VA - Live at WOMAD 1982 (Deluxe Edition) (2022)
VA - Live at WOMAD 1982 (Deluxe Edition) (2022)
EAC Rip | FLAC (tracks+log+.cue) - 568 Mb | MP3 CBR 320 kbps - 209 Mb | 01:31:14
Rock, World | Label: Real World Records
EAC Rip | FLAC (tracks+log+.cue) - 568 Mb | MP3 CBR 320 kbps - 209 Mb | 01:31:14
Rock, World | Label: Real World Records
A historic live recording celebrating the 40th anniversary of a landmark cultural moment including performances by Echo & The Bunnymen, Peter Gabriel, Simple Minds, The Beat, The Drummers of Burundi, The Musicians of the Nile and many more.Tracklist:
WOMAD 1982. The Royal Bath and West Showground near Shepton Mallet, Somerset. The heart of the world in the heart of the West Country. A festival of new and traditional arts from four continents and over 20 countries.
“Our dream was not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right,” recalls Peter Gabriel. “We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.”
Real World Studios 2021. The process of restoring the 40-year-old audio tapes recorded at the first WOMAD festival began, overcoming many technical challenges to ensure these vital, historic performances were saved. This album is a window onto three days of amazing music – highlights from multiple stages, of artists from many corners of the globe.
Digitally remastered.
Liner note: On the 15th of July 1982 I was dropped into the 240-acre Bath and West Showground, Somerset, after spending eighteen months with fellow co-founders organising a seminal event, with five stages and sixty bands, from over twenty countries. I ran around for several hours, before I was handed a walkie-talkie the size of shoebox. Breathe.
In October 1980 Thomas and I interviewed Peter Gabriel for our vinyl-with-magazine creation, The Bristol Recorder, later The Recorder. Peter generously gave us previously unreleased tracks for our record. After the interview we talked about a tape of Indonesian gamelan music that I had in my pocket, Thomas’s experience of South American music and Peter’s work with rhythms from various African countries. Peter called us soon after with an idea: to acknowledge the influence of non-Western music on successful Western bands and musicians and to create a wider audience for that music, by combining both in the same event — a festival celebrating music as a universal language.
The process was entirely new to us. The largest events we had done were promotions of local bands, in local venues. There were far fewer large festivals at that time. In continental Europe non-Western arts were showcased in government-funded buildings. The Drummers of Burundi and the Qawwali legends the Sabri Brothers were an early inspiration. We visited the Dartington Gamelan and played ineptly on the beautiful percussive instruments — although I have to say Peter was pretty good.
UNESCO, UNICEF, the Commission for Racial Equality and the Commonwealth Institute helped us. When we consulted the Extra-European Arts Committee in Amsterdam, some of them stated plainly that it was mad to imagine that an audience would assemble in a field to experience music so little-known in England at that time. ‘Mad’, for us, metamorphosed into Music, Arts and Dance. With the addition of World Of, WOMAD was coined. We reckoned that WOMAD was both sayable and memorable.
The WOMAD Foundation grew from an education programme conceived early in the process. Peter was enthusiastic about inspiring the young. Sarah Flint and I visited over 100 schools in Avon, Somerset and Wiltshire, coordinated the creation of a free 10-booklet teaching pack, and arranged workshops. The festival was free for schools and approximately 4,500 children attended on the first day, for performances and workshops.
A huge procession of children opened the festival, wearing masks and wielding musical instruments made with the help of the teaching pack. Giant Indonesian puppets, created by Welfare State International, led them to the main stage. I was recruited as emergency MC and improvised desperately until the procession arrived.
The Drummers of Burundi, whose rhythms had been appropriated by mainstream Western music, now unleashed a heart-wrenching sound: a steady, deep beat from the drums on their heads, stepping in stately procession, sticks whirling in synchronisation with the beat and their feet. The overwhelming thrum moved the air itself, exerting visceral force on the diaphragm; a sublime, profoundly human sound that moves me, even now, to tears. If a World of Music was born that day in Somerset, then this sound was the quickening heartbeat of that world.
The rhythm infected the audience like a benevolent plague. As twilight came, audience members began to file into one of the large, terraced stands in the Showground, playing any instrument or object that could make a sound, including the metal and wood of the stand itself. Torch beams swept and scanned the surreal scene, highlighting faces, and hands in blurred motion. People played through the night in spontaneous relays, until there was a danger of the stand disintegrating.
Musical collaborations proliferated. Echo And The Bunnymen became Echo And The Burundi Men. Ekome, the national West African Drum and Dance ensemble from Bristol, accompanied Peter in a most poignant version of ‘Biko’. Across the site, musicians were experimenting on and offstage. The Musicians of the Nile were everywhere; when not performing, they sold instruments spread out on embroidered cloths on the ground. Sasono Mulyo flooded the senses with a polyphony of chiming percussion from the gamelan orchestra; bright ritual costumes and hands fluttering like birds; eloquent gestures dividing the air in swoops and gyres. One journalist wrote of hearing English church bells anew as she left the site: echoes across cultures, sympathetic sounds. And then it was over.
The NME headline proclaimed ‘WOMAD Brilliant but Bust’. Despair.
Initially, there was opposition to WOMAD at Parish Council meetings in the nearest village, Evercreech. Mr. Paradise, headmaster of the Primary School, expressed concern that his pupils would be menaced by invading hippies. Nevertheless, his school attended. Sitting among the wreckage of our dream, I opened a letter: the Evercreech children had loved WOMAD. The headmaster was very sorry he had opposed the festival and would welcome our return: it was a letter from Paradise, blessing WOMAD.
Disc 1 (34:48)
1. The Musicians Of The Nile – Tabla Iqae (01:51)
2. The Beat – Mirror In The Bathroom (03:28)
3. Pigbag – Big Bag (06:46)
4. The Drummers Of Burundi – Kama K'iwacu (04:06)
5. Peter Gabriel – I Have The Touch (05:13)
6. Robert Fripp – WOMAD II (04:54)
7. Tian Jin Music And Dance Ensemble – Raindrops Pattering On Banana Leaves (03:39)
8. Echo And The Bunnymen & The Royal Burundi Drummers – Zimbo (04:51)
Disc 2 (56:27)
1. The Musicians Of The Nile – Taksim Arghul (03:29)
2. Salsa De Hoy – Salsa De Hoy (05:32)
3. Rip Rig & Panic – You're My Kind Of Climate (05:13)
4. Mark Springer – Key Release (01:51)
5. The Chieftains – Cotton-Eyed Joe (02:38)
6. Simple Minds – Promised You A Miracle (04:37)
7. Ekome – Gahu (05:56)
8. Peter Hammill – A Ritual Mask (05:36)
9. Peter Gabriel – Biko (feat. Ekome) (06:06)
10. The Ivory Coasters – Wayo In-Law (feat. Prince Nico Mbarga) (06:41)
11. Sasono Mulyo – Gamelan Gong Kebyar (08:48)
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 25. August 2022, 11:43
Various Artists / Live at WOMAD 1982
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==== Log checksum AEE86463008018BF672CD4E42774F4F4352DF5FBE20D5739ED14F08061E46CE4 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 25. August 2022, 13:51
Various Artists / Live at WOMAD 1982
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Gap handling : Appended to previous track
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–– CUETools DB Plugin V2.1.6
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==== Log checksum 031A1A072A0A174E30D91D0DB01274AD53B6C11E2780342B8465239690DEB25B ====
EAC extraction logfile from 25. August 2022, 11:43
Various Artists / Live at WOMAD 1982
Used drive : HL-DT-STDVDRAM GP65NB60 Adapter: 1 ID: 0
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Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
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Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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1 | 0:00.00 | 1:51.03 | 0 | 8327
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4 | 12:05.28 | 4:06.19 | 54403 | 72871
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Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD1\08 - Echo And The Bunnymen - Zimbo (feat. The Royal Burundi Drummers).wav
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–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 0V9ePUUfciEU8F3VbszYWVi30Fo-] found
Submit result: 0V9ePUUfciEU8F3VbszYWVi30Fo- has been confirmed
Track | CTDB Status
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==== Log checksum AEE86463008018BF672CD4E42774F4F4352DF5FBE20D5739ED14F08061E46CE4 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 25. August 2022, 13:51
Various Artists / Live at WOMAD 1982
Used drive : HL-DT-STDVDRAM GP65NB60 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:28.41 | 0 | 15640
2 | 3:28.41 | 5:32.04 | 15641 | 40544
3 | 9:00.45 | 5:13.18 | 40545 | 64037
4 | 14:13.63 | 1:50.62 | 64038 | 72349
5 | 16:04.50 | 2:38.06 | 72350 | 84205
6 | 18:42.56 | 4:36.41 | 84206 | 104946
7 | 23:19.22 | 5:55.44 | 104947 | 131615
8 | 29:14.66 | 5:36.16 | 131616 | 156831
9 | 34:51.07 | 6:05.48 | 156832 | 184254
10 | 40:56.55 | 6:40.61 | 184255 | 214315
11 | 47:37.41 | 8:48.01 | 214316 | 253916
Track 1
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\01 - Musicians Of The Nile - Taksim Arghul.wav
Pre-gap length 0:00:02.00
Peak level 91.6 %
Extraction speed 1.1 X
Track quality 100.0 %
Test CRC 712A7F27
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Track 2
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\02 - Salsa De Hoy - Salsa De Hoy.wav
Peak level 91.7 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC E8C8A764
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Track 3
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\03 - Rip Rig & Panic - You're My Kind Of Climate.wav
Peak level 91.9 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC 97F37929
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Track 4
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\04 - Mark Springer - Key Release.wav
Peak level 91.7 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC C31C2485
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Track 5
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\05 - The Chieftains - Cotton-Eyed Joe.wav
Peak level 85.3 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC EE0615EE
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Track 6
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\06 - Simple Minds - Promised You A Miracle.wav
Peak level 94.2 %
Extraction speed 1.5 X
Track quality 99.9 %
Test CRC 391D2140
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Track 7
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\07 - Ekome - Gahu.wav
Peak level 91.6 %
Extraction speed 1.7 X
Track quality 99.9 %
Test CRC DDFE57E5
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Track 8
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\08 - Peter Hammill - A Ritual Mask.wav
Peak level 91.7 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 2A368688
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Track 9
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\09 - Peter Gabriel - Biko (feat. Ekome).wav
Peak level 91.9 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 3569C1EF
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Track 10
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\10 - The Ivory Coasters - Wayo In-Law (feat. Prince Nico Mbarga).wav
Peak level 91.6 %
Extraction speed 2.2 X
Track quality 100.0 %
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Track 11
Filename D:\Rips\Various Artists - Live At Womad 1982 {CDRW245} [CD FLAC]\CD2\11 - Sasano Muylo - Gamelan Gong Kebyar.wav
Peak level 91.2 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC F5BA6635
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: Q23d8rmZajywenn.wSOKq_UFH.w-] found
Submit result: Q23d8rmZajywenn.wSOKq_UFH.w- has been confirmed
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped
11 | (6/6) Accurately ripped
==== Log checksum 031A1A072A0A174E30D91D0DB01274AD53B6C11E2780342B8465239690DEB25B ====
Thanks to the Original ripper !