Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Trio Kontraszt - Cryptic Scattered Images of Time Forgotten (2020)

Posted By: delpotro
Trio Kontraszt - Cryptic Scattered Images of Time Forgotten (2020)

Trió Kontraszt - Cryptic Scattered Images Of Time Forgotten (2020)
EAC Rip | FLAC (tracks+log+.cue) - 294 Mb | MP3 CBR 320 kbps - 141 Mb | Covers - 452 Mb | 00:53:42
Contemporary Jazz, Modern Creative | Label: BMC Records

Cryptic Scattered Images of Time Forgotten, is a musical memorial of pianist and band leader Stevan Kovacs Tickmayer. Like Sinbad, he roams through time, browsing through the chapters of his life with the expansive calm of bygone times, from his years in Novi Sad, through he time at the Budapest free music school, to his studies in the Netherlands, and this way free and contemporary music, dance music, and the jazz idiom all find a place next to one another.

Trió Kontraszt - From Dyonisian Sound Sparks To The Silence Of Passing (2017)

Posted By: delpotro
Trió Kontraszt - From Dyonisian Sound Sparks To The Silence Of Passing (2017)

Trió Kontraszt - From Dyonisian Sound Sparks To The Silence Of Passing (2017)
EAC Rip | FLAC (tracks+log+.cue) - 436 Mb | MP3 CBR 320 kbps - 238 Mb | Covers included | 00:56:44
Contemporary Jazz, Modern Creative | Label: BMC Records

This CD contains new compositions. Even this time, the basic creative principal has not radically changed: the development of basic musical ideas is shown by clearly structured compositions, mixed with organic, free improvisations. We offer our listeners not a hodgepodge from this musically unparalleled region, enriched with jazz harmonies; rather, we try to approach music as Bartók did. In line with this, these works were inspired by the ancient roots of musical tradition in the Carpathian Basin, but our music does not quote or reproduce; respecting the ancient methodology, it attempts to capture what can be expressed of archaicism using the means we have today. It is neither a desert island, nor an anachronism, because today even the wildest avant-gardism is just one of the things on the syllabus in the conservatoires.