This Sony release is essentially the Bruce Springsteen greatest-hits set that appeared earlier in 2009 as a Wal-Mart exclusive – setting off a mini storm in the media about whether or not the pro-union Springsteen should have any dealings at all with the non-union Wal-Mart company – with three tracks, "Long Walk Home" (from 2007's Magic) and live versions of "Because the Night" and "Fire," added to the end of the sequence. Columbia's 18-track Greatest Hits set from 1995 probably does a better job of charting through the commercial, radio-ready side of Springsteen's career, but the addition of the live tracks here strengthens this collection and makes it feel like a much broader and more rounded portrait than the original Wal-Mart issue was. The truth is, Springsteen has so many great songs that it is probably impossible to put out a single-disc greatest-hits set that would please everyone, but this one essentially does it's job – you've heard all of these songs on the radio.

Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sons the band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters. Native Sons features 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band.

Lucky in Love: The Best of Rick Vito is a compilation album by former Fleetwood Mac guitarist Rick Vito. This 19-song collection features some of Rick's finest work from all seven of his solo CDs. If you love great slide-blues guitar, roots-rock, and soulfully-crafted songs and vocals, you need this CD!

Rock ‘n’ roll is often hard to define, or even to find, in these fractured musical times. But to paraphrase an old saying, you know it when you hear it. And you always hear it with The Wallflowers. For the past 30 years, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades, baked into the grooves of smash hits like 1996’s Bringing Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over. But while it’s been nine long years since we’ve heard from the group with whom he first made his mark, The Wallflowers are silent no more.

The bilingual multi-instrumentalist (guitar/piano) and vocalist will likely be lumped with fellow Canadian blues women such as Sue Foley (who was instrumental in bringing her to Ruf's attention), but on the basis of this sophomore release, that's misleading. Rather, the Ottawa raised musician infuses blues into a variety of singer/songwriter styles. The Way It Feels, which was released in Canada almost a year before it came out in the States, revels in different musical set pieces that display Roxanne Potvin's sultry voice and eclectic stylings. The guest roster of Daniel Lanois, John Hiatt, Bruce Cockburn and Memphis Horns veteran Wayne Jackson indicates that Potvin is comfortable in styles besides the blues and R&B that characterize, but doesn't monopolize, this album. Terrific, even revelatory covers of Joe Tex's "I Want To (Do Everything for You)" and Freddie King's "Your Love Keeps Working on Me" find Potvin immersed in the soul aspects of the blues, and her own compositions that dominate this set occasionally follow suit. The lovely solo piano ballad "Don't Pay Attention" is clearly aimed at the Norah Jones crowd, as is the waltz time, French-sung "La Merveille".

As the first album the band recorded after guitarist Henry Garza suffered a serious spinal injury when he fell off-stage during a concert, 2014's Revelation finds Los Lonely Boys revitalized. The Texan trio has never been constrained by genre, but here they let their imagination wild, dabbling in every sound or style that's ever tickled their fancy, easing into proceedings with a teasing bit of traditional Tex-Mex – "Blame It on Love" opens with little more than guitar, accordion, and voice – before diving into every roots or rock style they've ever hinted at in the past. This does include melodic AOR adult pop – "Give a Little More" could be mistaken for the great lost outtake from Santana's Supernatural – and one of the pleasures of Revelation is the ease with which Los Lonely Boys can do this kind of soft rock without losing earthiness.

Ry Cooder's exceptional Paradise and Lunch takes a popular precept – music as the common denominator across all languages and styles – to extremes few artists have envisioned let alone fulfilled. Considered by many diehards to be the California native's finest hour, the 1974 set unfurls with rarified levels of joyousness, ingenuity, and sophistication. A prime contender for any Desert Island list and an album that repeatedly restores your faith in the inimitable effects experienced upon listening to special performances, Paradise and Lunch is an eternal "musicians' musician" record – an adventurous, ambitious, soulful leap down roads well-traveled and paths less known. Such eclecticism, virtuosity, and ebullience resonate with unmatched verve on our hybrid SACD. Mastered from the original master tapes and strictly limited to 2000 numbered copies, this audiophile reissue boasts dead-quiet surfaces, superb transient response, front-to-back soundstaging, and an organic immediacy that heightens the enjoyment, character, and craft of the arrangements.

Willie May has performed in basements, barns, garages, street corners, speak-easies, house trailers, preschool, high school, colleges, radio, television, bars, county fairs, carnivals, grocery stores, a pigeon coop, concert halls, outdoor festival arenas, and inside Attica prison. Willie has taken his original blend of music to the blues clubs from The LaFayette Tap Room in Buffalo to Antones in Austin, TX, The Black Swan in Toronto, The Penny Arcade in Rochester, The Dinosaur BBQ in Syracuse, Hard Rock Cafe Niagara Falls, The Slippery Noodle in Indianapolis, Fat Fish Blue in Cleveland, Bflo Blues in Pittsburgh, and to countless other venues on thousands, yes thousands, of occasions.

If early 2006 is remembered for nothing else, it will go down in history for the two greatest urban Americana albums of the 21st century to date – Dion's Bronx in Blue and Willie Nile's Streets of New York, a swaggering braggart of a disc that is to the modern Apple everything that Lou Reed's New York was 15 years before. The opening "Welcome to My Head" sets the stage, raising the curtain on a fantasy vision of the city nightlife that sums up every dream Broadway and beyond have ever instilled in the mind of the outsider, and set to a crunchy guitar melody that is as real as the streets that stretch out from there. It might be Nile's first album in six years, but it sounds as though he's been planning it his entire life – even the songs that slip outside of the city concept ("Asking Annie Out" is the first) share the crowded, bustling air of the more "relevant" rockers, while "The Day I Saw Bo Diddley in Washington Square" paints the scene so firmly that you'll see him, too. Even more impressively, the backing rarely motors in the directions you'd expect. Fiddles keen and a mandolin pounds, while Nile borrowed his band from as far afield as John Mellencamp and Rosanne Cash.

The Delgado Brothers iconic brand of original song crafting is fueled by rock solid musicianship. Fierce and evocative, it's a sonic force connecting listeners to a wave of resonant unity. Venturing on the tracks of humanity and artistry, the Delgado Brothers new CD “Two Trains”, an 11 song collection, may be the most dynamic and soulful work of their 30 year recording career. Propelled by their 2016 International Blues Competition win, the Delgado Brothers invite audiences to travel with them via their spirited live performances. Hailing from East Los Angeles and influenced by Blues, Roots Rock, and a culture of social awareness, the Delgado Brothers Band is ever evolving, always reflecting the human condition. The Delgado Brothers band are big brother Boss bass player, Bob Delgado; wordsmith, vocalist, drummer, Steve Delgado; Joey “D” Delgado, stoking the engine with his signature guitar solos and masterful keyboard player David B. Kelley.

This mammoth three-disc U.K. compilation features 50 tracks from "classic rock" staples Creedence Clearwater Revival, including "Long as I Can See the Light," "Have You Ever Seen the Rain," "I Heard It Through the Grapevine," "Lodi," "Lookin' out My Back Door," and "Proud Mary." Listeners would be hard-pressed to find anything resembling a glaring omission here, as the compilers have done a fine job including every high point from the band's short but incredibly bountiful run, making this an excellent choice for the Creedence newbie.

On September 17, 2008, the legendary Levon Helm took his beloved Midnight Ramble on the road to one of America’s treasured venues, Nashville’s historic Ryman Auditorium. Accompanied by such luminaries as Buddy Miller, John Hiatt, Sheryl Crow, George Receli, Sam Bush and Billy Bob Thornton, the Levon Helm Band created an unforgettable night of stage magic. Ramble At The Ryman – Live CD & DVD (each sold separately) captures the joy, essence and reverence of Helm’s live shows. This collection features the Levon Helm Band in a veritable tour through the American songbook, performing classics from Helm’s tenure with The Band, as well as song’s from his Grammy winning release Dirt Farmer and selections from artists such as Chuck Berry, the Carter Family and more.

Charles Wayne Sexton is an American guitarist, singer, and songwriter. Sexton is best known for the 1985 solo hit "Beat's So Lonely" and for his work with the band Arc Angels. Charlie Sexton, released in 1989, is the second studio album released by singer/guitarist Charlie Sexton. An about-face, with more emphasis on Sexton's guitar playing and Texas roots. Although a youngster compared to most of his Austin friends, guitarist, singer, and songwriter Charlie Sexton has already had several phases to his career. Sexton, raised in Austin, TX, made his debut with Pictures for Pleasure in 1985 at age 16. He followed that up with a self-titled second album when he was 20. Because word of his reputation as a prodigy guitar player spread far and wide, he found himself an in-demand session player while still in his late teens, and he had the opportunity to record with Ron Wood, Keith Richards, and Bob Dylan.

Fire in the Blood: The Definitive Collection, a massive career-spanning box set featuring the work of Welsh singer and songwriter Shakin’ Stevens. The 19 CD box set features all of Shaky’s albums as a solo artist, from his first signing and album on Track Records, to his latest studio album, Echoes Of Our Times and it also comes with four CDs of rarities. Shaky was a chart sensation in the UK in the 1980s, in fact, he was the biggest selling singles artist of that decade. Stevens enjoyed 15 British top ten hits in the 1980s and four UK number ones. In total, this set contains 266 tracks and notable inclusions are a live concert recorded at the Paris Theatre, London for BBC Radio 1 in 1980 and the four rarities discs are packed with B-sides, 12-inch mixes, two previously unreleased tracks and more.

Nils Lofgren has a story unlike any other in rock & roll. Something of a teenage rock & roll prodigy, he first made waves when he played on Neil Young's After the Gold Rush at the tender age of 17, just around the time his D.C.-based band Grin relocated to Los Angeles in hopes of hitting the big time. Grin never became stars, but Lofgren did. His association with Young provided a launch pad for a solo career that was acclaimed and fitfully commercially successful, with the late-'70s albums Cry Tough, I Came to Dance, and Night After Night all making waves in album rock…