Markus Stockhausen, Arild Andersen, Patrice Heral, Terje Rypdal - Karta (2000)
Markus Stockhausen, Arild Andersen, Patrice Héral, Terje Rypdal - Kartā (2000)
XLD | FLAC | Tracks (Cue&Log) ~ 333 Mb | Mp3 (CBR320) ~ 162 Mb | Scans included
Label: ECM | # ECM 1704, 543 035-2 | Time: 01:04:21
Contemporary Jazz, Modern Creative, Ambient
XLD | FLAC | Tracks (Cue&Log) ~ 333 Mb | Mp3 (CBR320) ~ 162 Mb | Scans included
Label: ECM | # ECM 1704, 543 035-2 | Time: 01:04:21
Contemporary Jazz, Modern Creative, Ambient
This end-of-the-millennium quartet session probably best defines all the inherent contradictions in who ECM attracts to the label – what kind of musician records for them – and what concerns these artists and ECM's chief producer (and creator) Manfred Eicher hold in common. This set, although clearly fronted by Markus Stockhausen and Arild Andersen on brass and bass, respectively, allows space for the entire quartet to inform its direction. Héral and Rypdal are not musicians who can play with just anybody; their distinctive styles and strengths often go against the grain of contemporary European jazz and improvised music. Of the 11 compositions here, four are collectively written, with two each by Andersen and Stockhausen. "Flower of the Now" uses space and texture to create a harmonic architecture, skeletal though it may be. Stockhausen states a theme that acts as the syntax for the painterly drumming of Héral and Rypdal's interlocution between all the drifting parties. "Sway" begins with Héral's trans-African drumming, followed by the fury of Rypdal's own brand of guitar improvisation. He edges through musical frameworks of the past in rock, blues, and jazz, cutting them down in the process of playing knotty arpeggios and deconstructed riffs that rely on harmonic rather than lyrical language. When Stockhausen moves into the fray, it's sparingly in stark contrast to Rypdal's splatter and roll methodology and brings things to a near halt, with only Andersen to slip a groove through the band's abstractions. This is a record of "sonics," an area not unlike the forbidden "Zone" filmmaker Andrei Tarkovsky's hero, who guides people through in the film Stalker – forbidden, wasted, and beautifully desolate. When listeners reach the place in "Auma" where Andersen's bass employs electronic devices to give it an "orchestra" or chamber section quality, they can hear how attentive this crew really is to one another. They move about slowly and purposefully in the musical spheres where sound, language, and harmonic monoliths all give way into something less definite, less shapely or contoured in favor of the unspeakable, the unmentionable, the inarticulate speech of the heart as it enters, through sound's language: one of tension, dynamic, nuance, and texture, the various places where spoken language fails so miserably. In all, Karta is an effort that showcases the very best of its collective: It contains aesthetic grace and elegance as well as great violence and chaos. For all the recordings in "popular" music made at the end of the century, this is the one that sums up best where Western music has traveled these last hundred years, and points to just how far it yet needs to journey in the next thousand. Karta is soulful, tender, and frightening.Review by Thom Jurek, Allmusic.com
For Karta, the augmented trio of trumpeter Markus Stockhausen (son of modern-classical master Karlheinz), bassist Arild Andersen, drummer Patrice Heral and special-guest guitarist Terje Rypdal convened in an Oslo, Norway, studio with themes and songs that Stockhausen and Andersen had written. Nearly all of the tunes, though, were discarded once the group started improvising, creating spontaneous compositions that they believe surpassed the readied material. Despite the lack of postproduction trickery on Karta, the group achieves an ambient-electronica vibe by running their instruments through effects and gadgets of all sorts. Stockhausen uses a harmonizer, echo, reverb and wah-wah pedal; Andersen and Heral use samplers and delays; and Rypdal’s six-string tone has long been one of the most heavily treated in music, taking it as far away from that dark, dull and muddy sound that has forever defined jazz guitar.
It’s hard to focus on any particular track on Karta; it tends to wash over you like a nice, hot, lulling shower. The tracks are mostly collections of evocative timbres (“Sezopen”), gentle improvisation (“Flower of Now”), ringing percussion (“Wood and Naphta”) and pastoral effects “(Invocation”). The most distinct track is the stunning closer, “Lighthouse,” which features Anderson’s kalimbalike ostinato pattern anchoring Stockhausen’s gorgeous, classically minded melodies, Rypdal’s waves of sound and Heral’s shimmering percussion.
Stockhausen’s playing doesn’t sound anything like Miles Davis’-Markus is classically trained, and his precise intonation, forceful attack and strong tone are the inverse of Miles’ singular strained sound-the effects of Davis’ early ’70s, dark-ambient improvs, like “He Loved Him Madly” from Get Up With It, run throughout Karta. The moody, muted-trumpet track “Legacy” is even dedicated to the Prince of Darkness. But what comes around goes around: After all, it was Papa Stockhausen who helped influence Davis to try such genre-expanding sonic risks in the first place.Review by Christopher Porter, JazzTimes.com
Markus Stockhausen, Arild Andersen, Patrice Heral, Terje Rypdal - Karta (2000)
Markus Stockhausen - trumpet, piccolo trumpet, flugelhorn
Terje Rypdal - electric guitar
Arild Andersen - double-bass
Patrice Héral - drums, percussion, live electronics
Recorded December 1999 at Rainbow Studio, Oslo
Tracklist:
01. Sezopen (4:50)
02. Flower of Now (9:18)
03. Wood and Naphta (2:58)
04. Sway (4:27)
05. Auma (8:06)
06. Legacy (5:20)
07. Invocation (4:44)
08. Wildcat (7:59)
09. Emanation (4:01)
10. Choral (3:57)
11. Lighthouse (8:41)
X Lossless Decoder version 20101010 (123.3)
XLD extraction logfile from 2010-11-03 16:57:43 +0100
Markus Stockhausen, Arild Andersen, Patrice HГ©ral & Terje Rypdal / Karta
Used drive : HL-DT-ST DVDRW GSA-S10N (revision AP12)
Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended
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10 | 51:42:70 | 03:57:35 | 232720 | 250529
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XLD extraction logfile from 2010-11-03 16:57:43 +0100
Markus Stockhausen, Arild Andersen, Patrice HГ©ral & Terje Rypdal / Karta
Used drive : HL-DT-ST DVDRW GSA-S10N (revision AP12)
Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended
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Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:00:00 | 04:50:05 | 0 | 21754
2 | 04:50:05 | 09:17:57 | 21755 | 63586
3 | 14:07:62 | 02:58:18 | 63587 | 76954
4 | 17:06:05 | 04:27:15 | 76955 | 96994
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7 | 34:58:62 | 04:44:15 | 157412 | 178726
8 | 39:43:02 | 07:58:50 | 178727 | 214626
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10 | 51:42:70 | 03:57:35 | 232720 | 250529
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->Accurately ripped! (confidence 16)
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[CUETools log; Date: 28.03.2018 5:15:58; Version: 2.1.4]
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Track | CTDB Status
1 | (43/43) Accurately ripped
2 | (43/43) Accurately ripped
3 | (43/43) Accurately ripped
4 | (43/43) Accurately ripped
5 | (43/43) Accurately ripped
6 | (43/43) Accurately ripped
7 | (43/43) Accurately ripped
8 | (43/43) Accurately ripped
9 | (43/43) Accurately ripped
10 | (42/43) Accurately ripped
11 | (43/43) Accurately ripped
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Track [ CRC | V2 ] Status
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03 [899e24f1|efa98aac] (20+23/47) Accurately ripped
04 [44e83cef|ee443fbf] (20+23/47) Accurately ripped
05 [3de7f5f1|0823596f] (20+23/47) Accurately ripped
06 [259baa67|6c9ac7b3] (20+23/47) Accurately ripped
07 [71796afc|7c27443b] (20+23/47) Accurately ripped
08 [014f53f3|9bd81f33] (20+23/47) Accurately ripped
09 [a7c823a7|ee64cc47] (20+23/47) Accurately ripped
10 [d33e6a34|f6fffc9f] (20+23/47) Accurately ripped
11 [d2239957|5e91539c] (20+22/46) Accurately ripped
Offsetted by -664:
01 [5cf2822a] (00/47) No match (V2 was not tested)
02 [06d7d80a] (00/47) No match (V2 was not tested)
03 [61c30aa9] (00/47) No match (V2 was not tested)
04 [f2ed81a7] (00/47) No match (V2 was not tested)
05 [6c5ca0b1] (00/47) No match (V2 was not tested)
06 [2a50ecb7] (00/47) No match (V2 was not tested)
07 [cf22beac] (00/47) No match (V2 was not tested)
08 [ec7efaeb] (00/47) No match (V2 was not tested)
09 [39bfa60f] (00/47) No match (V2 was not tested)
10 [970e0add] (00/47) No match (V2 was not tested)
11 [89f506d6] (00/46) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [979FD7F0] [97D559F8]
01 99,9 [7453A4E4] [239E76B2]
02 99,9 [5726E147] [A119BA13]
03 99,9 [711AA3AD] [B71BB0D9]
04 100,0 [388846DE] [58EE5641]
05 99,9 [E66D17A9] [86AEE5A1]
06 99,9 [4A518B04] [ABE51888]
07 99,9 [F3755778] [D2571A75]
08 99,9 [31070518] [B332D30C]
09 93,7 [4095745B] [9E57BFF7]
10 79,3 [079FE268] [641EFB86]
11 98,7 [94A38F8C] [CF7359D7]
[CTDB TOCID: BsTjCvHroGVs9i9tVw5qRu66q.o-] found.
Track | CTDB Status
1 | (43/43) Accurately ripped
2 | (43/43) Accurately ripped
3 | (43/43) Accurately ripped
4 | (43/43) Accurately ripped
5 | (43/43) Accurately ripped
6 | (43/43) Accurately ripped
7 | (43/43) Accurately ripped
8 | (43/43) Accurately ripped
9 | (43/43) Accurately ripped
10 | (42/43) Accurately ripped
11 | (43/43) Accurately ripped
[AccurateRip ID: 001a3060-00e2941c-8c0f150b] found.
Track [ CRC | V2 ] Status
01 [7e38d8e8|9dcf4aaf] (20+23/47) Accurately ripped
02 [9addd89c|b64b12d3] (20+23/47) Accurately ripped
03 [899e24f1|efa98aac] (20+23/47) Accurately ripped
04 [44e83cef|ee443fbf] (20+23/47) Accurately ripped
05 [3de7f5f1|0823596f] (20+23/47) Accurately ripped
06 [259baa67|6c9ac7b3] (20+23/47) Accurately ripped
07 [71796afc|7c27443b] (20+23/47) Accurately ripped
08 [014f53f3|9bd81f33] (20+23/47) Accurately ripped
09 [a7c823a7|ee64cc47] (20+23/47) Accurately ripped
10 [d33e6a34|f6fffc9f] (20+23/47) Accurately ripped
11 [d2239957|5e91539c] (20+22/46) Accurately ripped
Offsetted by -664:
01 [5cf2822a] (00/47) No match (V2 was not tested)
02 [06d7d80a] (00/47) No match (V2 was not tested)
03 [61c30aa9] (00/47) No match (V2 was not tested)
04 [f2ed81a7] (00/47) No match (V2 was not tested)
05 [6c5ca0b1] (00/47) No match (V2 was not tested)
06 [2a50ecb7] (00/47) No match (V2 was not tested)
07 [cf22beac] (00/47) No match (V2 was not tested)
08 [ec7efaeb] (00/47) No match (V2 was not tested)
09 [39bfa60f] (00/47) No match (V2 was not tested)
10 [970e0add] (00/47) No match (V2 was not tested)
11 [89f506d6] (00/46) No match (V2 was not tested)
Track Peak [ CRC32 ] [W/O NULL]
– 100,0 [979FD7F0] [97D559F8]
01 99,9 [7453A4E4] [239E76B2]
02 99,9 [5726E147] [A119BA13]
03 99,9 [711AA3AD] [B71BB0D9]
04 100,0 [388846DE] [58EE5641]
05 99,9 [E66D17A9] [86AEE5A1]
06 99,9 [4A518B04] [ABE51888]
07 99,9 [F3755778] [D2571A75]
08 99,9 [31070518] [B332D30C]
09 93,7 [4095745B] [9E57BFF7]
10 79,3 [079FE268] [641EFB86]
11 98,7 [94A38F8C] [CF7359D7]
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-03-28 05:02:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Markus Stockhausen, Arild Andersen, Patrice Héral & Terje Rypdal / Karta
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -19.00 dB 4:50 01-Sezopen
DR12 0.00 dB -17.16 dB 9:18 02-Flower of Now
DR14 0.00 dB -17.11 dB 2:58 03-Wood and Naphta
DR11 0.00 dB -13.76 dB 4:27 04-Sway
DR11 0.00 dB -17.59 dB 8:06 05-Auma
DR19 0.00 dB -24.30 dB 5:20 06-Legacy
DR13 0.00 dB -18.09 dB 4:44 07-Invocation
DR13 0.00 dB -16.78 dB 7:59 08-Wildcat
DR11 -0.56 dB -18.65 dB 4:01 09-Emanation
DR14 -2.00 dB -22.62 dB 3:57 10-Choral
DR14 -0.11 dB -18.17 dB 8:41 11-Lighthouse
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 651 kbps
Codec: FLAC
================================================================================
log date: 2018-03-28 05:02:19
––––––––––––––––––––––––––––––––––––––––
Analyzed: Markus Stockhausen, Arild Andersen, Patrice Héral & Terje Rypdal / Karta
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -19.00 dB 4:50 01-Sezopen
DR12 0.00 dB -17.16 dB 9:18 02-Flower of Now
DR14 0.00 dB -17.11 dB 2:58 03-Wood and Naphta
DR11 0.00 dB -13.76 dB 4:27 04-Sway
DR11 0.00 dB -17.59 dB 8:06 05-Auma
DR19 0.00 dB -24.30 dB 5:20 06-Legacy
DR13 0.00 dB -18.09 dB 4:44 07-Invocation
DR13 0.00 dB -16.78 dB 7:59 08-Wildcat
DR11 -0.56 dB -18.65 dB 4:01 09-Emanation
DR14 -2.00 dB -22.62 dB 3:57 10-Choral
DR14 -0.11 dB -18.17 dB 8:41 11-Lighthouse
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 651 kbps
Codec: FLAC
================================================================================
Markus Stockhausen, Arild Andersen, Patrice Heral, Terje Rypdal - Karta (2000)
Markus Stockhausen, Arild Andersen, Patrice Heral, Terje Rypdal - Karta (2000)
