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Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]

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Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]

Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996
EAC | FLAC | Image (Cue&Log) ~ 556 Mb | Mp3 (CBR320) ~ 238 Mb | Scans ~ 194 Mb
Genre: Country-Blues, Country-Rock, Blues-Rock, Roots Rock | Time: 01:47:23

Collection includes: 'Ry Cooder' (1970) # 7599-27510-2, 'Into the Purple Valley' (1971) # 7599-27200-2, 'Boomer's Story' (1972) # 7599-26398-2.

Whether serving as a session musician, solo artist, or soundtrack composer, Ry Cooder's chameleon-like fretted instrument virtuosity, songwriting, and choices of material encompass an incredibly eclectic range of North American musical styles, including rock & roll, blues, reggae, Tex-Mex, Hawaiian, Dixieland jazz, country, folk, R&B, gospel, and vaudeville. The 16-year-old Cooder began his career in 1963 in a blues band with Jackie DeShannon and then formed the short-lived Rising Sons in 1965 with Taj Mahal and Spirit drummer Ed Cassidy. Cooder met producer Terry Melcher through the Rising Sons and was invited to perform at several sessions with Paul Revere & the Raiders. During his subsequent career as a session musician, Cooder's trademark slide guitar work graced the recordings of such artists as Captain Beefheart (Safe as Milk), Randy Newman, Little Feat, Van Dyke Parks, the Rolling Stones (Let It Bleed, Sticky Fingers), Taj Mahal, and Gordon Lightfoot. He also appeared on the soundtracks of Candy and Performance.

Cooder made his debut as a solo artist in 1970 with a self-titled album featuring songs by Leadbelly, Blind Willie Johnson, Sleepy John Estes, and Woody Guthrie. The follow-up, Into the Purple Valley, introduced longtime cohorts Jim Keltner on drums and Jim Dickinson on bass, and it and Boomer's Story largely repeated and refined the syncopated style and mood of the first. In 1974, Cooder produced what is generally regarded as his best album, Paradise and Lunch, and its follow-up, Chicken Skin Music, showcased a potent blend of Tex-Mex, Hawaiian, gospel, and soul, and featured contributions from Flaco Jimenez and Gabby Pahinui. In 1979, Bop Till You Drop was the first major-label album to be recorded digitally. In the early '80s, Cooder began to augment his solo output with soundtrack work on such films as Blue Collar, The Long Riders, and The Border; he has gone on to compose music for Southern Comfort, Goin' South, Paris, Texas, Streets of Fire, Alamo Bay, Blue City, Crossroads, Cocktail, Johnny Handsome, Steel Magnolias, and Geronimo. Music by Ry Cooder (1995) compiled two discs' worth of highlights from Cooder's film work.

In 1992, Cooder joined Keltner, John Hiatt, and renowned British tunesmith Nick Lowe, all of whom had played on Hiatt's Bring the Family, to form Little Village, which toured and recorded one album. Cooder turned his attention to world music, recording the album A Meeting by the River with Indian musician V.M. Bhatt. Cooder's next project, a duet album with renowned African guitarist Ali Farka Touré titled Talking Timbuktu, won the 1994 Grammy for Best World Music Recording.

His next world crossover would become one of the most popular musical rediscoveries of the 20th century. In 1997, Cooder traveled to Cuba to produce and play with a group of son musicians who had little exposure outside of their homeland. The resulting album, Buena Vista Social Club, was a platinum-selling international success that made stars of Compay Segundo, Ibrahim Ferrer, and Rubén González, and earned Cooder another Grammy. He continued to work on projects with his Buena Vista bandmates, including a collaboration with Manuel Galbán in 2003 titled Mambo Sinuendo. His other work in the 2000s included sessions with James Taylor, Aaron Neville, Warren Zevon, and Spanish diva Luz Casal.

In 2005, Cooder released Chavez Ravine, his first solo album since 1987's Get Rhythm; the album was the first entry in a trilogy of recordings about the disappearance of Los Angeles' cultural history as a result of gentrification. Chavez Ravine was followed by My Name Is Buddy in 2007, and the final chapter in the saga, I, Flathead in 2009. In 2010, Cooder was approached by Paddy Moloney of the Chieftains to produce an album. Moloney had been obsessed with an historical account of the San Patricios, a band of immigrant Irish soldiers who deserted the American Army during the Mexican-American War in 1846 to fight for the other side, against the Manifest Destiny ideology of James Polk's America. Cooder agreed and the end result was San Patricio, which brings this fascinatingly complex tale to life. In early 2011, Cooder was taken by a headline about bankers and other moneyed citizens who'd actually profited from the bank bailouts and resulting mortgage and economic crisis, and wrote the song "No Banker Left Behind," which became the first song on 2011's Pull Up Some Dust and Sit Down, an album that reached all the way back to his earliest recordings for musical inspiration while telling topical stories about corruption – political and social – the erasure and the rewriting of American history, and an emerging class war. A month after its release, Beat poet Lawrence Ferlinghetti's fabled City Lights publishing house issued Cooder's first collection of short fiction entitled Los Angeles Stories. He continued to follow his socio-political muse with Election Special, released in the summer of 2012, and in 2013 released Live in San Francisco, his first live album in 35 years, with Corridos Famosos (son Joachim on percussion, Flaco Jimenez on accordion, Robert Francis on bass, and vocalists Terry Evans, Arnold McCuller, and Juliette Commagere). The ten-piece Mexican brass band La Banda Juvenil also guested. In 2014, Rhino Records offered an epic-scale look at Cooder's work in film scoring with Soundtracks, a seven-disc box set compiled from his movie music of the '80s and '90s.

Steve Huey, Allmusic.com

Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]






Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]

Ry Cooder - Ry Cooder (1970) Reissue 1996
EAC | FLAC | Image (Cue&Log) ~ 169 Mb | Mp3 (CBR320) ~ 63 Mb
Label: Reprise | # 7599-27510-2 | Time: 00:30:29 | Scans ~ 44 Mb

Already a seasoned music business veteran at the age of 22, Ry Cooder stepped out from behind the shadows of the likes of Jackie DeShannon, Taj Mahal, the Rolling Stones, and Captain Beefheart, signing his own deal with Warner Brothers records in 1969. Released the following year, Cooder's eponymous debut creates an intriguing fusion of blues, folk, rock & roll, and pop, filtered through his own intricate, syncopated guitar; Van Dyke Parks and Lenny Waronker's idiosyncratic production; and Parks and Kirby Johnson's string arrangements. And while he's still finding his feet as a singer, Cooder puts this unique blend across with a combination of terrific songs, virtuosic playing, and quirky, yet imaginative, arrangements. For material, Cooder, the son of folklorist parents, unearths ten gems – spanning six decades dating back to the 1920s – by legends such as Woody Guthrie, Blind Blake, Sleepy John Estes, and Leadbelly, as well as a current Randy Newman composition. Still, as great as his outside choices are, it's the exuberant charm of his own instrumental "Available Space" that nearly steals the show. Its joyful interplay between Cooder's slide, Van Dyke Parks' music hall piano, and the street-corner drumming creates a piece that is both loose and sophisticated. If "Available Space" is the record's most playful moment, its closer, "Dark Is the Night," is the converse, with Cooder's stark, acoustic slide extracting every ounce of torment from Blind Willie Johnson's mournful masterpiece. Some of the eccentric arrangements may prove to be a bit much for both purists and pop audiences alike, but still, Cooder's need to stretch, tempered with a reverence for the past, helps to create a completely original work that should reward adventurous listeners.

Brett Hartenbach, Allmusic.com

Tracklist:

01. Alimony (02:58)
02. France Chance (02:49)
03. One Meat Ball (02:30)
04. Do Re Mi (03:05)
05. My Old Kentucky Home (Turpentine & Dandelion Wine) (01:48)
06. How Can A Poor Man Stand Such Times And Live? (02:46)
07. Available Space (02:15)
08. Pigmeat (03:10)
09. Police Dog Blues (02:48)
10. Goin' To Brownsville (03:28)
11. Dark Is The Night (02:47)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. November 2014, 14:25

Ry Cooder / Ry Cooder

Used drive : PLEXTOR DVDR PX-891SA Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 1.0\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:58.47 | 0 | 13396
2 | 2:58.47 | 2:49.45 | 13397 | 26116
3 | 5:48.17 | 2:30.55 | 26117 | 37421
4 | 8:18.72 | 3:05.20 | 37422 | 51316
5 | 11:24.17 | 1:48.58 | 51317 | 59474
6 | 13:13.00 | 2:46.10 | 59475 | 71934
7 | 15:59.10 | 2:15.65 | 71935 | 82124
8 | 18:15.00 | 3:10.05 | 82125 | 96379
9 | 21:25.05 | 2:48.20 | 96380 | 108999
10 | 24:13.25 | 3:28.60 | 109000 | 124659
11 | 27:42.10 | 2:47.02 | 124660 | 137186


Range status and errors

Selected range

Filename K:\Lossless Temp\Ry Cooder\Ry Cooder - Ry Cooder - 1970 (Reprise Records, 7599-27510-2)\Ry Cooder - Ry Cooder.wav

Peak level 100.0 %
Extraction speed 5.8 X
Range quality 100.0 %
Test CRC 0F7F5FDD
Copy CRC 0F7F5FDD
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 15) [77805C79] (AR v2)
Track 2 accurately ripped (confidence 15) [247C5025] (AR v2)
Track 3 accurately ripped (confidence 16) [7275927F] (AR v2)
Track 4 accurately ripped (confidence 16) [2C912EC0] (AR v2)
Track 5 accurately ripped (confidence 16) [92BD26EF] (AR v2)
Track 6 accurately ripped (confidence 16) [210D426A] (AR v2)
Track 7 accurately ripped (confidence 16) [41B12396] (AR v2)
Track 8 accurately ripped (confidence 16) [66F3B7C5] (AR v2)
Track 9 accurately ripped (confidence 16) [CF136A50] (AR v2)
Track 10 accurately ripped (confidence 16) [7A9AACCB] (AR v2)
Track 11 accurately ripped (confidence 16) [C7849E27] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 82147ACADBA2F7B2262D560421448956D6A5F8C71141B981D46B56F733130323 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-11-14 15:07:34

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ry Cooder / Ry Cooder
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.31 dB -15.04 dB 2:59 01-Alimony
DR15 -0.13 dB -17.07 dB 2:50 02-France Chance
DR11 -1.59 dB -15.30 dB 2:31 03-One Meat Ball
DR12 0.00 dB -14.67 dB 3:05 04-Do Re Mi
DR13 -2.16 dB -17.36 dB 1:49 05-My Old Kentucky Home (Turpentine & Dandelion Wine)
DR12 -0.48 dB -14.30 dB 2:46 06-How Can A Poor Man Stand Such Times And Live?
DR11 -2.30 dB -16.76 dB 2:16 07-Available Space
DR11 -2.64 dB -16.13 dB 3:10 08-Pigmeat
DR14 -0.33 dB -18.53 dB 2:48 09-Police Dog Blues
DR14 0.00 dB -16.10 dB 3:29 10-Goin' To Brownsville
DR15 -4.02 dB -24.75 dB 2:47 11-Dark Is The Night
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 775 kbps
Codec: FLAC
================================================================================




Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]

Ry Cooder - Into the Purple Valley (1971) Reissue 1996 [repost]
EAC | FLAC | Image (Cue&Log) ~ 193 Mb | Mp3 (CBR320) ~ 86 Mb
Label: Reprise | # 7599-27200-2 | Time: 00:37:46 | Scans 87 Mb

Ry Cooder is known as a virtuoso on almost every stringed instrument, and on Into the Purple Valley, he demonstrates this ability on a wide variety of instruments. The main focus of the music here is on the era of the Dust Bowl, and what was happening in America at the time, socially and musically. Songs by Woody Guthrie, Leadbelly, and a variety of others show Cooder's encyclopedic knowledge of the music of this time, combined with an instinctive feel for the songs. 'Phenomenal' is the descriptive word to describe his playing, whether it is on guitar, Hawaiian "slack key" guitar, mandolin, or the more arcane instruments he has found. This is a must for those who love instrumental virtuosity, authentic reworkings of an era, or just plain good music.

Bob Gottlieb, Allmusic.com

Tracklist:

01. How Can You Keep Moving (Unless You Migrate Too) (02:28)
02. Billy The Kid (03:48)
03. Money Honey (03:29)
04. F.D.R. In Trinidad (03:05)
05. Teardrops Will Fall (03:05)
06. Denomination Blues (04:00)
07. On A Monday (02:58)
08. Hey Porter (04:42)
09. Great Dream From Heaven (01:55)
10. Taxes On The Farmer Feeds Us All (03:56)
11. Vigilante Man (04:15)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. November 2014, 15:41

Ry Cooder / Into The Purple Valley

Used drive : PLEXTOR DVDR PX-891SA Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 1.0\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:28.30 | 0 | 11129
2 | 2:28.30 | 3:48.10 | 11130 | 28239
3 | 6:16.40 | 3:29.30 | 28240 | 43944
4 | 9:45.70 | 3:05.65 | 43945 | 57884
5 | 12:51.60 | 3:05.45 | 57885 | 71804
6 | 15:57.30 | 4:00.45 | 71805 | 89849
7 | 19:58.00 | 2:57.70 | 89850 | 103194
8 | 22:55.70 | 4:42.50 | 103195 | 124394
9 | 27:38.45 | 1:55.67 | 124395 | 133086
10 | 29:34.37 | 3:56.20 | 133087 | 150806
11 | 33:30.57 | 4:15.33 | 150807 | 169964


Range status and errors

Selected range

Filename K:\Lossless Temp\Ry Cooder\Ry Cooder - Into The Purple Valley - 1971 (Reprise Records, 7599-27200-2)\Ry Cooder - Into The Purple Valley.wav

Peak level 100.0 %
Extraction speed 2.4 X
Range quality 99.9 %
Test CRC 65912E16
Copy CRC 65912E16
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 25) [5D785C23] (AR v2)
Track 2 accurately ripped (confidence 26) [621E78E0] (AR v2)
Track 3 accurately ripped (confidence 26) [F8BC2BCF] (AR v2)
Track 4 accurately ripped (confidence 26) [5CD25D92] (AR v2)
Track 5 accurately ripped (confidence 26) [6574E08A] (AR v2)
Track 6 accurately ripped (confidence 26) [89760746] (AR v2)
Track 7 accurately ripped (confidence 26) [12C1BE27] (AR v2)
Track 8 accurately ripped (confidence 26) [D8DB77E1] (AR v2)
Track 9 accurately ripped (confidence 26) [31BBE121] (AR v2)
Track 10 accurately ripped (confidence 26) [D5D910DA] (AR v2)
Track 11 accurately ripped (confidence 26) [4438BC0E] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum D888D20C5C0E03A940EA0FE8A7F52847637F7B5F2FCE8134C477BA780BFB89CB ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-11-14 15:07:23

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ry Cooder / Into The Purple Valley
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -15.54 dB 2:28 01-How Can You Keep Moving (Unless You Migrate Too)
DR12 -3.50 dB -17.77 dB 3:48 02-Billy The Kid
DR12 -0.19 dB -14.66 dB 3:29 03-Money Honey
DR13 -5.35 dB -20.00 dB 3:06 04-F.D.R. In Trinidad
DR14 -1.89 dB -18.53 dB 3:06 05-Teardrops Will Fall
DR12 -3.59 dB -18.79 dB 4:01 06-Denomination Blues
DR13 -1.05 dB -16.11 dB 2:58 07-On A Monday
DR14 -0.47 dB -17.51 dB 4:43 08-Hey Porter
DR14 -6.53 dB -24.42 dB 1:56 09-Great Dream From Heaven
DR12 -0.35 dB -16.17 dB 3:56 10-Taxes On The Farmer Feeds Us All
DR14 -3.46 dB -21.93 dB 4:15 11-Vigilante Man
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 714 kbps
Codec: FLAC
================================================================================




Ry Cooder - Three First Albums 1970-1972 (3CD) Reprise Reissue 1996 [Re-Up]

Ry Cooder - Boomer's Story (1972) Reissue 1996
EAC | FLAC | Image (Cue&Log) ~ 194 Mb | Mp3 (CBR320) ~ 89 Mb
Label: Reprise | # 7599-26398-2 | Time: 00:39:08 | Scans ~ 63 Mb

Boomer's Story, Ry Cooder's third record, continues his archeological dig through music's familiar and forgotten past. As was the case with his previous recordings, he not only looks to the masters – including blues legend Sleepy John Estes, songwriter Dan Penn (both of whom appear here) and the great Skip James – for material, but to lost and neglected pieces of American folk and blues, as well. Cooder adds the traditional title-track, which opens the album, and Lawrence Wilson's "Crow Black Chicken," which dates back to the late 1920s, to this collection of discoveries – both of which are handled with just the right balance of personality and reverence. Elsewhere, he injects a dark irony into the jingoistic "Rally 'Round the Flag," with its slow, mournful piano (played by Randy Newman) and slide guitar, while the Joseph Spence-style guitar arrangement of the World War II standard "Comin' in on a Wing and a Prayer" has a sense of hope and conviction. Often criticized for possessing a less than commanding voice, Cooder steps back from the microphone for four of the album's ten tracks – three instrumentals and one featuring Sleepy John Estes on his own "President Kennedy." And while all of the instrumentals presented here are fine renditions of great tunes, it's "Dark End of the Street" which truly stands out. Here, Cooder realizes that the only thing in his arsenal that can do justice to James Carr's definitive version is his own remorseful slide guitar. Without uttering a single lyric, he's able to convey the shame and deep regret of the Dan Penn/Chips Moman classic. Thanks to moments like this, along with Cooder's consistently strong choice of material and brilliant guitar work, Boomer's Story – less eccentric than his first, and less eclectic than Into the Purple Valley – ranks among his best work

Brett Hartenbach, Allmusic.com

Tracklist:

01. Boomer's Story (04:16)
02. Cherry Ball Blues (04:13)
03. Crow Black Chicken (02:20)
04. Ax Sweet Mama (04:27)
05. Maria Elena (04:32)
06. Dark End Of The Street (03:27)
07. Rally 'Round The Flag (03:39)
08. Comin' In On A Wing And A Prayer (03:03)
09. President Kennedy (04:38)
10. Good Morning Mr. Railroad Man (04:31)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. November 2014, 17:38

Ry Cooder / Boomer's Story

Used drive : PLEXTOR DVDR PX-891SA Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy 1.0\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:16.05 | 0 | 19204
2 | 4:16.05 | 4:13.13 | 19205 | 38192
3 | 8:29.18 | 2:20.20 | 38193 | 48712
4 | 10:49.38 | 4:27.05 | 48713 | 68742
5 | 15:16.43 | 4:32.25 | 68743 | 89167
6 | 19:48.68 | 3:26.72 | 89168 | 104689
7 | 23:15.65 | 3:39.40 | 104690 | 121154
8 | 26:55.30 | 3:03.03 | 121155 | 134882
9 | 29:58.33 | 4:38.32 | 134883 | 155764
10 | 34:36.65 | 4:31.03 | 155765 | 176092


Range status and errors

Selected range

Filename K:\Lossless Temp\Ry Cooder\Ry Cooder - Boomer's Story - 1972 (Reprise Records, 7599-26398-2)\Ry Cooder - Boomer's Story.wav

Peak level 97.0 %
Extraction speed 6.0 X
Range quality 99.9 %
Test CRC C0987411
Copy CRC C0987411
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 24) [3FFBE4D9] (AR v2)
Track 2 accurately ripped (confidence 25) [797845F5] (AR v2)
Track 3 accurately ripped (confidence 25) [5A713AF4] (AR v2)
Track 4 accurately ripped (confidence 25) [5D9B09FF] (AR v2)
Track 5 accurately ripped (confidence 25) [FC942D7C] (AR v2)
Track 6 accurately ripped (confidence 25) [52E15533] (AR v2)
Track 7 accurately ripped (confidence 25) [9076F6EE] (AR v2)
Track 8 accurately ripped (confidence 25) [B8B528EA] (AR v2)
Track 9 accurately ripped (confidence 25) [85F893E5] (AR v2)
Track 10 accurately ripped (confidence 25) [E9A182EA] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 58A82B342B418741C90AD41409783BE6664CD6DE044B15C0FD09B04004635F51 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-11-14 15:07:12

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ry Cooder / Boomer's Story
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.00 dB -14.68 dB 4:16 01-Boomer's Story
DR13 -0.26 dB -16.61 dB 4:13 02-Cherry Ball Blues
DR11 -0.26 dB -14.22 dB 2:20 03-Crow Black Chicken
DR12 -0.47 dB -14.65 dB 4:27 04-Ax Sweet Mama
DR16 -2.18 dB -23.42 dB 4:32 05-Maria Elena
DR12 -1.58 dB -18.13 dB 3:27 06-Dark End Of The Street
DR14 -5.33 dB -24.11 dB 3:40 07-Rally 'Round The Flag
DR12 -0.43 dB -16.35 dB 3:03 08-Comin' In On A Wing And A Prayer
DR14 -1.61 dB -19.44 dB 4:38 09-President Kennedy
DR12 -2.48 dB -18.04 dB 4:31 10-Good Morning Mr. Railroad Man
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 696 kbps
Codec: FLAC
================================================================================




All thanks to original releaser - Swamp Fox

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