du Languedoc (1999)

    Hugo Reyne, La Simphonie du Marais - Musiques aux États du Languedoc (1999)
    EAC | FLAC | Image (Cue & Log) ~ 286 Mb | Total time: 56:59 | Scans included
    Classical | Label: Astrée / Naïve | E 8650 | Recorded: 1998

    Orchestre baroque français, dirigé par le flûtiste, hautboïste et chef d’orchestre Hugo Reyne, La Simphonie du Marais défend depuis plus de 30 ans le répertoire musical des XVIIe et XVIIIe siècles, en tissant des liens uniques et particuliers entre le public, l’histoire, la musique et les autres arts.

    György Vashegyi, Orfeo Orchestra - Jean-Philippe Rameau: Les Boréades (2024)

    Posted By: ArlegZ
    György Vashegyi, Orfeo Orchestra - Jean-Philippe Rameau: Les Boréades (2024)

    György Vashegyi, Orfeo Orchestra - Jean-Philippe Rameau: Les Boréades (2024)
    EAC | FLAC | Image (Cue & Log) ~ 767 Mb | Total time: 02:27:05 | Scans included
    Classical | Label: Erato | # 5021732372734 | Recorded: 2023

    Les Boréades is an ambitious 10-year Rameau project with the Centre de musique baroque de Versailles. The cast of Sabine Devieilhe, Reinoud Van Mechelen, Tassis Christoyannis, Thomas Dolié, Gwendoline Blondeel, Benedikt Kristjánsson and Philippe Estèphe is joined by the Orfeo Orchestra and Purcell Choir, two ensembles founded by Vashegyi himself. Devieilhe made her Erato debut with a Rameau recital, this time she takes the central role of Alphise, Queen of Bactria, who must defy the traditions of her country if she is to marry the man she loves. The theme of freedom, ‘la liberté’, is important in the opera; conceived in 1763 to mark the end of the Seven Years’ War, it had to wait more than 200 years for its first full staging. When the performers on this recording appeared in a concert version of Les Boréades at the Théâtre des Champs-Elysées in Paris, Concert Classique declared that “Rameau’s genius shines through at every moment.”

    Igor Kipnis - Harpsichord Greatest Hits (1989)

    Posted By: ArlegZ
    Igor Kipnis - Harpsichord Greatest Hits (1989)

    Igor Kipnis - Harpsichord Greatest Hits (1989)
    EAC | FLAC | Image (Cue & Log) ~ 431 Mb | Total time: 72:44 | Scans included
    Classical | Label: CBS Records ‎| MLK 45524 | Recorded: 1989

    As with several other of Kipnis' albums, these could serve as either an eye opener for those uninitiated to the potential of the late 20th century harpsichord in the hands of these virtuoso musicians. And an introduction of the incredibly rich, varied music of the 18th Century. Igor Kipnis was so much more than a master of the keyboard, he helped introduce three generations to what the Baroque was all about.

    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: La Naissance d'Osiris (2006)

    Posted By: ArlegZ
    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: La Naissance d'Osiris (2006)

    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: La Naissance d'Osiris (2006)
    EAC | FLAC | Image (Cue & Log) ~ 375 Mb | Total time: 61:26 | Scans included
    Classical | Label: Musiques à la Chabotterie | MC002 | Recorded: 2005

    La Naissance d'Osiris (Osiris birth) was performed in 1754 at the birth of Louis XVI in Fontainebleau. Rameau composed the one-act ballet based on a libretto by Louis de Cahusac, who has already provided the libretto for numerous other works by Rameau (Zoroastre, Anacréon, Les Fêtes de l'hymen et de l'Amour …). The piece depicts the birth of the goddess Osiris and symbolizes the birth of the grandson of Louis XV.

    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: Les Indes galantes (2014)

    Posted By: ArlegZ
    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: Les Indes galantes (2014)

    Hugo Reyne, La Simphonie du Marais - Jean-Philippe Rameau: Les Indes galantes (2014)
    EAC | FLAC | Image (Cue & Log) ~ 1.11 Gb | Total time: 3h 22 | Scans included
    Classical | Label: Musiques à la Chabotterie | 605013 | Recorded: 2013

    The first recording of Rameau's sublime masterwork on CD for more than 20 years: Hugo Reyne and La Simphonie du Marais present this full and original version based on souces in the library of the Paris Opera. Hugo Reyne, Nicolas Sceaux and La Simphonie du Marais have made their own edition of this seminal work, recorded in concert and rehearsal in the Vienna Konzerthaus at the Rexonzanzen Festival in January 2013.

    Scott Ross - Récital de 1986 à Saint-Guilhem-le-Désert: Pièces pour clavecin de Bach, Rameau, Scarlatti (2009)

    Posted By: ArlegZ
    Scott Ross - Récital de 1986 à Saint-Guilhem-le-Désert: Pièces pour clavecin de Bach, Rameau, Scarlatti (2009)

    Scott Ross - Récital de 1986 à Saint-Guilhem-le-Désert: Pièces pour clavecin de Bach, Rameau, Scarlatti (2009)
    EAC | FLAC | Image (Cue & Log) ~ 448 Mb | Total time: 66:09 | Scans included
    Classical | Label: Diapason ‎| Nº14 | Recorded: 1986

    This harpsichord recital by Scott Ross was first broadcast on the French radio France Musique in 1986. It was only released on CD in 2009 by Diapason. In this recital, Scott Ross plays the Suite in E minor and the First Concert in C minor by Jean-Philipe Rameau, the 4th suite in D major by Johann Sebastian Bach and three sonatas (K215, K492 and K27) by Domenico Scarlatti.

    Alexandre Tharaud - Versailles: Rameau, de Visée, Royer, d'Anglebert, Couperin, Duphly, Lully, Balbastre (2019)

    Posted By: ArlegZ
    Alexandre Tharaud - Versailles: Rameau, de Visée, Royer, d'Anglebert, Couperin, Duphly, Lully, Balbastre (2019)

    Alexandre Tharaud - Versailles: Rameau, de Visée, Royer, d'Anglebert, Couperin, Duphly, Lully, Balbastre (2019)
    EAC | FLAC | Image (Cue & Log) ~ 270 Mb | Total time: 78:12 | Scans included
    Classical | Label: Erato ‎| # 9029538642 | Recorded: 2019

    Alexandre Tharaud pays tribute to composers associated with the courts of the French kings Louis XIV, XV and XVI. Lully, Rameau, Charpentier and François Couperin stand beside lesser-known masters: d’Anglebert, Forqueray, Royer, Duphly and Balbastre. “I’ve always been attracted by French music of this period,” says Tharaud, adding that when he plays the album’s initial Rameau prelude, “It’s like being alone at Versailles, opening the doors and entering those huge, imposing rooms.”

    Magdalena Kožená - Enchantment (2006)

    Posted By: ArlegZ
    Magdalena Kožená - Enchantment (2006)

    Magdalena Kožená - Enchantment (2006)
    EAC | FLAC | Image (Cue & Log) ~ 563 Mb | Total time: 60:19+76:57 | Scans included
    Classical | Label: Deutsche Grammophon | 00289 477 6153 | Recorded: 1996-2003

    If your ideal vocal recording places the performer next to your seat and your ideal vocal performance has the performer singing directly into your ear, this disc by mezzo-soprano Magdalena Kozená will be just about ideal. No matter what the repertoire – and Kozená performs everything from Bach to Gounod to Shostakovich – and no matter what the context – and Kozená takes on everything from song to opera to oratorio – Kozená is right next to the listener, singing straight into his/her ear. Given her exceedingly warm tone, her extremely rich delivery, and her extraordinarily sibilant pronunciation, Kozená's intimate delivery may be too much for those with heart conditions or those all too easily affected by singers. But for those made of sterner stuff, Kozená's performances here will be the stuff dreams are made of.

    Grigory Sokolov - Purcell & Mozart (2024)

    Posted By: ArlegZ
    Grigory Sokolov - Purcell & Mozart (2024)

    Grigory Sokolov - Purcell & Mozart (2024)
    EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 95:02 | Scans included
    Classical | Label: Deutsche Grammophon | # 486 6263 | Recorded: 2023

    In his new live recital Grigory Sokolov brings his unmatched musicianship and command of the piano to the music of Purcell and Mozart, followed by encores which are far more than celebratory extras. This is music-making to be treasured and another indispensable addition to the catalogue.

    Florilegium - Fatale Flame: Music from 18th Century France: Montéclair, Morel, Naudot, Leclair, Rameau (2000)

    Posted By: ArlegZ
    Florilegium - Fatale Flame: Music from 18th Century France: Montéclair, Morel, Naudot, Leclair, Rameau (2000)

    Florilegium - Fatale Flame: Music from 18th Century France: Montéclair, Morel, Naudot, Leclair, Rameau (2000)
    EAC | FLAC | Image (Cue & Log) ~ 346 Mb | Total time: 63:48 | Scans included
    Classical | Label: Channel Classics | # CCS 16898 | Recorded: 2000

    While the music offered in this recording spans only thirty-two years, it best exemplifies the development of French musical style and taste in the eighteenth century. By the middle of the century the unification of both the Italian and French styles of music composition termed by Franois Couperin as les gots-runis had been realised. This disc of chamber music modestly charts the journey through this change from Montclair and Morel through Leclair and Naudot to Rameau.

    Sandrine Piau, Jérôme Correas, Les Paladins - Le Triomphe de l'Amour (2012)

    Posted By: ArlegZ
    Sandrine Piau, Jérôme Correas, Les Paladins - Le Triomphe de l'Amour (2012)

    Sandrine Piau, Jérôme Correas, Les Paladins - Le Triomphe de l'Amour (2012)
    EAC | FLAC | Image (Cue & Log) ~ 292 Mb | Total time: 60:55 | Scans included
    Classical | Label: Naïve | OP 30532 | Recorded: 2011

    Soprano Sandrine Piau's new project is dedicated to French baroque repertoire, offering a wide range of very beautiful arias by Rameau, Lully, Campra etc in a 100-year journey that mixes very famous music with little-know pieces, such as arias by Grétry or Sacchini > Sandrine Piau and Jérôme Correas, a former singer, founder and music director of Les Paladins, have worked together on a regular basis since their early careers, especially with William Christie.