Antonio Vivaldi – Die 6 Flötenkonzerte op.10
1968 | label: Philips | Classical/Baroque | FLAC lossless multiple tracks | lp | covers | 250mb
Su | Mo | Tu | We | Th | Fr | Sa |
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1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 | 1 | 2 | 3 | 4 |
“Living Blues (9-10/94, pp.76-77) - "…excellent band….Wells is still one of the least cliched harp players around, and he can…still generate the kind of excitement that makes blues more than a musty and bloodless museum piece…" – Customer Review on dose.mymusic.com
Were it not for Junior Wells's superlative harmonica playing and expressive voice, You're Tuff Enough might have been a muddle of drums and horns. Wells, however, was a strong enough musician that it's he, not his backing band, that stands out most strongly on this recording. This recording illustrates Wells's prescience in incorporating elements of funk and rock into his music. Check out the James-Brown- inflected "Up in Heah," or the rock-out feel of the title track, which appeared on national R&B charts in 1968. One hears echoes of Brown on "You Ought to Quit That" as well. But Wells could sing the blues straight up as well, as he shows with a sweet rendition of "You're the One." While not quite the classic that 1965's Hoodoo Man Blues (which featured Buddy Guy on guitar) was, You're Tuff Enough is an excellent collection, one whose reissue on CD is long overdue.–Genevieve Williams