![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/04/a4/001aa404_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/04/a4/001aa404.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Rhino | 8122 79801 3 | ~2285 + 1014Mb
Scans(png) -> 307 Mb | Box Art -> 66 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Rhino | 8122 79801 3 | ~2285 + 1014Mb
Scans(png) -> 307 Mb | Box Art -> 66 Mb
Five CD box set containing a quintet of their albums housed together in an attractive slipcase: Chicago Transit Authority (1969), Chicago II (1970), Chicago V (1972), Chicago VI (1973) and Chicago VII (1974). While Chicago are oft remembered as a Pop/Rock hit making machine, their musical roots were Jazz-oriented and this quintet of albums features the band blending their commercial sensibilities with their excellent Jazz/Rock musicianship––––––––––––––––-
Slowly but surely, Chicago are being elevated out of the middle-of-the-road kitsch bracket - more people are discovering their early work, much of which couldn't be further removed from Hard Habit To Break et cetera.
In the early '70s, they called this sort of music "brass rock" - a term that should be revived, as it certainly isn't jazz-rock fusion, it's not a bit like the Mahavishnu Orchestra, twin-guitar '70s Miles Davis, early (Vitous-era) Weather Report, or Frank Zappa's instrumental-oriented stuff. It's closer to Blood Sweat & Tears and such lesser-known phenomena as the Ides Of March or Heaven (who may even have coined the "brass-rock" term on their one and only [great] album).
Or Santana - because even before the Latin percussion starts creeping in on Volume VII, Chicago were mixing the same influences in the same fashion, and they had their own guitar hero in the perenially-underrated Terry Kath (odd that, since Hendrix was quite bowled over by him). I would recommend this to curious Santana fans, but I feel I may be wasting my time. To most people, this is an incomprehensible, utterly time-locked, musical genre. (I've seen reviews of both early Chicago and BS&T which argue that this music communicates absolutely nothing to later generations, and they may be right).
Chicago Transit Authority (1969) is the most guitar-heavy album of their career, with a lot of time taken up by Cream-ish extended jams (Poem 52 and the epic Liberation) and a Hendrixy atonal noise solo (Free Form Guitar. which doesn't really have enough variety of tones and ideas: Larry Coryell would've done it better). But it also introduces the mix of straight pop, jazz-tinged pop-rock and hippie politics that would occupy the next few albums.
Chicago (1970) is the most hippie-political album of their career, with a "stop the Vietnam war" song-sequence toward the end, songs about benign acid trips (Fancy Colours) and groupie encounters (The Road), interracial romances (at least I think that's the subtext of the famous Ballet For A Girl In Buchanon - two excerpts from which became hit singles) and a sleeve dedication about "the Revolution in all its forms". Oh yes, 25 Or 6 To 4 - by far the best-known song from Chicago's interesting years - is included here.
Chicago V (1972) sees them backtracking a bit - in State Of The Union they're anxious to distance themselves from the anarchist element, even though the song describes an instance of oppressive policing, and Dialogue is ambiguous as to whether we're supposed to sympathise with the "revolutionary" or the "apathetic student" depicted in the lyric. The songs are shorter, with no extended solos or ambitious bits of arranging. At worst, though, it's still a charming early '70s artifact - and the best bits remind us that they were still serious musicians. A Hit By Varese obviously stands out - as does the unfinished bonus track A Song For Richard And His Friends, which may or may not be present (I haven't actually got this box yet).
Chicago VI (1973) is their first straight pop record - the beginning of the transition towards AOR and MOR. At least it's a nice guilty-pleasure, much like the early Billy Joel or Steely Dan albums. Terry Kath is still on hand to add a bit of vocal grit and guitar muscle where needed, and the gospel-tinged finale Feeling Stronger Every Day is irresistible. (As I say, I haven't received this box, so I don't know whether Terry Kath's brilliant outtake Beyond All Our Sorrows is included).
Chicago VII (1974) is mainly another very '70s adult-pop record, like its predecessor, but it also contains the last gasp of their progressive, musicianly aspiriations. It opens with an instrumental suite including some damn fine flute, guitar and drum solos, and there are other, more fragmentary instrumentals punctuating the record (Hanky Panky and Mongo-Nucleosis could and should both be taken into the standard jazz repertoire, with minor modifications). Of the vocal numbers, Kath and Lamm's contributions stand out, but there are unexpected bonuses in the famous Beach Boys collaboration Wishing You Were Here, and Jimmy Pankow's vocal Song Of The Everglades, which features some splendid Kath guitarwork.
There's one thing obviously wrong with this box set - Chicago III is missing, which is nearly unforgivable! It may not have yielded any hits, here or there, but it's the most musically ambitious, most consistently compelling album they ever made. The one album that could definitely convert a skeptic: in its way the only Chicago album you really need.
So buy that one first, and then if you want more, think about buying this. (But look into the "bonus track" situation first!)~ coca-ebola, Amazon Customer Review
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/05/a4/001aa405_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/05/a4/001aa405.jpeg)
Chicago:
According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles. Judged by album sales, as certified by the R.I.A.A., the band does not rank quite so high, but it is still among the Top Ten best-selling U.S. groups ever. If such statements of fact surprise, that's because Chicago has been singularly underrated since the beginning of its long career, both because of its musical ambitions (to the musicians, rock is only one of several styles of music to be used and blended, along with classical, jazz, R&B, and pop) and because of its refusal to emphasize celebrity over the music. The result has been that fundamentalist rock critics have consistently failed to appreciate its music and that its media profile has always been low. At the same time, however, Chicago has succeeded in the ways it intended to. From the beginning of its emergence as a national act, it has been able to fill arenas with satisfied fans. And beyond the impressive sales and chart statistics, its music has endured, played constantly on the radio and instantly familiar to tens of millions. When, in 2002, Chicago's biggest hits were assembled together on the two-disc set The Very Best of Chicago: Only the Beginning and the album debuted in the Top 50, giving the band the distinction of having had chart albums in five consecutive decades, the music industry and some music journalists may have been startled. But the fans who had been supporting Chicago for over 30 years were not.
Chicago marked the confluence of two distinct, but intermingling musical strains in Chicago, IL, in the mid-'60s: an academic approach and one coming from the streets. Reed player Walter Parazaider (born March 14, 1945, in Chicago, IL), trumpeter Lee Loughnane (born October 21, 1946, in Chicago, IL), and trombonist James Pankow (born August 20, 1947, in St. Louis, MO) were all music students at DePaul University. But they moonlighted in the city's clubs, playing everything from R&B to Irish music, and there they encountered less formally educated but no less talented players like guitarist Terry Kath (born January 31, 1946, in Chicago, IL; died January 23, 1978, in Los Angeles, CA) and drummer Danny Seraphine (born August 28, 1948, in Chicago, IL). In the mid-'60s, most rock groups followed the instrumentation of the Beatles – two guitars, bass, and drums – and horn sections were heard only in R&B. But in the summer of 1966, the Beatles used horns on "Got to Get You into My Life" on their Revolver album and, as usual, pop music began to follow their lead. At the end of the year, the Buckinghams, a Chicago band guided by a friend of Parazaider's, James William Guercio, scored a national hit with the horn-filled "Kind of a Drag," which went on to hit number one in February 1967.
That was all the encouragement Parazaider and his friends needed. Parazaider called a meeting of the band-to-be at his apartment on February 15, 1967, inviting along a talented organist and singer he had run across, Robert Lamm (born October 13, 1944, in New York, NY [Brooklyn]). Lamm agreed to join and also said he could supply the missing bass sounds to the ensemble using the organ's foot pedals (a skill he had not actually acquired at the time).
Developing a repertoire of James Brown and Wilson Pickett material, the new band rehearsed in Parazaider's parents' basement before beginning to get gigs around town under the name the Big Thing. Soon, they were playing around the Midwest. By this time, Guercio had become a staff producer at Columbia Records, and he encouraged the band to begin developing original songs. Kath, and especially Lamm, took up the suggestion. (Soon, Pankow also became a major writer for the band.) Meanwhile, the sextet became a septet when Peter Cetera (born September 13, 1944, in Chicago, IL), singer and bassist for a rival Midwest band, the Exceptions, agreed to defect and join the Big Thing. This gave the group the unusual versatility of having three lead singers, the smooth baritone Lamm, the gruff baritone Kath, and Cetera, who was an elastic tenor. When Guercio came back to see the group in the late winter of 1968, he deemed them ready for the next step. In June 1968, he financed their move to Los Angeles.
Guercio exerted a powerful influence on the band as its manager and producer, which would become a problem over time. At first, the bandmembers were willing to live together in a two-bedroom house, practice all the time, and change the group's name to one of Guercio's choosing, Chicago Transit Authority. Guercio's growing power at Columbia Records enabled him to get the band signed there and to set in place the unusual image the band would have. He convinced the label to let this neophyte band release a double album as its debut (that is, when they agreed to a cut in their royalties), and he decided the group would be represented on the cover by a logo instead of a photograph.
Chicago Transit Authority, released in April 1969, debuted on the charts in May as the band began touring nationally. By July, the album had reached the Top 20, without benefit of a hit single. It had been taken up by the free-form FM rock stations and become an underground hit. It was certified gold by the end of the year and eventually went on to sell more than two million copies. (In September 1969, the band played the Toronto Rock 'n' Roll Festival, and somehow the promoter obtained the right to tape the show. That same low-fidelity tape has turned up in an endless series of albums ever since. Examples include: Anthology, Beat the Bootleggers: Live 1967, Beginnings, Beginnings Live, Chicago [Classic World], Chicago Live, Chicago Transit Authority: Live in Concert [Magnum], Chicago Transit Authority: Live in Concert [Onyx], Great Chicago in Concert, I'm a Man, In Concert [Digmode], In Concert [Pilz], Live! [Columbia River], Live [LaserLight], Live Chicago, Live in Concert, Live in Toronto, Live '69, Live 25 or 6 to 4, The Masters, Rock in Toronto, and Toronto Rock 'n' Roll Revival.) To Guercio's surprise, he was contacted by the real Chicago Transit Authority, which objected to the band's use of the name; he responded by shortening the name to simply "Chicago." When he and the group finished the second album (another double) for release at the start of 1970, it was called Chicago, though it has since become known as Chicago II.
Chicago II vaulted into the Top Ten in its second week on the Billboard chart, even before its first single, "Make Me Smile," hit the Hot 100. The single was an excerpt from a musical suite, and the band at first objected to the editing considered necessary to prepare it for AM radio play. But it went on to reach the Top Ten, as did its successor, "25 or 6 to 4." The album quickly went gold and eventually platinum. In the fall of 1970, Columbia Records released "Does Anybody Really Know What Time It Is?," drawn from the group's first album, as its next single; it gave them their third consecutive Top Ten hit.
Chicago III, another double album, was ready for release at the start of 1971, and it just missed hitting number one while giving the band a third gold (and later platinum) LP. Its singles did not reach the Top Ten, however, and Columbia again reached back, releasing "Beginnings" (from the first album) backed with "Colour My World" (from the second) to give Chicago its fourth Top Ten single. Next up was a live album, the four-disc box set Chicago at Carnegie Hall, which, despite its size, crested in the Top Five and sold over a million copies. (The band itself preferred Live in Japan, an album recorded in February 1972 and initially released only in Japan.) Chicago V, a one-LP set, released in July 1972, spent nine weeks at number one on its way to selling over two million copies, spurred by its gold-selling Top Ten hit "Saturday in the Park." Chicago VI followed a year later and repeated the same success, launching the Top Ten singles "Feelin' Stronger Every Day" and "Just You 'n' Me."
The next Top Ten hit, "(I've Been) Searchin' So Long," was released in advance of Chicago VII in the late winter of 1974. The album was the band's third consecutive chart-topper and another million-seller. "Call on Me" became its second Top Ten single. Chicago VIII, which marked the promotion of sideman percussionist Laudir de Oliveira as a full-fledged bandmember, appeared in the spring of 1975, spawned the Top Ten hit "Old Days," and became the band's fourth consecutive number one LP. After the profit-taking Chicago IX: Chicago's Greatest Hits in the fall of 1975 came Chicago X, which missed hitting number one but eventually sold over two million copies, in part because of the inclusion of the Grammy-winning number one single "If You Leave Me Now." Chicago XI, released in the late summer of 1977, continued the seemingly endless string of success, reaching the Top Ten, selling a million copies, and generating the Top Five hit "Baby, What a Big Surprise."
But there was trouble beneath the surface. The band's big hits were starting to be solely ballads sung by Cetera, which frustrated the musicians' musical ambitions. They had failed to attract critical notice, and what press attention they were given often alluded to Guercio's Svengali-like control as manager and producer. Chicago determined to fire Guercio and demonstrate that they could succeed without him. Shortly afterward, they were struck by a crushing blow. Kath, a gun enthusiast, accidentally shot and killed himself on January 23, 1978. Though he, like most of the other members of the band, was not readily recognizable outside the group, he had actually had a large say in its direction, and his loss was incalculable. Nevertheless, the band closed ranks and went on.
Guitarist Donnie Dacus was chosen from auditions and joined the band in time for its 12th LP release, which was given a non-numerical title, Hot Streets, and which put prominent pictures of the bandmembers on the cover for the first time. The sound, as indicated by the first single, the Top 20 hit "Alive Again," was harder rock, and the band's core following responded, but Hot Streets was Chicago's first album since 1969 to miss the Top Ten. Chicago 13 then missed the Top 20. (At this point, Dacus left the band, and Chicago hired guitarist Chris Pinnick as a sideman, eventually upping him to full-fledged group-member status.) Released in 1980, Chicago XIV, the last album to feature de Oliveira, didn't go gold. By 1981, with the release of the 15th album, the poor-selling Greatest Hits, Vol. 2, the band parted ways with Columbia Records and began looking for a new approach.
They found it in writer/producer David Foster, who returned to an emphasis on the band's talent for power ballads as sung by Cetera. They also brought in one of Foster's favorite session musicians, Bill Champlin (born May 21, 1947, in Oakland, CA), as a full-fledged bandmember. Champlin, formerly the leader of the Sons of Champlin, was a multi-instrumentalist with a gruff voice that allowed him to sing the parts previously taken by Kath. With these additions, the band signed with Full Moon Records, an imprint of Warner Bros., and released Chicago 16 in the spring of 1982, prefaced by the single "Hard to Say I'm Sorry," which topped the charts, leading to a major comeback. The album returned Chicago to million-selling, Top Ten status. Chicago 17, released in the spring of 1984, was even more successful – in fact, the biggest-selling album of the band's career, with platinum certifications for six million copies as of 1997. It spawned two Top Five hits, "Hard Habit to Break" and "You're the Inspiration."
The renewed success, however, changed the long-established group dynamics, thrusting Cetera out as a star. He left the band for a solo career in 1985. (Pinnick also left at about this time, and the band did not immediately bring in a new guitarist.) As Cetera's replacement, Chicago found Jason Scheff, the 23-year-old bass-playing son of famed bassist Jerry Scheff, a longtime sideman with Elvis Presley. Scheff boasted a tenor voice that allowed him to re-create Cetera's singing on many Chicago hits. The split with Cetera had a negative commercial impact, however. Despite boasting a Top Five hit single in "Will You Still Love Me?," 1986's Chicago 18 only went gold. The band recovered, however, with Chicago 19, released in the spring of 1988. Among its singles, "I Don't Want to Live Without Your Love" made the Top Five, "Look Away" topped the charts, and "You're Not Alone" made the Top Ten as the album went platinum. Another single, "What Kind of Man Would I Be?," originally found on the album, was included as part of the 1989 compilation Greatest Hits 1982-1989 (which counted as the 20th album) and became a Top Five hit, while the album sold five million copies by 1997.
At the turn of the decade, Chicago underwent two more personnel changes, with guitarist DaWayne Bailey joining and original drummer Danny Seraphine departing, to be replaced by Tris Imboden. Chicago Twenty 1, released at the start of 1991, sold disappointingly, and Warner rejected the band's next offering (though tracks from it did turn up on compilations). Chicago, however, maintained a loyal following that enabled them to tour successfully every summer. In 1995, Keith Howland replaced Bailey as Chicago's guitarist. The same year, the band regained rights to its Columbia Records catalog and established its own Chicago Records label to reissue the albums. They also signed to Giant Records, another Warner imprint, to release their 22nd album, Night & Day, a collection of big-band standards that made the Top 100. They were now able to combine hits from their Columbia and Warner years, resulting in the release of the gold-selling The Heart of Chicago 1967-1997 and its follow-up, The Heart of Chicago, Vol. 2 1967-1998 (their 23rd and 24th albums, respectively). In 1998, they released Chicago 25: The Christmas Album on Chicago Records, and they followed it in 1999 with Chicago XXVI: The Live Album. In 2002, Chicago began leasing its early albums to Rhino Records for deluxe repackagings, often with bonus tracks. And the success of The Very Best of Chicago: Only the Beginning demonstrated that their music continued to appeal to fans. Feeding off the renewed interest, the band reappeared in 2006 with the new album Chicago XXX on Rhino. The rejected Warner album from 1993 was finally released by Rhino in 2008 as Stone of Sisyphus: XXXII.
~ William Ruhlmann, Rovi
Chicago — американская рок-группа, образованная в 1967 году в Чикаго. Известна как одна из первых рок-групп, широко использовавших духовые инструменты.
Биография
Первые альбомы Chicago отличались экспериментальным подходом к музыке и политически заострёнными текстами. Главная изюминка этой группы была в том, что в её состав входили саксофонист, тромбонист и трубач. Ставка на духовые стала залогом того, что звучание группы было весьма своеобразным. Они выпускали по два полнометражных альбома в год, причем все они были озаглавлены именем группы с добавлением соответствующих римских цифр. Их второй альбом стал одним из бестселлеров 1970 года, а через год Chicago стали первыми рок-музыкантами, которым было дозволено выступить в святая святых американской эстрады — Карнеги-холле.
Наряду с Beach Boys (с которыми они нередко выступали вместе), Chicago оказались единственной американской рок-группой, которой удалось сохранить коммерческую привлекательность и широкую популярность вплоть до 1990-х. С годами они значительно смягчили свое звучание, а в их репертуаре стали преобладать нежные любовные баллады, такие как «If You Leave Me Now» (премия «Грэмми», первое место в США, 1976) и «Hard to Say I’m Sorry» (первое место в США, 1982). Эта тенденция стала особенно очевидной после гибели в 1978 году гитариста Терри Ката и с приходом в 1982 году в группу канадского продюсера Дэвида Фостера.
Не все участники были довольны растущей коммерциализацией и отходом от рок-корней. Виновником нового направления команды многие считали вокалиста Питера Сетера, который решил в 1985 году покинуть группу и записал несколько успешных баллад сольно и в дуэте с другими исполнителями. После расставания с Сетера и Фостером Chicago сосредоточились на живых выступлениях, а в 1989 году журнал Billboard признал наиболее продаваемым синглом года в США их энергичную балладу «Look Away» (автор — Дайан Уоррен).
According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles. Judged by album sales, as certified by the R.I.A.A., the band does not rank quite so high, but it is still among the Top Ten best-selling U.S. groups ever. If such statements of fact surprise, that's because Chicago has been singularly underrated since the beginning of its long career, both because of its musical ambitions (to the musicians, rock is only one of several styles of music to be used and blended, along with classical, jazz, R&B, and pop) and because of its refusal to emphasize celebrity over the music. The result has been that fundamentalist rock critics have consistently failed to appreciate its music and that its media profile has always been low. At the same time, however, Chicago has succeeded in the ways it intended to. From the beginning of its emergence as a national act, it has been able to fill arenas with satisfied fans. And beyond the impressive sales and chart statistics, its music has endured, played constantly on the radio and instantly familiar to tens of millions. When, in 2002, Chicago's biggest hits were assembled together on the two-disc set The Very Best of Chicago: Only the Beginning and the album debuted in the Top 50, giving the band the distinction of having had chart albums in five consecutive decades, the music industry and some music journalists may have been startled. But the fans who had been supporting Chicago for over 30 years were not.
Chicago marked the confluence of two distinct, but intermingling musical strains in Chicago, IL, in the mid-'60s: an academic approach and one coming from the streets. Reed player Walter Parazaider (born March 14, 1945, in Chicago, IL), trumpeter Lee Loughnane (born October 21, 1946, in Chicago, IL), and trombonist James Pankow (born August 20, 1947, in St. Louis, MO) were all music students at DePaul University. But they moonlighted in the city's clubs, playing everything from R&B to Irish music, and there they encountered less formally educated but no less talented players like guitarist Terry Kath (born January 31, 1946, in Chicago, IL; died January 23, 1978, in Los Angeles, CA) and drummer Danny Seraphine (born August 28, 1948, in Chicago, IL). In the mid-'60s, most rock groups followed the instrumentation of the Beatles – two guitars, bass, and drums – and horn sections were heard only in R&B. But in the summer of 1966, the Beatles used horns on "Got to Get You into My Life" on their Revolver album and, as usual, pop music began to follow their lead. At the end of the year, the Buckinghams, a Chicago band guided by a friend of Parazaider's, James William Guercio, scored a national hit with the horn-filled "Kind of a Drag," which went on to hit number one in February 1967.
That was all the encouragement Parazaider and his friends needed. Parazaider called a meeting of the band-to-be at his apartment on February 15, 1967, inviting along a talented organist and singer he had run across, Robert Lamm (born October 13, 1944, in New York, NY [Brooklyn]). Lamm agreed to join and also said he could supply the missing bass sounds to the ensemble using the organ's foot pedals (a skill he had not actually acquired at the time).
Developing a repertoire of James Brown and Wilson Pickett material, the new band rehearsed in Parazaider's parents' basement before beginning to get gigs around town under the name the Big Thing. Soon, they were playing around the Midwest. By this time, Guercio had become a staff producer at Columbia Records, and he encouraged the band to begin developing original songs. Kath, and especially Lamm, took up the suggestion. (Soon, Pankow also became a major writer for the band.) Meanwhile, the sextet became a septet when Peter Cetera (born September 13, 1944, in Chicago, IL), singer and bassist for a rival Midwest band, the Exceptions, agreed to defect and join the Big Thing. This gave the group the unusual versatility of having three lead singers, the smooth baritone Lamm, the gruff baritone Kath, and Cetera, who was an elastic tenor. When Guercio came back to see the group in the late winter of 1968, he deemed them ready for the next step. In June 1968, he financed their move to Los Angeles.
Guercio exerted a powerful influence on the band as its manager and producer, which would become a problem over time. At first, the bandmembers were willing to live together in a two-bedroom house, practice all the time, and change the group's name to one of Guercio's choosing, Chicago Transit Authority. Guercio's growing power at Columbia Records enabled him to get the band signed there and to set in place the unusual image the band would have. He convinced the label to let this neophyte band release a double album as its debut (that is, when they agreed to a cut in their royalties), and he decided the group would be represented on the cover by a logo instead of a photograph.
Chicago Transit Authority, released in April 1969, debuted on the charts in May as the band began touring nationally. By July, the album had reached the Top 20, without benefit of a hit single. It had been taken up by the free-form FM rock stations and become an underground hit. It was certified gold by the end of the year and eventually went on to sell more than two million copies. (In September 1969, the band played the Toronto Rock 'n' Roll Festival, and somehow the promoter obtained the right to tape the show. That same low-fidelity tape has turned up in an endless series of albums ever since. Examples include: Anthology, Beat the Bootleggers: Live 1967, Beginnings, Beginnings Live, Chicago [Classic World], Chicago Live, Chicago Transit Authority: Live in Concert [Magnum], Chicago Transit Authority: Live in Concert [Onyx], Great Chicago in Concert, I'm a Man, In Concert [Digmode], In Concert [Pilz], Live! [Columbia River], Live [LaserLight], Live Chicago, Live in Concert, Live in Toronto, Live '69, Live 25 or 6 to 4, The Masters, Rock in Toronto, and Toronto Rock 'n' Roll Revival.) To Guercio's surprise, he was contacted by the real Chicago Transit Authority, which objected to the band's use of the name; he responded by shortening the name to simply "Chicago." When he and the group finished the second album (another double) for release at the start of 1970, it was called Chicago, though it has since become known as Chicago II.
Chicago II vaulted into the Top Ten in its second week on the Billboard chart, even before its first single, "Make Me Smile," hit the Hot 100. The single was an excerpt from a musical suite, and the band at first objected to the editing considered necessary to prepare it for AM radio play. But it went on to reach the Top Ten, as did its successor, "25 or 6 to 4." The album quickly went gold and eventually platinum. In the fall of 1970, Columbia Records released "Does Anybody Really Know What Time It Is?," drawn from the group's first album, as its next single; it gave them their third consecutive Top Ten hit.
Chicago III, another double album, was ready for release at the start of 1971, and it just missed hitting number one while giving the band a third gold (and later platinum) LP. Its singles did not reach the Top Ten, however, and Columbia again reached back, releasing "Beginnings" (from the first album) backed with "Colour My World" (from the second) to give Chicago its fourth Top Ten single. Next up was a live album, the four-disc box set Chicago at Carnegie Hall, which, despite its size, crested in the Top Five and sold over a million copies. (The band itself preferred Live in Japan, an album recorded in February 1972 and initially released only in Japan.) Chicago V, a one-LP set, released in July 1972, spent nine weeks at number one on its way to selling over two million copies, spurred by its gold-selling Top Ten hit "Saturday in the Park." Chicago VI followed a year later and repeated the same success, launching the Top Ten singles "Feelin' Stronger Every Day" and "Just You 'n' Me."
The next Top Ten hit, "(I've Been) Searchin' So Long," was released in advance of Chicago VII in the late winter of 1974. The album was the band's third consecutive chart-topper and another million-seller. "Call on Me" became its second Top Ten single. Chicago VIII, which marked the promotion of sideman percussionist Laudir de Oliveira as a full-fledged bandmember, appeared in the spring of 1975, spawned the Top Ten hit "Old Days," and became the band's fourth consecutive number one LP. After the profit-taking Chicago IX: Chicago's Greatest Hits in the fall of 1975 came Chicago X, which missed hitting number one but eventually sold over two million copies, in part because of the inclusion of the Grammy-winning number one single "If You Leave Me Now." Chicago XI, released in the late summer of 1977, continued the seemingly endless string of success, reaching the Top Ten, selling a million copies, and generating the Top Five hit "Baby, What a Big Surprise."
But there was trouble beneath the surface. The band's big hits were starting to be solely ballads sung by Cetera, which frustrated the musicians' musical ambitions. They had failed to attract critical notice, and what press attention they were given often alluded to Guercio's Svengali-like control as manager and producer. Chicago determined to fire Guercio and demonstrate that they could succeed without him. Shortly afterward, they were struck by a crushing blow. Kath, a gun enthusiast, accidentally shot and killed himself on January 23, 1978. Though he, like most of the other members of the band, was not readily recognizable outside the group, he had actually had a large say in its direction, and his loss was incalculable. Nevertheless, the band closed ranks and went on.
Guitarist Donnie Dacus was chosen from auditions and joined the band in time for its 12th LP release, which was given a non-numerical title, Hot Streets, and which put prominent pictures of the bandmembers on the cover for the first time. The sound, as indicated by the first single, the Top 20 hit "Alive Again," was harder rock, and the band's core following responded, but Hot Streets was Chicago's first album since 1969 to miss the Top Ten. Chicago 13 then missed the Top 20. (At this point, Dacus left the band, and Chicago hired guitarist Chris Pinnick as a sideman, eventually upping him to full-fledged group-member status.) Released in 1980, Chicago XIV, the last album to feature de Oliveira, didn't go gold. By 1981, with the release of the 15th album, the poor-selling Greatest Hits, Vol. 2, the band parted ways with Columbia Records and began looking for a new approach.
They found it in writer/producer David Foster, who returned to an emphasis on the band's talent for power ballads as sung by Cetera. They also brought in one of Foster's favorite session musicians, Bill Champlin (born May 21, 1947, in Oakland, CA), as a full-fledged bandmember. Champlin, formerly the leader of the Sons of Champlin, was a multi-instrumentalist with a gruff voice that allowed him to sing the parts previously taken by Kath. With these additions, the band signed with Full Moon Records, an imprint of Warner Bros., and released Chicago 16 in the spring of 1982, prefaced by the single "Hard to Say I'm Sorry," which topped the charts, leading to a major comeback. The album returned Chicago to million-selling, Top Ten status. Chicago 17, released in the spring of 1984, was even more successful – in fact, the biggest-selling album of the band's career, with platinum certifications for six million copies as of 1997. It spawned two Top Five hits, "Hard Habit to Break" and "You're the Inspiration."
The renewed success, however, changed the long-established group dynamics, thrusting Cetera out as a star. He left the band for a solo career in 1985. (Pinnick also left at about this time, and the band did not immediately bring in a new guitarist.) As Cetera's replacement, Chicago found Jason Scheff, the 23-year-old bass-playing son of famed bassist Jerry Scheff, a longtime sideman with Elvis Presley. Scheff boasted a tenor voice that allowed him to re-create Cetera's singing on many Chicago hits. The split with Cetera had a negative commercial impact, however. Despite boasting a Top Five hit single in "Will You Still Love Me?," 1986's Chicago 18 only went gold. The band recovered, however, with Chicago 19, released in the spring of 1988. Among its singles, "I Don't Want to Live Without Your Love" made the Top Five, "Look Away" topped the charts, and "You're Not Alone" made the Top Ten as the album went platinum. Another single, "What Kind of Man Would I Be?," originally found on the album, was included as part of the 1989 compilation Greatest Hits 1982-1989 (which counted as the 20th album) and became a Top Five hit, while the album sold five million copies by 1997.
At the turn of the decade, Chicago underwent two more personnel changes, with guitarist DaWayne Bailey joining and original drummer Danny Seraphine departing, to be replaced by Tris Imboden. Chicago Twenty 1, released at the start of 1991, sold disappointingly, and Warner rejected the band's next offering (though tracks from it did turn up on compilations). Chicago, however, maintained a loyal following that enabled them to tour successfully every summer. In 1995, Keith Howland replaced Bailey as Chicago's guitarist. The same year, the band regained rights to its Columbia Records catalog and established its own Chicago Records label to reissue the albums. They also signed to Giant Records, another Warner imprint, to release their 22nd album, Night & Day, a collection of big-band standards that made the Top 100. They were now able to combine hits from their Columbia and Warner years, resulting in the release of the gold-selling The Heart of Chicago 1967-1997 and its follow-up, The Heart of Chicago, Vol. 2 1967-1998 (their 23rd and 24th albums, respectively). In 1998, they released Chicago 25: The Christmas Album on Chicago Records, and they followed it in 1999 with Chicago XXVI: The Live Album. In 2002, Chicago began leasing its early albums to Rhino Records for deluxe repackagings, often with bonus tracks. And the success of The Very Best of Chicago: Only the Beginning demonstrated that their music continued to appeal to fans. Feeding off the renewed interest, the band reappeared in 2006 with the new album Chicago XXX on Rhino. The rejected Warner album from 1993 was finally released by Rhino in 2008 as Stone of Sisyphus: XXXII.
~ William Ruhlmann, Rovi
Chicago — американская рок-группа, образованная в 1967 году в Чикаго. Известна как одна из первых рок-групп, широко использовавших духовые инструменты.
Биография
Первые альбомы Chicago отличались экспериментальным подходом к музыке и политически заострёнными текстами. Главная изюминка этой группы была в том, что в её состав входили саксофонист, тромбонист и трубач. Ставка на духовые стала залогом того, что звучание группы было весьма своеобразным. Они выпускали по два полнометражных альбома в год, причем все они были озаглавлены именем группы с добавлением соответствующих римских цифр. Их второй альбом стал одним из бестселлеров 1970 года, а через год Chicago стали первыми рок-музыкантами, которым было дозволено выступить в святая святых американской эстрады — Карнеги-холле.
Наряду с Beach Boys (с которыми они нередко выступали вместе), Chicago оказались единственной американской рок-группой, которой удалось сохранить коммерческую привлекательность и широкую популярность вплоть до 1990-х. С годами они значительно смягчили свое звучание, а в их репертуаре стали преобладать нежные любовные баллады, такие как «If You Leave Me Now» (премия «Грэмми», первое место в США, 1976) и «Hard to Say I’m Sorry» (первое место в США, 1982). Эта тенденция стала особенно очевидной после гибели в 1978 году гитариста Терри Ката и с приходом в 1982 году в группу канадского продюсера Дэвида Фостера.
Не все участники были довольны растущей коммерциализацией и отходом от рок-корней. Виновником нового направления команды многие считали вокалиста Питера Сетера, который решил в 1985 году покинуть группу и записал несколько успешных баллад сольно и в дуэте с другими исполнителями. После расставания с Сетера и Фостером Chicago сосредоточились на живых выступлениях, а в 1989 году журнал Billboard признал наиболее продаваемым синглом года в США их энергичную балладу «Look Away» (автор — Дайан Уоррен).
–––––––––––––––––––––-
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/08/a4/001aa408_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/08/a4/001aa408.jpeg)
CD1: Chicago - Chicago Transit Authority (1969)
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~560 + 230 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~560 + 230 Mb
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/09/a4/001aa409_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/09/a4/001aa409.jpeg)
Tracklist:
01 Introduction
02 Does Anybody Really Know What Time It Is?
03 Beginnings
04 Questions 67 And 68
05 Listen
06 Poem 58
07 Free Form Guitar
08 South California Purples
09 I'm A Man
10 Prologue, August 29, 1968
11 Someday (August 28, 1968)
12 Liberation
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 4. February 2011, 23:35
Chicago / Chicago Transit Authority
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:35.22 | 0 | 29646
2 | 6:35.22 | 4:36.40 | 29647 | 50386
3 | 11:11.62 | 7:54.10 | 50387 | 85946
4 | 19:05.72 | 5:02.60 | 85947 | 108656
5 | 24:08.57 | 3:21.50 | 108657 | 123781
6 | 27:30.32 | 8:37.63 | 123782 | 162619
7 | 36:08.20 | 6:47.32 | 162620 | 193176
8 | 42:55.52 | 6:11.35 | 193177 | 221036
9 | 49:07.12 | 7:39.70 | 221037 | 255531
10 | 56:47.07 | 0:57.35 | 255532 | 259841
11 | 57:44.42 | 4:13.30 | 259842 | 278846
12 | 61:57.72 | 14:38.50 | 278847 | 344746
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1969 Chicago Transit Authority\Chicago - Chicago Transit Authority.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 9B40F161
Copy CRC 9B40F161
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [58F01A71]
Track 2 accurately ripped (confidence 3) [660F02EA]
Track 3 accurately ripped (confidence 3) [22D4D456]
Track 4 accurately ripped (confidence 3) [78DAC217]
Track 5 accurately ripped (confidence 3) [0A7D6217]
Track 6 accurately ripped (confidence 3) [999B78F8]
Track 7 accurately ripped (confidence 3) [2CB7094B]
Track 8 accurately ripped (confidence 3) [E7BD66DB]
Track 9 accurately ripped (confidence 3) [4FF0E80D]
Track 10 accurately ripped (confidence 3) [9BB66A68]
Track 11 accurately ripped (confidence 3) [CFF8D086]
Track 12 accurately ripped (confidence 3) [A9D3A6B3]
All tracks accurately ripped
End of status report
EAC extraction logfile from 4. February 2011, 23:35
Chicago / Chicago Transit Authority
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:35.22 | 0 | 29646
2 | 6:35.22 | 4:36.40 | 29647 | 50386
3 | 11:11.62 | 7:54.10 | 50387 | 85946
4 | 19:05.72 | 5:02.60 | 85947 | 108656
5 | 24:08.57 | 3:21.50 | 108657 | 123781
6 | 27:30.32 | 8:37.63 | 123782 | 162619
7 | 36:08.20 | 6:47.32 | 162620 | 193176
8 | 42:55.52 | 6:11.35 | 193177 | 221036
9 | 49:07.12 | 7:39.70 | 221037 | 255531
10 | 56:47.07 | 0:57.35 | 255532 | 259841
11 | 57:44.42 | 4:13.30 | 259842 | 278846
12 | 61:57.72 | 14:38.50 | 278847 | 344746
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1969 Chicago Transit Authority\Chicago - Chicago Transit Authority.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 9B40F161
Copy CRC 9B40F161
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [58F01A71]
Track 2 accurately ripped (confidence 3) [660F02EA]
Track 3 accurately ripped (confidence 3) [22D4D456]
Track 4 accurately ripped (confidence 3) [78DAC217]
Track 5 accurately ripped (confidence 3) [0A7D6217]
Track 6 accurately ripped (confidence 3) [999B78F8]
Track 7 accurately ripped (confidence 3) [2CB7094B]
Track 8 accurately ripped (confidence 3) [E7BD66DB]
Track 9 accurately ripped (confidence 3) [4FF0E80D]
Track 10 accurately ripped (confidence 3) [9BB66A68]
Track 11 accurately ripped (confidence 3) [CFF8D086]
Track 12 accurately ripped (confidence 3) [A9D3A6B3]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1969 Chicago Transit Authority
1 -=- Chicago - Chicago Transit Authority.flac -=- CDDA (100%)
95408020
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1969 Chicago Transit Authority
1 -=- Chicago - Chicago Transit Authority.flac -=- CDDA (100%)
95408020
[Verification date: 24.03.2011 19:11:54]
[Disc ID: 002042ae-012d6f0f-b811f40c]
Track [ CRC ] Status
01 [58f01a71] (04/44) Accurately ripped as in pressing(s) #2
02 [660f02ea] (04/44) Accurately ripped as in pressing(s) #2
03 [22d4d456] (04/44) Accurately ripped as in pressing(s) #2
04 [78dac217] (04/44) Accurately ripped as in pressing(s) #2
05 [0a7d6217] (04/44) Accurately ripped as in pressing(s) #2
06 [999b78f8] (04/43) Accurately ripped as in pressing(s) #2
07 [2cb7094b] (04/44) Accurately ripped as in pressing(s) #2
08 [e7bd66db] (04/44) Accurately ripped as in pressing(s) #2
09 [4ff0e80d] (04/44) Accurately ripped as in pressing(s) #2
10 [9bb66a68] (04/44) Accurately ripped as in pressing(s) #2
11 [cff8d086] (04/44) Accurately ripped as in pressing(s) #2
12 [a9d3a6b3] (04/41) Accurately ripped as in pressing(s) #2
Offsetted by -25:
01 [ba32f67e] (02/44) Accurately ripped as in pressing(s) #3
02 [bc8f4413] (02/44) Accurately ripped as in pressing(s) #3
03 [e10d82ac] (02/44) Accurately ripped as in pressing(s) #3
04 [2f4a3384] (02/44) Accurately ripped as in pressing(s) #3
05 [991c8673] (02/44) Accurately ripped as in pressing(s) #3
06 [f3179078] (02/43) Accurately ripped as in pressing(s) #3
07 [a64bed02] (02/44) Accurately ripped as in pressing(s) #3
08 [e566fc16] (02/44) Accurately ripped as in pressing(s) #3
09 [93571366] (02/44) Accurately ripped as in pressing(s) #3
10 [d26ffb84] (02/44) Accurately ripped as in pressing(s) #3
11 [783a3955] (02/44) Accurately ripped as in pressing(s) #3
12 [8c0952ee] (02/41) Accurately ripped as in pressing(s) #3
Offsetted by 664:
01 [872f10cc] (36/44) Accurately ripped as in pressing(s) #1
02 [bbcf753b] (36/44) Accurately ripped as in pressing(s) #1
03 [5c4f8ac6] (36/44) Accurately ripped as in pressing(s) #1
04 [be92829f] (36/44) Accurately ripped as in pressing(s) #1
05 [d07c5ec8] (36/44) Accurately ripped as in pressing(s) #1
06 [e583a98b] (35/43) Accurately ripped as in pressing(s) #1
07 [ccf29c63] (36/44) Accurately ripped as in pressing(s) #1
08 [3010cc93] (36/44) Accurately ripped as in pressing(s) #1
09 [14618775] (36/44) Accurately ripped as in pressing(s) #1
10 [71c9ab1e] (36/44) Accurately ripped as in pressing(s) #1
11 [888fa158] (36/44) Accurately ripped as in pressing(s) #1
12 [9819246b] (35/41) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [9B40F161] [64C33BFA] CRC32
01 [F78E2B65] [5B139EFE]
02 [0E3F03CC] [ECB3ECD0]
03 [06423E1E] [2A436EB1]
04 [37B6E9F6] [4A7A0D85]
05 [BABD138F] [B3A310D2]
06 [A5EE3AD7] [39D47A2C]
07 [6E609114] [55CC8A1E]
08 [72954EC3] [F5F2B97C]
09 [50AB6FBA] [B88D3B13]
10 [CE6DED6A] [C19DD3B3]
11 [4F142C92] [CDB22160]
12 [C56B1735] [7AC6B943]
[Disc ID: 002042ae-012d6f0f-b811f40c]
Track [ CRC ] Status
01 [58f01a71] (04/44) Accurately ripped as in pressing(s) #2
02 [660f02ea] (04/44) Accurately ripped as in pressing(s) #2
03 [22d4d456] (04/44) Accurately ripped as in pressing(s) #2
04 [78dac217] (04/44) Accurately ripped as in pressing(s) #2
05 [0a7d6217] (04/44) Accurately ripped as in pressing(s) #2
06 [999b78f8] (04/43) Accurately ripped as in pressing(s) #2
07 [2cb7094b] (04/44) Accurately ripped as in pressing(s) #2
08 [e7bd66db] (04/44) Accurately ripped as in pressing(s) #2
09 [4ff0e80d] (04/44) Accurately ripped as in pressing(s) #2
10 [9bb66a68] (04/44) Accurately ripped as in pressing(s) #2
11 [cff8d086] (04/44) Accurately ripped as in pressing(s) #2
12 [a9d3a6b3] (04/41) Accurately ripped as in pressing(s) #2
Offsetted by -25:
01 [ba32f67e] (02/44) Accurately ripped as in pressing(s) #3
02 [bc8f4413] (02/44) Accurately ripped as in pressing(s) #3
03 [e10d82ac] (02/44) Accurately ripped as in pressing(s) #3
04 [2f4a3384] (02/44) Accurately ripped as in pressing(s) #3
05 [991c8673] (02/44) Accurately ripped as in pressing(s) #3
06 [f3179078] (02/43) Accurately ripped as in pressing(s) #3
07 [a64bed02] (02/44) Accurately ripped as in pressing(s) #3
08 [e566fc16] (02/44) Accurately ripped as in pressing(s) #3
09 [93571366] (02/44) Accurately ripped as in pressing(s) #3
10 [d26ffb84] (02/44) Accurately ripped as in pressing(s) #3
11 [783a3955] (02/44) Accurately ripped as in pressing(s) #3
12 [8c0952ee] (02/41) Accurately ripped as in pressing(s) #3
Offsetted by 664:
01 [872f10cc] (36/44) Accurately ripped as in pressing(s) #1
02 [bbcf753b] (36/44) Accurately ripped as in pressing(s) #1
03 [5c4f8ac6] (36/44) Accurately ripped as in pressing(s) #1
04 [be92829f] (36/44) Accurately ripped as in pressing(s) #1
05 [d07c5ec8] (36/44) Accurately ripped as in pressing(s) #1
06 [e583a98b] (35/43) Accurately ripped as in pressing(s) #1
07 [ccf29c63] (36/44) Accurately ripped as in pressing(s) #1
08 [3010cc93] (36/44) Accurately ripped as in pressing(s) #1
09 [14618775] (36/44) Accurately ripped as in pressing(s) #1
10 [71c9ab1e] (36/44) Accurately ripped as in pressing(s) #1
11 [888fa158] (36/44) Accurately ripped as in pressing(s) #1
12 [9819246b] (35/41) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [9B40F161] [64C33BFA] CRC32
01 [F78E2B65] [5B139EFE]
02 [0E3F03CC] [ECB3ECD0]
03 [06423E1E] [2A436EB1]
04 [37B6E9F6] [4A7A0D85]
05 [BABD138F] [B3A310D2]
06 [A5EE3AD7] [39D47A2C]
07 [6E609114] [55CC8A1E]
08 [72954EC3] [F5F2B97C]
09 [50AB6FBA] [B88D3B13]
10 [CE6DED6A] [C19DD3B3]
11 [4F142C92] [CDB22160]
12 [C56B1735] [7AC6B943]
––––––––––––––––––––––––––––––––-
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0a/a4/001aa40a_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0a/a4/001aa40a.jpeg)
CD2: Chicago - Chicago (1970)
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 60 Mb | ~483 + 219 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 60 Mb | ~483 + 219 Mb
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0b/a4/001aa40b_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0b/a4/001aa40b.jpeg)
Tracklist:
01 Movin' In
02 The Road
03Poem For The People
04 In The Country
05 Wake Up Sunshine
06 Make Me Smile
07 So Much To Say, So Much To Give
08 Anxiety's Moment
09 West Virginia Fantasies
10 Colour My World
11 To Be Free
12 Now More Than Ever
13 Fancy Colours
14 25 Or 6 To 4
15 Prelude
16 A. M. Mourning
17 P. M. Mourning
18 Memories Of Love
19 It Better End Soon, 1st Movement
20 It Better End Soon, 2nd Movement
21 It Better End Soon, 3rd Movement
22 It Better End Soon, 4th Movement
23 Where Do We Go From Here
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 5. February 2011, 0:49
Chicago / Chicago II
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:06.27 | 0 | 18476
2 | 4:06.27 | 3:10.15 | 18477 | 32741
3 | 7:16.42 | 5:37.18 | 32742 | 58034
4 | 12:53.60 | 6:33.67 | 58035 | 87576
5 | 19:27.52 | 2:32.50 | 87577 | 99026
6 | 22:00.27 | 3:15.45 | 99027 | 113696
7 | 25:15.72 | 1:12.08 | 113697 | 119104
8 | 26:28.05 | 1:00.50 | 119105 | 123654
9 | 27:28.55 | 1:33.50 | 123655 | 130679
10 | 29:02.30 | 3:00.50 | 130680 | 144229
11 | 32:03.05 | 1:15.00 | 144230 | 149854
12 | 33:18.05 | 1:25.62 | 149855 | 156291
13 | 34:43.67 | 5:09.73 | 156292 | 179539
14 | 39:53.65 | 4:58.22 | 179540 | 201911
15 | 44:52.12 | 1:09.73 | 201912 | 207159
16 | 46:02.10 | 2:05.20 | 207160 | 216554
17 | 48:07.30 | 1:58.02 | 216555 | 225406
18 | 50:05.32 | 3:58.73 | 225407 | 243329
19 | 54:04.30 | 2:33.22 | 243330 | 254826
20 | 56:37.52 | 3:40.63 | 254827 | 271389
21 | 60:18.40 | 3:18.55 | 271390 | 286294
22 | 63:37.20 | 0:55.32 | 286295 | 290451
23 | 64:32.52 | 2:49.05 | 290452 | 303131
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1970 Chicago II\Chicago - Chicago II.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 94EC5109
Copy CRC 94EC5109
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [FAF89282]
Track 2 accurately ripped (confidence 3) [11BC49C2]
Track 3 accurately ripped (confidence 3) [7A4708D1]
Track 4 accurately ripped (confidence 3) [B8BFF65E]
Track 5 accurately ripped (confidence 3) [B20ADB82]
Track 6 accurately ripped (confidence 3) [8EABD95B]
Track 7 accurately ripped (confidence 3) [17B263D2]
Track 8 accurately ripped (confidence 3) [E8858A20]
Track 9 accurately ripped (confidence 3) [D933FA36]
Track 10 accurately ripped (confidence 3) [FE776319]
Track 11 accurately ripped (confidence 3) [003C73FC]
Track 12 accurately ripped (confidence 3) [1B15BF60]
Track 13 accurately ripped (confidence 3) [9CFCCFEC]
Track 14 accurately ripped (confidence 3) [71F54A85]
Track 15 accurately ripped (confidence 3) [73586F17]
Track 16 accurately ripped (confidence 3) [F75418BF]
Track 17 accurately ripped (confidence 3) [A238736D]
Track 18 accurately ripped (confidence 3) [9989D92D]
Track 19 accurately ripped (confidence 3) [1B8D2056]
Track 20 accurately ripped (confidence 3) [E1E3E1E6]
Track 21 accurately ripped (confidence 3) [FC144FCE]
Track 22 accurately ripped (confidence 3) [D1ABEC1B]
Track 23 accurately ripped (confidence 3) [F87EC1CF]
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. February 2011, 0:49
Chicago / Chicago II
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:06.27 | 0 | 18476
2 | 4:06.27 | 3:10.15 | 18477 | 32741
3 | 7:16.42 | 5:37.18 | 32742 | 58034
4 | 12:53.60 | 6:33.67 | 58035 | 87576
5 | 19:27.52 | 2:32.50 | 87577 | 99026
6 | 22:00.27 | 3:15.45 | 99027 | 113696
7 | 25:15.72 | 1:12.08 | 113697 | 119104
8 | 26:28.05 | 1:00.50 | 119105 | 123654
9 | 27:28.55 | 1:33.50 | 123655 | 130679
10 | 29:02.30 | 3:00.50 | 130680 | 144229
11 | 32:03.05 | 1:15.00 | 144230 | 149854
12 | 33:18.05 | 1:25.62 | 149855 | 156291
13 | 34:43.67 | 5:09.73 | 156292 | 179539
14 | 39:53.65 | 4:58.22 | 179540 | 201911
15 | 44:52.12 | 1:09.73 | 201912 | 207159
16 | 46:02.10 | 2:05.20 | 207160 | 216554
17 | 48:07.30 | 1:58.02 | 216555 | 225406
18 | 50:05.32 | 3:58.73 | 225407 | 243329
19 | 54:04.30 | 2:33.22 | 243330 | 254826
20 | 56:37.52 | 3:40.63 | 254827 | 271389
21 | 60:18.40 | 3:18.55 | 271390 | 286294
22 | 63:37.20 | 0:55.32 | 286295 | 290451
23 | 64:32.52 | 2:49.05 | 290452 | 303131
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1970 Chicago II\Chicago - Chicago II.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 94EC5109
Copy CRC 94EC5109
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [FAF89282]
Track 2 accurately ripped (confidence 3) [11BC49C2]
Track 3 accurately ripped (confidence 3) [7A4708D1]
Track 4 accurately ripped (confidence 3) [B8BFF65E]
Track 5 accurately ripped (confidence 3) [B20ADB82]
Track 6 accurately ripped (confidence 3) [8EABD95B]
Track 7 accurately ripped (confidence 3) [17B263D2]
Track 8 accurately ripped (confidence 3) [E8858A20]
Track 9 accurately ripped (confidence 3) [D933FA36]
Track 10 accurately ripped (confidence 3) [FE776319]
Track 11 accurately ripped (confidence 3) [003C73FC]
Track 12 accurately ripped (confidence 3) [1B15BF60]
Track 13 accurately ripped (confidence 3) [9CFCCFEC]
Track 14 accurately ripped (confidence 3) [71F54A85]
Track 15 accurately ripped (confidence 3) [73586F17]
Track 16 accurately ripped (confidence 3) [F75418BF]
Track 17 accurately ripped (confidence 3) [A238736D]
Track 18 accurately ripped (confidence 3) [9989D92D]
Track 19 accurately ripped (confidence 3) [1B8D2056]
Track 20 accurately ripped (confidence 3) [E1E3E1E6]
Track 21 accurately ripped (confidence 3) [FC144FCE]
Track 22 accurately ripped (confidence 3) [D1ABEC1B]
Track 23 accurately ripped (confidence 3) [F87EC1CF]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1970 Chicago II
1 -=- Chicago - Chicago II.flac -=- CDDA (100%)
156720260
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1970 Chicago II
1 -=- Chicago - Chicago II.flac -=- CDDA (100%)
156720260
[Verification date: 24.03.2011 19:12:36]
[Disc ID: 003bb69c-03c529f7-640fc917]
Track [ CRC ] Status
01 [faf89282] (04/04) Accurately ripped as in pressing(s) #1
02 [11bc49c2] (04/04) Accurately ripped as in pressing(s) #1
03 [7a4708d1] (04/04) Accurately ripped as in pressing(s) #1
04 [b8bff65e] (04/04) Accurately ripped as in pressing(s) #1
05 [b20adb82] (04/04) Accurately ripped as in pressing(s) #1
06 [8eabd95b] (04/04) Accurately ripped as in pressing(s) #1
07 [17b263d2] (04/04) Accurately ripped as in pressing(s) #1
08 [e8858a20] (04/04) Accurately ripped as in pressing(s) #1
09 [d933fa36] (04/04) Accurately ripped as in pressing(s) #1
10 [fe776319] (04/04) Accurately ripped as in pressing(s) #1
11 [003c73fc] (04/04) Accurately ripped as in pressing(s) #1
12 [1b15bf60] (04/04) Accurately ripped as in pressing(s) #1
13 [9cfccfec] (04/04) Accurately ripped as in pressing(s) #1
14 [71f54a85] (04/04) Accurately ripped as in pressing(s) #1
15 [73586f17] (04/04) Accurately ripped as in pressing(s) #1
16 [f75418bf] (04/04) Accurately ripped as in pressing(s) #1
17 [a238736d] (04/04) Accurately ripped as in pressing(s) #1
18 [9989d92d] (04/04) Accurately ripped as in pressing(s) #1
19 [1b8d2056] (04/04) Accurately ripped as in pressing(s) #1
20 [e1e3e1e6] (04/04) Accurately ripped as in pressing(s) #1
21 [fc144fce] (04/04) Accurately ripped as in pressing(s) #1
22 [d1abec1b] (04/04) Accurately ripped as in pressing(s) #1
23 [f87ec1cf] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [94EC5109] [921BB419] CRC32
01 [2FB42812] [39ABC7E1]
02 [A2D52ED6] [0832A81D]
03 [66F5FC26] [090EF497]
04 [5F914EF5] [BA0D85E7]
05 [17C75F70] [62DE9A12]
06 [04B2521E] [83F660E1]
07 [3373EB91] [5F3C843A]
08 [F5396BB5] [2B2F0737]
09 [31939582] [1E0F0E97]
10 [322F8D23] [7AA09807]
11 [63E22BCD] [0B8D2F36]
12 [4C8BB620] [B85F701C]
13 [A2238BEF] [EAD05536]
14 [5621D114] [F5F5E73B]
15 [92898B19] [8EA8562A]
16 [1814CAC0] [C45C9809]
17 [90F1BDE5] [DB80FD17]
18 [A5E1BEDD] [B506803A]
19 [82EAE9B5] [C2B451B1]
20 [0CBCB36D] [E5C806D4]
21 [AF8DC0A2] [CFCE0B54]
22 [DD155066] [5FB5273C]
23 [CB6A1A14] [DBAD953D]
[Disc ID: 003bb69c-03c529f7-640fc917]
Track [ CRC ] Status
01 [faf89282] (04/04) Accurately ripped as in pressing(s) #1
02 [11bc49c2] (04/04) Accurately ripped as in pressing(s) #1
03 [7a4708d1] (04/04) Accurately ripped as in pressing(s) #1
04 [b8bff65e] (04/04) Accurately ripped as in pressing(s) #1
05 [b20adb82] (04/04) Accurately ripped as in pressing(s) #1
06 [8eabd95b] (04/04) Accurately ripped as in pressing(s) #1
07 [17b263d2] (04/04) Accurately ripped as in pressing(s) #1
08 [e8858a20] (04/04) Accurately ripped as in pressing(s) #1
09 [d933fa36] (04/04) Accurately ripped as in pressing(s) #1
10 [fe776319] (04/04) Accurately ripped as in pressing(s) #1
11 [003c73fc] (04/04) Accurately ripped as in pressing(s) #1
12 [1b15bf60] (04/04) Accurately ripped as in pressing(s) #1
13 [9cfccfec] (04/04) Accurately ripped as in pressing(s) #1
14 [71f54a85] (04/04) Accurately ripped as in pressing(s) #1
15 [73586f17] (04/04) Accurately ripped as in pressing(s) #1
16 [f75418bf] (04/04) Accurately ripped as in pressing(s) #1
17 [a238736d] (04/04) Accurately ripped as in pressing(s) #1
18 [9989d92d] (04/04) Accurately ripped as in pressing(s) #1
19 [1b8d2056] (04/04) Accurately ripped as in pressing(s) #1
20 [e1e3e1e6] (04/04) Accurately ripped as in pressing(s) #1
21 [fc144fce] (04/04) Accurately ripped as in pressing(s) #1
22 [d1abec1b] (04/04) Accurately ripped as in pressing(s) #1
23 [f87ec1cf] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [94EC5109] [921BB419] CRC32
01 [2FB42812] [39ABC7E1]
02 [A2D52ED6] [0832A81D]
03 [66F5FC26] [090EF497]
04 [5F914EF5] [BA0D85E7]
05 [17C75F70] [62DE9A12]
06 [04B2521E] [83F660E1]
07 [3373EB91] [5F3C843A]
08 [F5396BB5] [2B2F0737]
09 [31939582] [1E0F0E97]
10 [322F8D23] [7AA09807]
11 [63E22BCD] [0B8D2F36]
12 [4C8BB620] [B85F701C]
13 [A2238BEF] [EAD05536]
14 [5621D114] [F5F5E73B]
15 [92898B19] [8EA8562A]
16 [1814CAC0] [C45C9809]
17 [90F1BDE5] [DB80FD17]
18 [A5E1BEDD] [B506803A]
19 [82EAE9B5] [C2B451B1]
20 [0CBCB36D] [E5C806D4]
21 [AF8DC0A2] [CFCE0B54]
22 [DD155066] [5FB5273C]
23 [CB6A1A14] [DBAD953D]
––––––––––––––––––––––––––––––––-
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0c/a4/001aa40c_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0c/a4/001aa40c.jpeg)
CD3: Chicago - Chicago V (1972)
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 67 Mb | ~375 + 174 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 67 Mb | ~375 + 174 Mb
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0d/a4/001aa40d_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0d/a4/001aa40d.jpeg)
Tracklist:
01 Hit By Varese
02 All Is Well
03 Now That You've Gone
04 Dialogue (Part One)
05 Dialogue (Part Two)
06 While The City Sleeps
07 Saturday In The Park
08 State Of The Union
09 Goodbye
10 Alma Mater
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 5. February 2011, 11:32
Chicago / Chicago V
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:56.17 | 0 | 22216
2 | 4:56.17 | 3:51.68 | 22217 | 39609
3 | 8:48.10 | 5:05.35 | 39610 | 62519
4 | 13:53.45 | 2:56.60 | 62520 | 75779
5 | 16:50.30 | 4:13.35 | 75780 | 94789
6 | 21:03.65 | 3:55.60 | 94790 | 112474
7 | 24:59.50 | 4:00.42 | 112475 | 130516
8 | 29:00.17 | 6:15.13 | 130517 | 158654
9 | 35:15.30 | 6:04.67 | 158655 | 186021
10 | 41:20.22 | 4:00.40 | 186022 | 204061
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1972 Chicago V\Chicago - Chicago V.wav
Peak level 97.7 %
Range quality 100.0 %
Test CRC D89E7B9F
Copy CRC D89E7B9F
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [49849347]
Track 2 accurately ripped (confidence 3) [9943B717]
Track 3 accurately ripped (confidence 3) [EF190A9A]
Track 4 accurately ripped (confidence 3) [8061CBFF]
Track 5 accurately ripped (confidence 3) [85886E34]
Track 6 accurately ripped (confidence 3) [52A09E1E]
Track 7 accurately ripped (confidence 3) [C8CDCF6E]
Track 8 accurately ripped (confidence 3) [F8593B6A]
Track 9 accurately ripped (confidence 3) [E5B7F776]
Track 10 accurately ripped (confidence 3) [B940DA3F]
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. February 2011, 11:32
Chicago / Chicago V
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:56.17 | 0 | 22216
2 | 4:56.17 | 3:51.68 | 22217 | 39609
3 | 8:48.10 | 5:05.35 | 39610 | 62519
4 | 13:53.45 | 2:56.60 | 62520 | 75779
5 | 16:50.30 | 4:13.35 | 75780 | 94789
6 | 21:03.65 | 3:55.60 | 94790 | 112474
7 | 24:59.50 | 4:00.42 | 112475 | 130516
8 | 29:00.17 | 6:15.13 | 130517 | 158654
9 | 35:15.30 | 6:04.67 | 158655 | 186021
10 | 41:20.22 | 4:00.40 | 186022 | 204061
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1972 Chicago V\Chicago - Chicago V.wav
Peak level 97.7 %
Range quality 100.0 %
Test CRC D89E7B9F
Copy CRC D89E7B9F
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [49849347]
Track 2 accurately ripped (confidence 3) [9943B717]
Track 3 accurately ripped (confidence 3) [EF190A9A]
Track 4 accurately ripped (confidence 3) [8061CBFF]
Track 5 accurately ripped (confidence 3) [85886E34]
Track 6 accurately ripped (confidence 3) [52A09E1E]
Track 7 accurately ripped (confidence 3) [C8CDCF6E]
Track 8 accurately ripped (confidence 3) [F8593B6A]
Track 9 accurately ripped (confidence 3) [E5B7F776]
Track 10 accurately ripped (confidence 3) [B940DA3F]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1972 Chicago V
1 -=- Chicago - Chicago V.flac -=- CDDA (99%)
153088996
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1972 Chicago V
1 -=- Chicago - Chicago V.flac -=- CDDA (99%)
153088996
[Verification date: 24.03.2011 19:13:12]
[Disc ID: 001094b8-008522fb-6f0aa00a]
Track [ CRC ] Status
01 [49849347] (04/04) Accurately ripped as in pressing(s) #1
02 [9943b717] (04/04) Accurately ripped as in pressing(s) #1
03 [ef190a9a] (04/04) Accurately ripped as in pressing(s) #1
04 [8061cbff] (04/04) Accurately ripped as in pressing(s) #1
05 [85886e34] (04/04) Accurately ripped as in pressing(s) #1
06 [52a09e1e] (04/04) Accurately ripped as in pressing(s) #1
07 [c8cdcf6e] (04/04) Accurately ripped as in pressing(s) #1
08 [f8593b6a] (04/04) Accurately ripped as in pressing(s) #1
09 [e5b7f776] (04/04) Accurately ripped as in pressing(s) #1
10 [b940da3f] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [D89E7B9F] [8BA6C1BA] CRC32
01 [FAA9F367] [9FBCBB01]
02 [F785179A] [30A2B970]
03 [85D3B016] [B3A66B04]
04 [7C10DB0F] [ACB350AE]
05 [865DA1C7] [AF9B365E]
06 [DE0253C5] [B9282222]
07 [2D10EF45] [7F9D2260]
08 [62A6052A] [A8AD639D]
09 [FBADDE4F] [C75EB00A]
10 [8A892D96] [706A7B79]
[Disc ID: 001094b8-008522fb-6f0aa00a]
Track [ CRC ] Status
01 [49849347] (04/04) Accurately ripped as in pressing(s) #1
02 [9943b717] (04/04) Accurately ripped as in pressing(s) #1
03 [ef190a9a] (04/04) Accurately ripped as in pressing(s) #1
04 [8061cbff] (04/04) Accurately ripped as in pressing(s) #1
05 [85886e34] (04/04) Accurately ripped as in pressing(s) #1
06 [52a09e1e] (04/04) Accurately ripped as in pressing(s) #1
07 [c8cdcf6e] (04/04) Accurately ripped as in pressing(s) #1
08 [f8593b6a] (04/04) Accurately ripped as in pressing(s) #1
09 [e5b7f776] (04/04) Accurately ripped as in pressing(s) #1
10 [b940da3f] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [D89E7B9F] [8BA6C1BA] CRC32
01 [FAA9F367] [9FBCBB01]
02 [F785179A] [30A2B970]
03 [85D3B016] [B3A66B04]
04 [7C10DB0F] [ACB350AE]
05 [865DA1C7] [AF9B365E]
06 [DE0253C5] [B9282222]
07 [2D10EF45] [7F9D2260]
08 [62A6052A] [A8AD639D]
09 [FBADDE4F] [C75EB00A]
10 [8A892D96] [706A7B79]
––––––––––––––––––––––––––––––––-
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0e/a4/001aa40e_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0e/a4/001aa40e.jpeg)
CD4: Chicago - Chicago VI (1973)
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~327 + 155 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~327 + 155 Mb
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0f/a4/001aa40f_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/0f/a4/001aa40f.jpeg)
Tracklist:
01 Critics' Choice
02 Just You 'N' Me
03 Darlin' Dear
04 Jenny
05 What's This World Comin' To
06 Something In This City Changes People
07 Hollywood
08 In Terms Of Two
09 Rediscovery
10 Feelin' Stronger Every Day
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 5. February 2011, 12:19
Chicago / Chicago VI
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:49.05 | 0 | 12679
2 | 2:49.05 | 3:45.30 | 12680 | 29584
3 | 6:34.35 | 3:00.55 | 29585 | 43139
4 | 9:35.15 | 3:33.00 | 43140 | 59114
5 | 13:08.15 | 5:00.42 | 59115 | 81656
6 | 18:08.57 | 3:42.08 | 81657 | 98314
7 | 21:50.65 | 3:54.50 | 98315 | 115914
8 | 25:45.40 | 3:31.12 | 115915 | 131751
9 | 29:16.52 | 4:50.13 | 131752 | 153514
10 | 34:06.65 | 4:14.70 | 153515 | 172634
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1973 Chicago VI\Chicago - Chicago VI.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 871FC8B5
Copy CRC 871FC8B5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [5EA305CD]
Track 2 accurately ripped (confidence 3) [E242C653]
Track 3 accurately ripped (confidence 3) [82FC7D81]
Track 4 accurately ripped (confidence 3) [D1E53AE5]
Track 5 accurately ripped (confidence 3) [0C8DF7DE]
Track 6 accurately ripped (confidence 3) [4AB03CC0]
Track 7 accurately ripped (confidence 3) [FD6937DF]
Track 8 accurately ripped (confidence 3) [D00BD5B9]
Track 9 accurately ripped (confidence 3) [49874DF4]
Track 10 accurately ripped (confidence 3) [85264619]
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. February 2011, 12:19
Chicago / Chicago VI
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:49.05 | 0 | 12679
2 | 2:49.05 | 3:45.30 | 12680 | 29584
3 | 6:34.35 | 3:00.55 | 29585 | 43139
4 | 9:35.15 | 3:33.00 | 43140 | 59114
5 | 13:08.15 | 5:00.42 | 59115 | 81656
6 | 18:08.57 | 3:42.08 | 81657 | 98314
7 | 21:50.65 | 3:54.50 | 98315 | 115914
8 | 25:45.40 | 3:31.12 | 115915 | 131751
9 | 29:16.52 | 4:50.13 | 131752 | 153514
10 | 34:06.65 | 4:14.70 | 153515 | 172634
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1973 Chicago VI\Chicago - Chicago VI.wav
Peak level 98.9 %
Range quality 100.0 %
Test CRC 871FC8B5
Copy CRC 871FC8B5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [5EA305CD]
Track 2 accurately ripped (confidence 3) [E242C653]
Track 3 accurately ripped (confidence 3) [82FC7D81]
Track 4 accurately ripped (confidence 3) [D1E53AE5]
Track 5 accurately ripped (confidence 3) [0C8DF7DE]
Track 6 accurately ripped (confidence 3) [4AB03CC0]
Track 7 accurately ripped (confidence 3) [FD6937DF]
Track 8 accurately ripped (confidence 3) [D00BD5B9]
Track 9 accurately ripped (confidence 3) [49874DF4]
Track 10 accurately ripped (confidence 3) [85264619]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1973 Chicago VI
1 -=- Chicago - Chicago VI.flac -=- CDDA (100%)
162421892
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1973 Chicago VI
1 -=- Chicago - Chicago VI.flac -=- CDDA (100%)
162421892
Verification date: 24.03.2011 19:13:40]
[Disc ID: 000db505-006f8165-8508fd0a]
Track [ CRC ] Status
01 [5ea305cd] (04/04) Accurately ripped as in pressing(s) #1
02 [e242c653] (04/04) Accurately ripped as in pressing(s) #1
03 [82fc7d81] (04/04) Accurately ripped as in pressing(s) #1
04 [d1e53ae5] (04/04) Accurately ripped as in pressing(s) #1
05 [0c8df7de] (04/04) Accurately ripped as in pressing(s) #1
06 [4ab03cc0] (04/04) Accurately ripped as in pressing(s) #1
07 [fd6937df] (04/04) Accurately ripped as in pressing(s) #1
08 [d00bd5b9] (04/04) Accurately ripped as in pressing(s) #1
09 [49874df4] (04/04) Accurately ripped as in pressing(s) #1
10 [85264619] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [871FC8B5] [02C6029C] CRC32
01 [4151A215] [F63A0D47]
02 [60E9AFBD] [B23ADF04]
03 [4A038FEC] [CC5B2CA8]
04 [665E44E3] [73FC1B24]
05 [F53D610E] [2A76E9E5]
06 [A913FD7F] [C9BA04F1]
07 [2F830701] [0AA8062E]
08 [DAAE6E2A] [C6B009E8]
09 [51E29084] [5FFCD225]
10 [108EDBDC] [43165E1D]
[Disc ID: 000db505-006f8165-8508fd0a]
Track [ CRC ] Status
01 [5ea305cd] (04/04) Accurately ripped as in pressing(s) #1
02 [e242c653] (04/04) Accurately ripped as in pressing(s) #1
03 [82fc7d81] (04/04) Accurately ripped as in pressing(s) #1
04 [d1e53ae5] (04/04) Accurately ripped as in pressing(s) #1
05 [0c8df7de] (04/04) Accurately ripped as in pressing(s) #1
06 [4ab03cc0] (04/04) Accurately ripped as in pressing(s) #1
07 [fd6937df] (04/04) Accurately ripped as in pressing(s) #1
08 [d00bd5b9] (04/04) Accurately ripped as in pressing(s) #1
09 [49874df4] (04/04) Accurately ripped as in pressing(s) #1
10 [85264619] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [871FC8B5] [02C6029C] CRC32
01 [4151A215] [F63A0D47]
02 [60E9AFBD] [B23ADF04]
03 [4A038FEC] [CC5B2CA8]
04 [665E44E3] [73FC1B24]
05 [F53D610E] [2A76E9E5]
06 [A913FD7F] [C9BA04F1]
07 [2F830701] [0AA8062E]
08 [DAAE6E2A] [C6B009E8]
09 [51E29084] [5FFCD225]
10 [108EDBDC] [43165E1D]
––––––––––––––––––––––––––––––––-
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/10/a4/001aa410_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/10/a4/001aa410.jpeg)
CD5: Chicago - Chicago VII (1974)
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~540 + 236 Mb
Progressive/Jazz-Rock | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps
Scans(png) -> 65 Mb | ~540 + 236 Mb
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/11/a4/001aa411_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/11/a4/001aa411.jpeg)
Tracklist:
01 Prelude To Aire
02 Aire
03 Devil's Sweet
04 Italian From New York
05 Hanky Panky
06 Life Saver
07 Happy Man
08 (I've Been) Searchin' So Long
09 Mongonucleosis
10 Song Of The Evergreens
11 Byblos
12 Wishing You Were Here
13 Call On Me
14 Women Don't Want To Love Me
15 Skinny Boy
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 5. February 2011, 13:10
Chicago / Chicago VII
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:47.07 | 0 | 12531
2 | 2:47.07 | 6:28.53 | 12532 | 41684
3 | 9:15.60 | 10:09.25 | 41685 | 87384
4 | 19:25.10 | 4:14.02 | 87385 | 106436
5 | 23:39.12 | 1:53.23 | 106437 | 114934
6 | 25:32.35 | 5:18.12 | 114935 | 138796
7 | 30:50.47 | 3:31.60 | 138797 | 154681
8 | 34:22.32 | 4:28.35 | 154682 | 174816
9 | 38:50.67 | 3:27.43 | 174817 | 190384
10 | 42:18.35 | 5:21.25 | 190385 | 214484
11 | 47:39.60 | 6:20.27 | 214485 | 243011
12 | 54:00.12 | 4:37.65 | 243012 | 263851
13 | 58:38.02 | 4:03.10 | 263852 | 282086
14 | 62:41.12 | 4:36.60 | 282087 | 302846
15 | 67:17.72 | 5:12.25 | 302847 | 326271
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1974 Chicago VII\Chicago - Chicago VII.wav
Peak level 97.7 %
Range quality 100.0 %
Test CRC 197F7D0F
Copy CRC 197F7D0F
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [A609FB7A]
Track 2 accurately ripped (confidence 3) [5A1EDBE5]
Track 3 accurately ripped (confidence 2) [FEA523C7]
Track 4 accurately ripped (confidence 3) [DD5EE145]
Track 5 accurately ripped (confidence 3) [DA1D97E0]
Track 6 accurately ripped (confidence 3) [ADBF2490]
Track 7 accurately ripped (confidence 3) [E6C1D77E]
Track 8 accurately ripped (confidence 3) [B4762CAA]
Track 9 accurately ripped (confidence 3) [F6CCDB64]
Track 10 accurately ripped (confidence 3) [FA4B745B]
Track 11 accurately ripped (confidence 3) [15EA1B40]
Track 12 accurately ripped (confidence 3) [68D22298]
Track 13 accurately ripped (confidence 3) [45E475B4]
Track 14 accurately ripped (confidence 3) [A98DABF7]
Track 15 accurately ripped (confidence 3) [F1F097FA]
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. February 2011, 13:10
Chicago / Chicago VII
Used drive : HL-DT-STDVDRAM GSA-H60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:47.07 | 0 | 12531
2 | 2:47.07 | 6:28.53 | 12532 | 41684
3 | 9:15.60 | 10:09.25 | 41685 | 87384
4 | 19:25.10 | 4:14.02 | 87385 | 106436
5 | 23:39.12 | 1:53.23 | 106437 | 114934
6 | 25:32.35 | 5:18.12 | 114935 | 138796
7 | 30:50.47 | 3:31.60 | 138797 | 154681
8 | 34:22.32 | 4:28.35 | 154682 | 174816
9 | 38:50.67 | 3:27.43 | 174817 | 190384
10 | 42:18.35 | 5:21.25 | 190385 | 214484
11 | 47:39.60 | 6:20.27 | 214485 | 243011
12 | 54:00.12 | 4:37.65 | 243012 | 263851
13 | 58:38.02 | 4:03.10 | 263852 | 282086
14 | 62:41.12 | 4:36.60 | 282087 | 302846
15 | 67:17.72 | 5:12.25 | 302847 | 326271
Range status and errors
Selected range
Filename C:\2010 Chicago Original Album Series (5CD Box Rhino Records)\1974 Chicago VII\Chicago - Chicago VII.wav
Peak level 97.7 %
Range quality 100.0 %
Test CRC 197F7D0F
Copy CRC 197F7D0F
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [A609FB7A]
Track 2 accurately ripped (confidence 3) [5A1EDBE5]
Track 3 accurately ripped (confidence 2) [FEA523C7]
Track 4 accurately ripped (confidence 3) [DD5EE145]
Track 5 accurately ripped (confidence 3) [DA1D97E0]
Track 6 accurately ripped (confidence 3) [ADBF2490]
Track 7 accurately ripped (confidence 3) [E6C1D77E]
Track 8 accurately ripped (confidence 3) [B4762CAA]
Track 9 accurately ripped (confidence 3) [F6CCDB64]
Track 10 accurately ripped (confidence 3) [FA4B745B]
Track 11 accurately ripped (confidence 3) [15EA1B40]
Track 12 accurately ripped (confidence 3) [68D22298]
Track 13 accurately ripped (confidence 3) [45E475B4]
Track 14 accurately ripped (confidence 3) [A98DABF7]
Track 15 accurately ripped (confidence 3) [F1F097FA]
All tracks accurately ripped
End of status report
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1974 Chicago VII
1 -=- Chicago - Chicago VII.flac -=- CDDA (100%)
245615364
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\1974 Chicago VII
1 -=- Chicago - Chicago VII.flac -=- CDDA (100%)
245615364
[Verification date: 24.03.2011 19:14:21]
[Disc ID: 00288002-01c719f3-c110fe0f]
Track [ CRC ] Status
01 [a609fb7a] (04/04) Accurately ripped as in pressing(s) #1
02 [5a1edbe5] (04/04) Accurately ripped as in pressing(s) #1
03 [fea523c7] (03/03) Accurately ripped as in pressing(s) #1
04 [dd5ee145] (04/04) Accurately ripped as in pressing(s) #1
05 [da1d97e0] (04/04) Accurately ripped as in pressing(s) #1
06 [adbf2490] (04/04) Accurately ripped as in pressing(s) #1
07 [e6c1d77e] (04/04) Accurately ripped as in pressing(s) #1
08 [b4762caa] (04/04) Accurately ripped as in pressing(s) #1
09 [f6ccdb64] (04/04) Accurately ripped as in pressing(s) #1
10 [fa4b745b] (04/04) Accurately ripped as in pressing(s) #1
11 [15ea1b40] (04/04) Accurately ripped as in pressing(s) #1
12 [68d22298] (04/04) Accurately ripped as in pressing(s) #1
13 [45e475b4] (04/04) Accurately ripped as in pressing(s) #1
14 [a98dabf7] (04/04) Accurately ripped as in pressing(s) #1
15 [f1f097fa] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [197F7D0F] [88F11FA3] CRC32
01 [F83BAD61] [7D6CAD11]
02 [3D02F4AE] [13EE8568]
03 [63E6AFEE] [D5A4B8BF]
04 [535F97BE] [D27CA6B1]
05 [9E2FB3B0] [34536AB6]
06 [0196F54F] [26036717]
07 [73BC3D5B] [99C607AD]
08 [DC676CB9] [71CA51AD]
09 [5ECBBBB1] [5DBBA73F]
10 [08DAB776] [6B04D216]
11 [6FFC1BF0] [E524DB93]
12 [17361AEB] [9C4382CF]
13 [5224BB58] [C49BD48D]
14 [80DBFCB5] [83C1B051]
15 [ABBC4FB6] [49C99C3C]
[Disc ID: 00288002-01c719f3-c110fe0f]
Track [ CRC ] Status
01 [a609fb7a] (04/04) Accurately ripped as in pressing(s) #1
02 [5a1edbe5] (04/04) Accurately ripped as in pressing(s) #1
03 [fea523c7] (03/03) Accurately ripped as in pressing(s) #1
04 [dd5ee145] (04/04) Accurately ripped as in pressing(s) #1
05 [da1d97e0] (04/04) Accurately ripped as in pressing(s) #1
06 [adbf2490] (04/04) Accurately ripped as in pressing(s) #1
07 [e6c1d77e] (04/04) Accurately ripped as in pressing(s) #1
08 [b4762caa] (04/04) Accurately ripped as in pressing(s) #1
09 [f6ccdb64] (04/04) Accurately ripped as in pressing(s) #1
10 [fa4b745b] (04/04) Accurately ripped as in pressing(s) #1
11 [15ea1b40] (04/04) Accurately ripped as in pressing(s) #1
12 [68d22298] (04/04) Accurately ripped as in pressing(s) #1
13 [45e475b4] (04/04) Accurately ripped as in pressing(s) #1
14 [a98dabf7] (04/04) Accurately ripped as in pressing(s) #1
15 [f1f097fa] (04/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [197F7D0F] [88F11FA3] CRC32
01 [F83BAD61] [7D6CAD11]
02 [3D02F4AE] [13EE8568]
03 [63E6AFEE] [D5A4B8BF]
04 [535F97BE] [D27CA6B1]
05 [9E2FB3B0] [34536AB6]
06 [0196F54F] [26036717]
07 [73BC3D5B] [99C607AD]
08 [DC676CB9] [71CA51AD]
09 [5ECBBBB1] [5DBBA73F]
10 [08DAB776] [6B04D216]
11 [6FFC1BF0] [E524DB93]
12 [17361AEB] [9C4382CF]
13 [5224BB58] [C49BD48D]
14 [80DBFCB5] [83C1B051]
15 [ABBC4FB6] [49C99C3C]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/06/a4/001aa406_medium.jpeg)
Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]
![Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]](https://pixhost.icu/avaxhome/06/a4/001aa406.jpeg)
All thanks go to ALLexxess
Download Original Album Series: Chicago (2010) [5CD Box Set, Rhino 8122 79801 3]: