A double-disc set that draws from all of the phases of Joe Walsh's career, with the notable exception of The Eagles, Look What I Did! features almost every worthwhile song the guitarist ever recorded, even though it does contain pure dreck like "I.L.B.T.s," which is also known as "I Like Big Tits".

"Paint It Black" (originally released as "Paint It, Black") is a song by the English rock band The Rolling Stones, written by the songwriting partnership of Mick Jagger and Keith Richards, and first released as a single on 6 May 1966…

Eric Clapton's Crossroads Festival, which features world-class guitar players from all over the globe and has been held every three years since 2004, works as a fundraiser for the Crossroads Centre in Antigua, a treatment and educational center Clapton founded in 1998 to help people suffering from chemical dependency. The first three concerts were single-day outdoor events held in Dallas in 2004, and in Chicago in 2007 and 2010, with the fourth, the concert represented by this two-disc set, moving indoors to Madison Square Garden in New York and expanding to two nights in 2013…

The posthumously assembled ten-track outtakes collection The Sky Is Crying actually proves to be one of Stevie Ray Vaughan's most consistent albums, rivaling In Step as the best outside of the Greatest Hits collection. These songs were recorded in sessions spanning from 1984's Couldn't Stand the Weather to 1989's In Step and were left off of the LPs for whatever reason (or, in the case of Soul to Soul's "Empty Arms," a different version was used)…

"Angie" is a song by the rock band The Rolling Stones, featured on their 1973 album Goats Head Soup…

A rare snowy day in Nashville, Tennessee set the stage for an even rarer event an intimate concert by rock icon Robert Plant at the War Memorial Auditorium. Performing with his new, Grammy-nominated group aptly titled the Band of Joy (which includes fellow luminaries Buddy Miller and Patty Griffin), Plant played both Led Zeppelin classics and new songs that continue to have an impact on the music scene today…

The Crossroads Guitar Festival is a series of music festivals and benefit concerts founded by Eric Clapton. The festivals benefit the Crossroads Centre founded by Eric Clapton, a drug treatment center in Antigua. The concerts showcase a variety of guitarists, selected by Eric Clapton personally. To the 2007 audience, Clapton declared that each performer was one of the very best, and had earned his personal respect…

Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty…

Emboldened by the enthusiastic response to the muted Nothing Like the Sun and reeling from the loss of his parents, Sting constructed The Soul Cages as a hushed mediation on mortality, loss, grief, and father/son relationships (the album is dedicated, in part, to his father; its predecessor was dedicated to his mother)…

Savoy Brown's blues-rock sound takes on a much more defined feel on 1970's Looking In and is one of this band's best efforts. Kim Simmonds is utterly bewildering on guitar, while Lonesome Dave Peverett does a fine job taking over lead singing duties from Chris Youlden who left halfway through the year. But it's the captivating arrangements and alluring ease of the music that makes this a superb listen. The pleading strain transformed through Simmonds' guitar on "Money Can't Save Your Soul" is mud-thick with raw blues, and the comfort of "Sunday Night" is extremely smooth and laid back. "Take It Easy" sounds like it could have been a B.B. King tune as it's doused with relaxed guitar fingering. The entire album is saturated with a simple, British blues sound but the pace and the marbled strands of bubbly instrumental perkiness fill it with life. Even the Yardbirds-flavored "Leaving Again" is appealing with its naïve hooks, capped off with a heart-stopping guitar solo. This album along with Street Corner Talking best exemplify Savoy Brown's tranquilizing style.

For years, Led Zeppelin fans complained that there was one missing item in the group's catalog: a good live album. It's not that there weren't live albums to be had. The Song Remains the Same, of course, was a soundtrack of a live performance, but it was a choppy, uneven performance, lacking the majesty of the group at its peak…

After leaving the Royal Southern Brotherhood in 2014 and issuing Ragged & Dirty, his own extended meditation on Chicago blues, guitarist/songwriter Devon Allman spent time playing with his father's road band and guested on Jeremiah Johnson's excellent Grind the same year. His solo re-emergence on Ride or Die is an exercise in spiritual and musical maturity. He plays guitar and bass, and provides passionate lead and backing vocals. He also produced some tracks solo and others with longtime compadre Tom Hambridge – who mixed and mastered it and played drums. Guitarist Tyler Stokes, bassist Steve Duerst, and keyboardist Kevin McKendree are also aboard, with saxophonist Ron Holloway and violinist Bobby Yang. Allman wrote or co-wrote all but two tracks. Hambridge contributed one and the set closes with a surprising cover.