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The White Stripes - Albums Collection 1999-2007 (6CD) [Re-Up]

Posted By: Designol

Date: 6 Oct 2022 13:24:49

The White Stripes - Albums Collection 1999-2007 (6CD) [Re-Up]

Collection includes all studio albums by American rock duo: The White Stripes (1999); De Stijl (2000); White Blood Cells (2001); Elephant (2003); Get Behind Me Satan (2005); Icky Thump (2007).

The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. Meg's drumming was deliberate and straightforward, while Jack's formidable guitar skills paid homage to garage rock, blues, and punk. A former drummer for the Detroit-based country outfit Goober & the Peas, he also displayed an affinity for American folk music, and the White Stripes took strength in the varied interests of its two members. Moreover, the group bolstered its sound with a controversial backstory (although the bandmates claimed to be siblings, they were actually a married couple until 2000) and a unique color scheme, which saw their clothing and cover art adhering to a red-and-white peppermint candy motif.

Although the band emerged from Detroit's burgeoning rock scene, the White Stripes quickly gained a national following after touring alongside Pavement and Sleater-Kinney. Such performances helped support the duo's self-titled debut album, released in 1999 and dedicated to blues icon Son House. A sophomore effort followed closely behind, as the self-recorded De Stijl appeared in June 2000. However, it was the band's third release – 2001's White Blood Cells – that established the White Stripes as forerunners of the garage rock revival. Recorded in Memphis by renowned producer Doug Easley, White Blood Cells was a critical smash, launching the band into the same circle as the Strokes and the Hives. the White Stripes appeared on Late Night with David Lettterman and the MTV Movie Awards program; meanwhile, their music was profiled in such publications as Time, The New Yorker, and Entertainment Weekly.

Faced with a swell in popularity, the musicians made the tough decision to jump to a major label. White Blood Cells was accordingly reissued by V2 Records in January 2002, and the previous two records followed suit in June. the White Stripes' profile continued to build as the music video for "Fell in Love with a Girl" – a clever piece of Lego-animation directed by Michel Gondry – was nominated for four MTV Video Awards, including Breakthrough Video, Best Special Effects in a Video, and Best Video of the Year, the latter of which pitted the band against the likes of Eminem and *NSYNC. While many garage rock revivalists struggled to maintain popularity as the decade progressed, the White Stripes proved to be an enduring presence, with 2003's Elephant receiving unanimous critical acclaim (and platinum sales in several countries) upon its release.

The White Stripes returned in 2005 with Get Behind Me Satan, a dizzyingly diverse album that spanned disco-metal and light, marimba-driven pop. In keeping with the band's feverish pace, the album had been written and recorded in two weeks that spring. The Stripes supported its release with a tour, during which they covered Tegan and Sara's "Walking with a Ghost" and released the song as a single at the end of 2005. That same year, Jack White and his new wife, model/singer Karen Elson, moved to Nashville, TN. White also formed the Raconteurs with Brendan Benson and the Greenhornes' Jack Lawrence and Patrick Keeler, and spent much of 2006 touring in support of the group's debut album, Broken Boy Soldiers.

Jack White continued to juggle his responsibilities as he performed with several bands, produced albums for other artists, and made forays into cinema. the White Stripes remained a vital commercial and critical presence, however, and the Grammy-winning Icky Thump appeared in 2007. Recorded in three weeks at Nashville's Blackbird Studio, the album included the first-ever Stripes songs with bagpipes and mariachi horns. After issuing another album with the Raconteurs, Jack White added yet another band to his plate as he joined the Dead Weather, a female-fronted group that released its debut album in 2009. That same year, he also appeared in the guitar-themed movie It Might Get Loud, and produced an album for Elson. That year also saw the theatrical release of Under Great White Northern Lights, the White Stripes' first concert film. Directed by Emmett Malloy, the film documented the band's 2007 Canadian tour and premiered at the 2009 Toronto Film Festival. The DVD of the film and a companion album of the same name were issued in 2010.

Biography by Andrew Leahey, Allmusic.com

The White Stripes Website
The White Stripes at Wiki

Review by Chris Handyside, Allmusic.com

Minimal to the point of sounding monumental, this Detroit guitar-drums-voice duo makes the most of its aesthetic choices and the spaces between riffage and the big beat. In fact, the White Stripes sound like arena rock as hand-crafted in the attic. Singer/guitarist Jack White's voice is a singular, evocative combination of punk, metal, blues, and backwoods while his guitar work is grand and banging with just enough lyrical touches of slide and subtle solo work to let you know he means to use the metal-blues riff collisions just so. Drummer Meg White balances out the fretwork and the fretting with methodical, spare, and booming cymbal, bass drum, and snare cracks. In a word, economy (and that goes for both of the players). The Whites' choice of covers is inspired, too. J. White's voice is equally suited to the task of tackling both the desperation of Robert Johnson's "Stop Breakin' Down" and the loneliness of Bob Dylan's "One More Cup of Coffee." Neither are equal to the originals, but they take a distinctive, haunting spin around the turntable nevertheless. All D.I.Y. punk-country-blues-metal singer/songwriting duos should sound this good.

Review by Chris Handyside, Allmusic.com

Tracklist:

01. Jimmy The Exploder (02:29)
02. Stop Breaking Down (02:20)
03. The Big Three Killed My Baby (02:29)
04. Suzy Lee (03:21)
05. Sugar Never Tasted So Good (02:54)
06. Wasting My Time (02:13)
07. Cannon (02:30)
08. Astro (02:42)
09. Broken Bricks (01:51)
10. When I Hear My Name (01:54)
11. Do (03:05)
12. Screwdriver (03:14)
13. One More Cup Of Coffee (03:12)
14. Little People (02:22)
15. Slicker Drips (01:30)
16. St. James Infirmary Blues (02:23)
17. I Fought Piranhas (03:09)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 17:42

The White Stripes / The White Stripes

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:29.57 | 0 | 11231
2 | 2:29.57 | 2:20.23 | 11232 | 21754
3 | 4:50.05 | 2:29.30 | 21755 | 32959
4 | 7:19.35 | 3:21.32 | 32960 | 48066
5 | 10:40.67 | 2:54.73 | 48067 | 61189
6 | 13:35.65 | 2:13.37 | 61190 | 71201
7 | 15:49.27 | 2:30.63 | 71202 | 82514
8 | 18:20.15 | 2:42.25 | 82515 | 94689
9 | 21:02.40 | 1:51.02 | 94690 | 103016
10 | 22:53.42 | 1:54.28 | 103017 | 111594
11 | 24:47.70 | 3:05.00 | 111595 | 125469
12 | 27:52.70 | 3:14.17 | 125470 | 140036
13 | 31:07.12 | 3:13.53 | 140037 | 154564
14 | 34:20.65 | 2:22.15 | 154565 | 165229
15 | 36:43.05 | 1:30.45 | 165230 | 172024
16 | 38:13.50 | 2:24.30 | 172025 | 182854
17 | 40:38.05 | 3:09.15 | 182855 | 197044

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - The White Stripes\The White Stripes - The White Stripes.wav

Пиковый уровень 97.7 %
Скорость извлечения 7.4 X
Качество диапазона 100.0 %
CRC теста 50563C5F
CRC копии 50563C5F
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 17) [E552E9C6] (AR v2)
Трек 2 : извлечено точно (доверие 17) [B91CA2B9] (AR v2)
Трек 3 : извлечено точно (доверие 17) [4433EAD2] (AR v2)
Трек 4 : извлечено точно (доверие 17) [C0787AF6] (AR v2)
Трек 5 : извлечено точно (доверие 17) [B3930F29] (AR v2)
Трек 6 : извлечено точно (доверие 17) [B1FE1BCB] (AR v2)
Трек 7 : извлечено точно (доверие 17) [9D5461D6] (AR v2)
Трек 8 : извлечено точно (доверие 17) [14DAF96B] (AR v2)
Трек 9 : извлечено точно (доверие 17) [21574DE4] (AR v2)
Трек 10 : извлечено точно (доверие 17) [91BEA876] (AR v2)
Трек 11 : извлечено точно (доверие 17) [7BE5753D] (AR v2)
Трек 12 : извлечено точно (доверие 17) [BE714285] (AR v2)
Трек 13 : извлечено точно (доверие 17) [0E3DAB99] (AR v2)
Трек 14 : извлечено точно (доверие 17) [A660385E] (AR v2)
Трек 15 : извлечено точно (доверие 17) [A3549D28] (AR v2)
Трек 16 : извлечено точно (доверие 17) [E9D1D022] (AR v2)
Трек 17 : извлечено точно (доверие 17) [CD22DFBF] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 0F10E77852A25842F8608B39B3EE8EB0FBC3BBF08EDA54F0CDB7E33091BB8991 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:21:07

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / The White Stripes
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR4 -0.20 dB -5.47 dB 2:30 01-Jimmy The Exploder
DR5 -0.20 dB -6.55 dB 2:20 02-Stop Breaking Down
DR5 -0.20 dB -6.11 dB 2:29 03-The Big Three Killed My Baby
DR5 -0.20 dB -6.57 dB 3:21 04-Suzy Lee
DR7 -0.20 dB -9.02 dB 2:55 05-Sugar Never Tasted So Good
DR5 -0.20 dB -6.36 dB 2:13 06-Wasting My Time
DR5 -0.20 dB -5.98 dB 2:31 07-Cannon
DR5 -0.20 dB -6.79 dB 2:42 08-Astro
DR5 -0.20 dB -6.21 dB 1:51 09-Broken Bricks
DR5 -0.20 dB -6.51 dB 1:54 10-When I Hear My Name
DR5 -0.20 dB -6.40 dB 3:05 11-Do
DR5 -0.20 dB -7.55 dB 3:14 12-Screwdriver
DR4 -0.20 dB -6.61 dB 3:14 13-One More Cup Of Coffee
DR6 -0.20 dB -7.87 dB 2:22 14-Little People
DR5 -0.20 dB -5.69 dB 1:31 15-Slicker Drips
DR5 -0.20 dB -7.49 dB 2:24 16-St. James Infirmary Blues
DR6 -0.20 dB -8.89 dB 3:09 17-I Fought Piranhas
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 999 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

Despite their reputation as garage rock revivalists, the White Stripes display an impressive range of styles on their second album, De Stijl, which is Dutch for "the style." Perhaps the album's diversity – which incorporates elements of bubblegum, cabaret, blues, and classic rock – shouldn't come as a surprise from a band that dedicates its album to bluesman Blind Willie McTell and Dutch artist Gerrit Rietveld. Nevertheless, it's refreshing to hear the band go from the Tommy James-style pop of "You're Pretty Good Looking" to the garagey stomp of "Hello Operator" in a one-two punch. It's even more impressive that the theatrical, piano-driven ballad "Apple Blossom" and a cover of Son House's "Death Letter" go so well together on the same album. Jack White's understated production work and versatile guitar playing and vocals also stand out on the languid, fuzzy "Sister, Do You Know My Name?" as well as insistent rockers like "Little Bird" and "Why Can't You Be Nicer to Me?" As distinctive as it is diverse, De Stijl blends the Stripes' arty leanings with enough rock muscle to back up the band's ambitions.

Review by Heather Phares, Allmusic.com

Tracklist:

01. You're Pretty Good Looking (For A Girl) (01:49)
02. Hello Operator (02:36)
03. Little Bird (03:05)
04. Apple Blossom (02:13)
05. I'm Bound To Pack It Up (03:08)
06. Death Letter (04:28)
07. Sister, Do You Know My Name? (02:50)
08. Truth Doesn't Make A Noise (03:13)
09. A Boy's Best Friend (04:21)
10. Let's Build A Home (01:58)
11. Jumble, Jumble (01:53)
12. Why Can't You Be Nicer To Me? (03:22)
13. Your Southern Can Is Mine (02:31)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 18:24

The White Stripes / De Stijl

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:50.45 | 0 | 8294
2 | 1:50.45 | 2:36.15 | 8295 | 20009
3 | 4:26.60 | 3:06.62 | 20010 | 34021
4 | 7:33.47 | 2:13.23 | 34022 | 44019
5 | 9:46.70 | 3:09.72 | 44020 | 58266
6 | 12:56.67 | 4:29.68 | 58267 | 78509
7 | 17:26.60 | 2:51.62 | 78510 | 91396
8 | 20:18.47 | 3:14.43 | 91397 | 105989
9 | 23:33.15 | 4:22.05 | 105990 | 125644
10 | 27:55.20 | 1:58.30 | 125645 | 134524
11 | 29:53.50 | 1:53.45 | 134525 | 143044
12 | 31:47.20 | 3:22.22 | 143045 | 158216
13 | 35:09.42 | 2:31.68 | 158217 | 169609

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - De Stijl\The White Stripes - De Stijl.wav

Пиковый уровень 97.7 %
Скорость извлечения 7.2 X
Качество диапазона 100.0 %
CRC теста FF62323F
CRC копии FF62323F
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 6) [E769B57F] (AR v2)
Трек 2 : извлечено точно (доверие 6) [4CDFA804] (AR v2)
Трек 3 : извлечено точно (доверие 6) [A60DA545] (AR v2)
Трек 4 : извлечено точно (доверие 6) [5EB7C4D6] (AR v2)
Трек 5 : извлечено точно (доверие 6) [C6293181] (AR v2)
Трек 6 : извлечено точно (доверие 6) [D0C532A6] (AR v2)
Трек 7 : извлечено точно (доверие 6) [8EF5455D] (AR v2)
Трек 8 : извлечено точно (доверие 5) [2B772B58] (AR v2)
Трек 9 : извлечено точно (доверие 5) [00929C65] (AR v2)
Трек 10 : извлечено точно (доверие 6) [E20E0936] (AR v2)
Трек 11 : извлечено точно (доверие 6) [C2217E67] (AR v2)
Трек 12 : извлечено точно (доверие 5) [49E9AF9D] (AR v2)
Трек 13 : извлечено точно (доверие 5) [23B1715B] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 17C264DA74DE119F08E5C9F2C102261BC0B2C7FD7BE93F2500F445262B632844 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:20:05

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / De Stijl
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.20 dB -7.08 dB 1:51 01-You're Pretty Good Looking (For A Girl)
DR8 -0.20 dB -9.64 dB 2:36 02-Hello Operator
DR6 -0.20 dB -7.41 dB 3:07 03-Little Bird
DR6 -0.20 dB -8.09 dB 2:13 04-Apple Blossom
DR6 -0.20 dB -7.54 dB 3:10 05-I'm Bound To Pack It Up
DR7 -0.20 dB -7.33 dB 4:30 06-Death Letter
DR7 -0.20 dB -8.95 dB 2:52 07-Sister, Do You Know My Name?
DR8 -0.20 dB -9.54 dB 3:15 08-Truth Doesn't Make A Noise
DR7 -0.20 dB -9.57 dB 4:22 09-A Boy's Best Friend
DR7 -0.20 dB -8.95 dB 1:58 10-Let's Build A Home
DR7 -0.20 dB -8.14 dB 1:54 11-Jumble, Jumble
DR6 -0.20 dB -7.36 dB 3:22 12-Why Can't You Be Nicer To Me?
DR12 -0.20 dB -13.42 dB 2:32 13-Your Southern Can Is Mine
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1028 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

Despite the seemingly instant attention surrounding them – glowing write-ups in glossy magazines like Rolling Stone and Mojo, guest lists boasting names like Kate Hudson and Chris Robinson, and appearances on national TV – the White Stripes have stayed true to the approach that brought them this success in the first place. White Blood Cells, Jack and Meg White's third effort for Sympathy for the Record Industry, wraps their powerful, deceptively simple style around meditations on fame, love, and betrayal. As produced by Doug Easley, it sounds exactly how an underground sensation's breakthrough album should: bigger and tighter than their earlier material, but not so polished that it will scare away longtime fans. Admittedly, White Blood Cells lacks some of the White Stripes' blues influence and urgency, but it perfects the pop skills the duo honed on De Stijl and expands on them. The country-tinged "Hotel Yorba" and immediate, crazed garage pop of "Fell in Love With a Girl" define the album's immediacy, along with the folky, McCartney-esque "We're Going to Be Friends," a charming, school-days love song that's among Jack White's finest work. However, White's growth as a songwriter shines through on virtually every track, from the cocky opener "Dead Leaves and the Dirty Ground" to vicious indictments like "The Union Forever" and "I Think I Smell a Rat." "Same Boy You've Always Known" and "Offend in Every Way" are two more quintessential tracks, offering up more of the group's stomping riffs and rhythms and us-against-the-world attitude. Few garage rock groups would name one of their most driving numbers "I'm Finding It Harder to Be a Gentleman," and fewer still would pen lyrics like "I'm so tired of acting tough/I'm gonna do what I please/Let's get married," but it's precisely this mix of strength and sweetness, among other contrasts, that makes the White Stripes so intriguing. Likewise, White Blood Cells' ability to surprise old fans and win over new ones makes it the Stripes' finest work to date.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Dead Leaves And The Dirty Ground (03:02)
02. Hotel Yorba (02:10)
03. I'm Finding It Harder To Be A Gentleman (02:54)
04. Fell In Love With A Girl (01:50)
05. Expecting (02:03)
06. Little Room (00:50)
07. The Union Forever (03:25)
08. The Same Boy You've Always Known (03:09)
09. We're Going To Be Friends (02:20)
10. Offend In Every Way (03:06)
11. I Think I Smell A Rat (02:03)
12. Aluminum (02:17)
13. I Can't Wait (03:37)
14. Now Mary (01:46)
15. I Can Learn (03:28)
16. This Protector (02:12)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 18:54

The White Stripes / White Blood Cells

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:04.45 | 0 | 13844
2 | 3:04.45 | 2:10.25 | 13845 | 23619
3 | 5:14.70 | 2:54.25 | 23620 | 36694
4 | 8:09.20 | 1:50.07 | 36695 | 44951
5 | 9:59.27 | 2:03.20 | 44952 | 54196
6 | 12:02.47 | 0:50.28 | 54197 | 57974
7 | 12:53.00 | 3:26.25 | 57975 | 73449
8 | 16:19.25 | 3:09.50 | 73450 | 87674
9 | 19:29.00 | 2:22.17 | 87675 | 98341
10 | 21:51.17 | 3:06.18 | 98342 | 112309
11 | 24:57.35 | 2:04.40 | 112310 | 121649
12 | 27:02.00 | 2:19.12 | 121650 | 132086
13 | 29:21.12 | 3:38.65 | 132087 | 148501
14 | 33:00.02 | 1:47.13 | 148502 | 156539
15 | 34:47.15 | 3:31.60 | 156540 | 172424
16 | 38:19.00 | 2:12.15 | 172425 | 182339

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - White Blood Cells\The White Stripes - White Blood Cells.wav

Пиковый уровень 96.7 %
Скорость извлечения 7.0 X
Качество диапазона 99.9 %
CRC теста B59B0CDE
CRC копии B59B0CDE
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 2) [49855872] (AR v2)
Трек 2 : извлечено точно (доверие 2) [01143B52] (AR v2)
Трек 3 : извлечено точно (доверие 2) [9482D13F] (AR v2)
Трек 4 : извлечено точно (доверие 2) [E3F3AED7] (AR v2)
Трек 5 : извлечено точно (доверие 2) [47484204] (AR v2)
Трек 6 : извлечено точно (доверие 2) [28540435] (AR v2)
Трек 7 : извлечено точно (доверие 2) [F3C31AB0] (AR v2)
Трек 8 : извлечено точно (доверие 2) [D8A235C4] (AR v2)
Трек 9 : извлечено точно (доверие 2) [6381D2CB] (AR v2)
Трек 10 : извлечено точно (доверие 2) [B7FB6CE7] (AR v2)
Трек 11 : извлечено точно (доверие 2) [11256E40] (AR v2)
Трек 12 : извлечено точно (доверие 2) [E509D9A1] (AR v2)
Трек 13 : извлечено точно (доверие 2) [B24D4504] (AR v2)
Трек 14 : извлечено точно (доверие 2) [9FFF7BC7] (AR v2)
Трек 15 : извлечено точно (доверие 2) [A535A61D] (AR v2)
Трек 16 : извлечено точно (доверие 2) [A7BF4837] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 38CB15198F5BA10F2FCFEB674AB07BE976353BB4E4A2AA4C773E19DA2A8C870B ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:21:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / White Blood Cells
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.29 dB -7.39 dB 3:05 01-Dead Leaves And The Dirty Ground
DR5 -0.31 dB -6.94 dB 2:10 02-Hotel Yorba
DR6 -0.31 dB -7.09 dB 2:54 03-I'm Finding It Harder To Be A Gentleman
DR4 -0.48 dB -5.67 dB 1:50 04-Fell In Love With A Girl
DR5 -0.30 dB -6.57 dB 2:03 05-Expecting
DR7 -0.69 dB -8.96 dB 0:50 06-Little Room
DR5 -0.31 dB -6.97 dB 3:26 07-The Union Forever
DR5 -0.31 dB -6.36 dB 3:10 08-The Same Boy You've Always Known
DR6 -0.48 dB -7.69 dB 2:22 09-We're Going To Be Friends
DR4 -0.31 dB -6.08 dB 3:06 10-Offend In Every Way
DR5 -0.31 dB -6.89 dB 2:05 11-I Think I Smell A Rat
DR5 -0.31 dB -6.70 dB 2:19 12-Aluminum
DR4 -0.30 dB -5.51 dB 3:39 13-I Can't Wait
DR5 -0.31 dB -6.87 dB 1:47 14-Now Mary
DR5 -0.31 dB -7.00 dB 3:32 15-I Can Learn
DR7 -0.49 dB -10.23 dB 2:12 16-This Protector
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1058 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

White Blood Cells may have been a reaction to the amount of fame the White Stripes had received up to the point of its release, but, paradoxically, it made full-fledged rock stars out of Jack and Meg White and sold over half a million copies in the process. Despite the White Stripes' ambivalence, fame nevertheless seems to suit them: They just become more accomplished as the attention paid to them increases. Elephant captures this contradiction within the Stripes and their music; it's the first album they've recorded for a major label, and it sounds even more pissed-off, paranoid, and stunning than its predecessor. Darker and more difficult than White Blood Cells, the album offers nothing as immediately crowd-pleasing or sweet as "Fell in Love With a Girl" or "We're Going to Be Friends," but it's more consistent, exploring disillusionment and rejection with razor-sharp focus. Chip-on-the-shoulder anthems like the breathtaking opener, "Seven Nation Army," which is driven by Meg White's explosively minimal drumming, and "The Hardest Button to Button," in which Jack White snarls "Now we're a family!" – one of the best oblique threats since Black Francis sneered "It's educational!" all those years ago – deliver some of the fiercest blues-punk of the White Stripes' career. "There's No Home for You Here" sets a girl's walking papers to a melody reminiscent of "Dead Leaves and the Dirty Ground" (though the result is more sequel than rehash), driving the point home with a wall of layered, Queen-ly harmonies and piercing guitars, while the inspired version of "I Just Don't Know What to Do With Myself" goes from plaintive to angry in just over a minute, though the charging guitars at the end sound perversely triumphant. At its bruised heart, Elephant portrays love as a power struggle, with chivalry and innocence usually losing out to the power of seduction. "I Want to Be the Boy" tries, unsuccessfully, to charm a girl's mother; "You've Got Her in Your Pocket," a deceptively gentle ballad, reveals the darker side of the Stripes' vulnerability, blurring the line between caring for someone and owning them with some fittingly fluid songwriting.

The battle for control reaches a fever pitch on the "Fell in Love With a Girl"-esque "Hypnotize," which suggests some slightly underhanded ways of winning a girl over before settling for just holding her hand, and on the show-stopping "Ball and Biscuit," seven flat-out seductive minutes of preening, boasting, and amazing guitar prowess that ranks as one the band's most traditionally bluesy (not to mention sexy) songs. Interestingly, Meg's star turn, "In the Cold, Cold Night," is the closest Elephant comes to a truce in this struggle, her kitten-ish voice balancing the song's slinky words and music. While the album is often dark, it's never despairing; moments of wry humor pop up throughout, particularly toward the end. "Little Acorns" begins with a sound clip of Detroit newscaster Mort Crim's Second Thoughts radio show, adding an authentic, if unusual, Motor City feel. It also suggests that Jack White is one of the few vocalists who could make a lyric like "Be like the squirrel" sound cool and even inspiring. Likewise, the showy "Girl, You Have No Faith in Medicine" – on which White resembles a garage rock snake-oil salesman – is probably the only song featuring the word "acetaminophen" in its chorus. "It's True That We Love One Another," which features vocals from Holly Golightly as well as Meg White, continues the Stripes' tradition of closing their albums on a lighthearted note. Almost as much fun to analyze as it is to listen to, Elephant overflows with quality – it's full of tight songwriting, sharp, witty lyrics, and judiciously used basses and tumbling keyboard melodies that enhance the band's powerful simplicity (and the excellent "The Air Near My Fingers" features all of these). Crucially, the White Stripes know the difference between fame and success; while they may not be entirely comfortable with their fame, they've succeeded at mixing blues, punk, and garage rock in an electrifying and unique way ever since they were strictly a Detroit phenomenon. On these terms, Elephant is a phenomenal success.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Seven Nation Army (03:51)
02. Black Math (03:03)
03. There's No Home For You Here (03:43)
04. I Just Don't Know What To Do With Myself (02:46)
05. In The Cold, Cold Night (02:58)
06. I Want To Be The Boy To Warm Your Mother's Heart (03:20)
07. You've Got Her In Your Pocket (03:39)
08. Ball And Biscuit (07:19)
09. The Hardest Button To Button (03:32)
10. Little Acorns (04:09)
11. Hypnotize (01:48)
12. The Air Near My Fingers (03:40)
13. Girl, You Have No Faith In Medicine (03:17)
14. Well It's True That We Love One Another (02:42)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 19:26

The White Stripes / Elephant

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:51.61 | 0 | 17385
2 | 3:51.61 | 3:03.67 | 17386 | 31177
3 | 6:55.53 | 3:43.49 | 31178 | 47951
4 | 10:39.27 | 2:46.37 | 47952 | 60438
5 | 13:25.64 | 2:58.33 | 60439 | 73821
6 | 16:24.22 | 3:20.39 | 73822 | 88860
7 | 19:44.61 | 3:39.57 | 88861 | 105342
8 | 23:24.43 | 7:19.01 | 105343 | 138268
9 | 30:43.44 | 3:32.20 | 138269 | 154188
10 | 34:15.64 | 4:09.18 | 154189 | 172881
11 | 38:25.07 | 1:48.34 | 172882 | 181015
12 | 40:13.41 | 3:40.24 | 181016 | 197539
13 | 43:53.65 | 3:17.57 | 197540 | 212371
14 | 47:11.47 | 2:42.41 | 212372 | 224562

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - Elephant\The White Stripes - Elephant.wav

Пиковый уровень 99.8 %
Скорость извлечения 7.7 X
Качество диапазона 100.0 %
CRC теста E6DA163D
CRC копии E6DA163D
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 57) [49F6D0D1] (AR v2)
Трек 2 : извлечено точно (доверие 56) [7F7A94F8] (AR v2)
Трек 3 : извлечено точно (доверие 56) [0D189383] (AR v2)
Трек 4 : извлечено точно (доверие 56) [47222ABA] (AR v2)
Трек 5 : извлечено точно (доверие 56) [71FF18B1] (AR v2)
Трек 6 : извлечено точно (доверие 56) [4A323580] (AR v2)
Трек 7 : извлечено точно (доверие 56) [CFD80D9C] (AR v2)
Трек 8 : извлечено точно (доверие 56) [FA846F89] (AR v2)
Трек 9 : извлечено точно (доверие 55) [3A374ED1] (AR v2)
Трек 10 : извлечено точно (доверие 56) [A2978D81] (AR v2)
Трек 11 : извлечено точно (доверие 56) [7F31E207] (AR v2)
Трек 12 : извлечено точно (доверие 56) [6AA7C999] (AR v2)
Трек 13 : извлечено точно (доверие 56) [9368A876] (AR v2)
Трек 14 : извлечено точно (доверие 54) [646B5D08] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта C3787B16A48188C42247251C9B944830BBA05579FED565C146D967FEF999786A ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:20:19

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / Elephant
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.01 dB -9.76 dB 3:52 01-Seven Nation Army
DR7 -0.01 dB -8.56 dB 3:04 02-Black Math
DR8 -0.01 dB -11.01 dB 3:44 03-There's No Home For You Here
DR9 -0.01 dB -11.49 dB 2:46 04-I Just Don't Know What To Do With Myself
DR10 -0.01 dB -11.63 dB 2:58 05-In The Cold, Cold Night
DR10 -0.01 dB -13.04 dB 3:21 06-I Want To Be The Boy To Warm Your Mother's Heart
DR13 -0.73 dB -17.97 dB 3:40 07-You've Got Her In Your Pocket
DR8 -0.01 dB -10.41 dB 7:19 08-Ball And Biscuit
DR9 -0.01 dB -10.31 dB 3:32 09-The Hardest Button To Button
DR10 -0.01 dB -12.59 dB 4:09 10-Little Acorns
DR8 -0.01 dB -9.14 dB 1:48 11-Hypnotize
DR9 -0.01 dB -10.01 dB 3:40 12-The Air Near My Fingers
DR8 -0.01 dB -9.19 dB 3:18 13-Girl, You Have No Faith In Medicine
DR13 -0.01 dB -15.92 dB 2:43 14-Well It's True That We Love One Another
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 968 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

According to Jack White, Get Behind Me Satan deals with "characters and the ideal of truth," but in truth, the album is just as much about what people expect from the White Stripes and what they themselves want to deliver. Advance publicity for the album stated that it was written on piano, marimba, and acoustic guitar, suggesting that it was going to be a quiet retreat to the band's little room after the big sound, and bigger success, of Elephant. Then "Blue Orchid," Get Behind Me Satan's lead single, arrived. A devilish slice of disco-metal with heavily processed, nearly robotic riffs, the song was thrilling, but also oddly perfunctory; it felt almost like a caricature of their stripped-down but hard-hitting rock. As the opening track for Get Behind Me Satan, "Blue Orchid" is more than a little perverse, as though the White Stripes are giving their audience the required rock single before getting back to that little room, locking the door behind them, and doing whatever the hell they want. Even Jack White's work on the Cold Mountain soundtrack and Loretta Lynn's Van Lear Rose isn't adequate preparation for how far-flung this album is: Get Behind Me Satan is a weird, compelling collection that touches on several albums' worth of sounds, and its first four songs are so different from most of the White Stripes' previous music – as well as from each other – that, at first, they're downright disorienting. As if the red herring that is "Blue Orchid" isn't enough warning that Get Behind Me Satan is designed to defy expectations, "The Nurse"'s ironically perky marimbas and off-kilter stabs of drums and guitar – not to mention lyrics like "the nurse should not be the one who puts salt in your wounds" – make its domestic skulduggery one of the most perplexing and eerie songs the White Stripes have ever recorded (although Meg's brief cameo, "Passive Manipulation," which boasts the refrain "you need to know the difference between a father and a lover," rivals it). "My Doorbell," on the other hand, is almost ridiculously immediate and catchy, and with its skipping beat and brightly bashed pianos, surprisingly funky. Meanwhile, "Forever for Her (Is Over for Me)" turns cleverly structured wordplay and those fluttering marimbas into a summery, affecting ballad.

But despite Get Behind Me Satan's hairpin turns, its inspired imagery and complicated feelings about love hold it together. Though "the ideal of truth" sounds cut-and-dried, the album is filled with ambiguities; even its title, which shortens the biblical phrase "get thee behind me Satan," has a murky meaning – is it support, or deliverance, from Lucifer that the Stripes are asking for? There are pleading rockers, like the alternately begging and accusatory "Red Rain," and defiant ballads, like "I'm Lonely (But I'm Not That Lonely Yet)," which has a stubborn undercurrent despite its archetypal, tear-in-my-beer country melody. Even Get Behind Me Satan's happiest-sounding song, the joyfully backwoods "Little Ghost," is haunted by loving someone who might not have been there in the first place. The ghostly presence of Rita Hayworth also plays a significant part on the album, on "White Moon" and the excellent "Take, Take, Take," a sharply drawn vignette about greed and celebrity: over the course of the song, the main character goes from just being happy to hanging out with his friends in a seedy bar to demanding a lock of hair from the screen siren. As eclectic as Get Behind Me Satan is, it isn't perfect: the energy dips a little in the middle, and it's notable that "Instinct Blues," one of the more traditionally Stripes-sounding songs, is also one of the least engaging. Though Jack and Meg still find fresh, arty reinterpretations of their classic inspirations, this time the results are exciting in a different way than their usual fare; and while the album was made in just two weeks, it takes awhile to unravel and appreciate. Get Behind Me Satan may confuse and even push away some White Stripes fans, but the more the band pushes itself, the better.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Blue Orchid (02:38)
02. The Nurse (03:47)
03. My Doorbell (04:01)
04. Forever For Her (Is Over For Me) (03:15)
05. Little Ghost (02:18)
06. The Denial Twist (02:35)
07. White Moon (04:00)
08. Instinct Blues (04:16)
09. Passive Manipulation (00:35)
10. Take,Take,Take (04:22)
11. As Ugly As I Seem (04:09)
12. Red Rain (03:52)
13. I'm Lonely (But I Ain't That Lonely Yet) (04:21)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 19:57

The White Stripes / Get Behind Me Satan

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:38.21 | 0 | 11870
2 | 2:38.21 | 3:47.27 | 11871 | 28922
3 | 6:25.48 | 4:01.63 | 28923 | 47060
4 | 10:27.36 | 3:15.35 | 47061 | 61720
5 | 13:42.71 | 2:18.67 | 61721 | 72137
6 | 16:01.63 | 2:35.57 | 72138 | 83819
7 | 18:37.45 | 4:01.28 | 83820 | 101922
8 | 22:38.73 | 4:16.38 | 101923 | 121160
9 | 26:55.36 | 0:35.16 | 121161 | 123801
10 | 27:30.52 | 4:22.39 | 123802 | 143490
11 | 31:53.16 | 4:09.73 | 143491 | 162238
12 | 36:03.14 | 3:52.50 | 162239 | 179688
13 | 39:55.64 | 4:21.46 | 179689 | 199309

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - Get Behind Me Satan\The White Stripes - Get Behind Me Satan.wav

Пиковый уровень 100.0 %
Скорость извлечения 7.5 X
Качество диапазона 100.0 %
CRC теста 5A0B1CA6
CRC копии 5A0B1CA6
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 38) [BA80B6AC] (AR v2)
Трек 2 : извлечено точно (доверие 38) [E1CE9AD8] (AR v2)
Трек 3 : извлечено точно (доверие 38) [907FFDF1] (AR v2)
Трек 4 : извлечено точно (доверие 38) [9E283C46] (AR v2)
Трек 5 : извлечено точно (доверие 38) [871ED647] (AR v2)
Трек 6 : извлечено точно (доверие 38) [CC9D916B] (AR v2)
Трек 7 : извлечено точно (доверие 38) [26E08424] (AR v2)
Трек 8 : извлечено точно (доверие 38) [CC2F3960] (AR v2)
Трек 9 : извлечено точно (доверие 38) [3D88FF26] (AR v2)
Трек 10 : извлечено точно (доверие 38) [49064BA7] (AR v2)
Трек 11 : извлечено точно (доверие 38) [A5D453F6] (AR v2)
Трек 12 : извлечено точно (доверие 38) [A7BD91A3] (AR v2)
Трек 13 : извлечено точно (доверие 38) [8081E26D] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 8A07EE82FACBBB0BC732DD1E42213575EF4E85E66268CE4AABF56EE7518BA925 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:20:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / Get Behind Me Satan
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.01 dB -8.06 dB 2:38 01-Blue Orchid
DR7 -0.01 dB -9.75 dB 3:47 02-The Nurse
DR9 -0.01 dB -10.61 dB 4:02 03-My Doorbell
DR8 -0.01 dB -9.68 dB 3:15 04-Forever For Her (Is Over For Me)
DR9 -0.01 dB -9.82 dB 2:19 05-Little Ghost
DR8 -0.01 dB -9.70 dB 2:36 06-The Denial Twist
DR9 -0.01 dB -13.05 dB 4:01 07-White Moon
DR7 -0.01 dB -9.65 dB 4:17 08-Instinct Blues
DR11 0.00 dB -11.96 dB 0:35 09-Passive Manipulation
DR8 -0.01 dB -9.48 dB 4:23 10-Take,Take,Take
DR8 -0.01 dB -10.05 dB 4:10 11-As Ugly As I Seem
DR7 -0.01 dB -10.25 dB 3:53 12-Red Rain
DR10 -0.01 dB -13.60 dB 4:22 13-I'm Lonely (But I Ain't That Lonely Yet)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 918 kbps
Codec: FLAC
================================================================================

Review by Heather Phares, Allmusic.com

A lot changed in the White Stripes' world between Get Behind Me Satan and Icky Thump: Meg White moved to L.A., while Jack White left Detroit for Nashville, married and had a daughter, and formed the Raconteurs, a side project that won so much praise that some fans worried that it meant the end of the Stripes. Those fears were as unfounded as the speculation that White's new hometown meant that the band was going to "go country" (after all, Jack and Meg are wearing the costumes of London's Pearly Kings and Queens, not Nudie suits, on Icky Thump's cover). Though it was recorded at Nashville's state-of-the-art Blackbird Studio and covers everything from bagpipes to metal, Icky Thump is unmistakably a White Stripes album. The eclectic feel of Get Behind Me Satan remains, but is less obvious; interestingly, out of all the band's previous work, Icky Thump's brash and confessional songs most closely resemble De Stijl. "300 MPH Torrential Outpour Blues"' acoustic blues and carefully crafted wordplay hark back to "Sister, Do You Know My Name." Meanwhile, "Rag & Bone" is a cute, ragamuffin cousin of "Let's Build a Home" that casts Jack and Meg as enterprising garbage-pickers; the sly grin in Jack's voice as he says "we'll give it a…home" is palpable. And, while Get Behind Me Satan was heavy on pianos, Icky Thump is just plain heavy, dominated by primal, stomping rock that feels like it's been caged for a very long time and is just now being released. Jack White's guitars are back in a big way; "Catch Hell Blues" is a particularly fine showcase for his playing. Once again, though, the Stripes defy expectations, and their "return to rock" isn't necessarily a return to the kind of rock they mastered on Elephant.

Aside from the searing "Bone Broke," which would fit on almost any White Stripes album (and in fact was partially written in 1998), on Icky Thump Jack and Meg push the boundaries of their louder side. Darker and slower than most Stripes singles, "Icky Thump" is their very own "Immigrant Song," with guitars that chug menacingly and lyrics that run the gamut from fever dream meditations on redhead senoritas to pointed political statements ("Why don't you kick yourself out/You're an immigrant too"). "Little Cream Soda" is also outstanding, pairing ranting, spoken-word verses with grinding surf-metal guitars that make it one of the Stripes' heaviest songs. However, the boldest excursion might be "Conquest," which turns Patti Page's '50s-era battle of the sexes into a garage rock bullfight, complete with dramatic mariachi brass, flamenco rhythms, backing vocals that would do Ennio Morricone proud, and dueling guitar and trumpet solos that capture the band's love of drama. As fantastic as Icky Thump's rockers are, its breathers are just as important. Though the Celtic detour that makes up Thump's heart feels out of place initially, "Prickly Thorn, But Sweetly Worn" is indeed a sweet and genuine sounding homage to Scottish folk, bagpipes and all (and could also be a nod to the Rolling Stones' flirtation with British folk in the mid-'60s). And while its psychedelic counterpart "St. Andrews (This Battle Is in the Air)" doesn't work quite as well, it feels like the kind of quirky tangent that pops up on plenty of vintage albums as a palate cleanser. the Stripes' poppy and vulnerable sides get slightly short shrift on Icky Thump. "You Don't Know What Love Is" is so hooky it could just as easily be a Raconteurs song, though it boasts a guitar solo that stings like lemon juice in a paper cut. "I'm a Martyr for My Love for You" is the album's lone ballad, and while its melody is beautiful, it may be the album's weakest track. And though Icky Thump's track listing might be slightly front-loaded, the Stripes uphold their tradition of ending their albums on a playful note with the wonderful "Effect and Cause," which feels equally indebted to hillbilly wisdom and Mungo Jerry's sly jug-band shuffle. With its fuller sound and relaxed flights of fancy, Icky Thump is a mature, but far from stodgy, album – and, as is usually the case, it's just great fun to hear the band play.

Review by Heather Phares, Allmusic.com

Tracklist:

01. Icky Thump (04:14)
02. You Don't Know What Love Is (You Just Do As You're Told) (03:54)
03. 300 M.P.H. Torrential Outpour Blues (05:28)
04. Conquest (02:48)
05. Bone Broke (03:14)
06. Prickly Thorn, But Sweetly Worn (03:05)
07. St. Andrew (This Battle Is In The Air) (01:47)
08. Little Cream Soda (03:44)
09. Rag And Bone (03:46)
10. I'm Slowly Turning Into You (04:32)
11. A Martyr For My Love For You (04:18)
12. Catch Hell Blues (04:16)
13. Effect And Cause (03:00)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 30. марта 2013, 20:37

The White Stripes / Icky Thump

Дисковод: SONY CD-RW CRX230ED Adapter: 0 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:14.40 | 0 | 19089
2 | 4:14.40 | 3:54.30 | 19090 | 36669
3 | 8:08.70 | 5:28.42 | 36670 | 61311
4 | 13:37.37 | 2:48.23 | 61312 | 73934
5 | 16:25.60 | 3:14.27 | 73935 | 88511
6 | 19:40.12 | 3:05.55 | 88512 | 102441
7 | 22:45.67 | 1:49.38 | 102442 | 110654
8 | 24:35.30 | 3:45.30 | 110655 | 127559
9 | 28:20.60 | 3:48.00 | 127560 | 144659
10 | 32:08.60 | 4:34.40 | 144660 | 165249
11 | 36:43.25 | 4:19.40 | 165250 | 184714
12 | 41:02.65 | 4:18.05 | 184715 | 204069
13 | 45:20.70 | 3:00.22 | 204070 | 217591

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла E:\MusicCD\Torrent\The White Stripes - Studio Discography\The White Stripes - Icky Thump\The White Stripes - Icky Thump.wav

Пиковый уровень 100.0 %
Скорость извлечения 7.6 X
Качество диапазона 100.0 %
CRC теста 1659DE15
CRC копии 1659DE15
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 : извлечено точно (доверие 46) [7D7FF17F] (AR v2)
Трек 2 : извлечено точно (доверие 46) [189DBCBB] (AR v2)
Трек 3 : извлечено точно (доверие 46) [CE5D8366] (AR v2)
Трек 4 : извлечено точно (доверие 46) [28685C46] (AR v2)
Трек 5 : извлечено точно (доверие 46) [A08263DA] (AR v2)
Трек 6 : извлечено точно (доверие 46) [0C9F56A5] (AR v2)
Трек 7 : извлечено точно (доверие 46) [A1A3392F] (AR v2)
Трек 8 : извлечено точно (доверие 46) [49A78A2E] (AR v2)
Трек 9 : извлечено точно (доверие 46) [50C8173C] (AR v2)
Трек 10 : извлечено точно (доверие 46) [CDF54C2C] (AR v2)
Трек 11 : извлечено точно (доверие 46) [BAE225A9] (AR v2)
Трек 12 : извлечено точно (доверие 46) [413FD6CB] (AR v2)
Трек 13 : извлечено точно (доверие 46) [6866C19F] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта BA3B0550316731C134A3599AD0EF42A4CC2F514DAC370D07831B177B698AA004 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-04-06 22:20:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: The White Stripes / Icky Thump
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 0.00 dB -8.50 dB 4:15 01-Icky Thump
DR7 0.00 dB -8.90 dB 3:54 02-You Don't Know What Love Is (You Just Do As You're Told)
DR7 0.00 dB -10.73 dB 5:29 03-300 M.P.H. Torrential Outpour Blues
DR5 -0.10 dB -7.04 dB 2:48 04-Conquest
DR6 -0.10 dB -7.44 dB 3:14 05-Bone Broke
DR6 -0.20 dB -7.12 dB 3:06 06-Prickly Thorn, But Sweetly Worn
DR5 -0.20 dB -6.75 dB 1:50 07-St. Andrew (This Battle Is In The Air)
DR6 -0.10 dB -7.64 dB 3:45 08-Little Cream Soda
DR6 0.00 dB -8.27 dB 3:48 09-Rag And Bone
DR6 0.00 dB -8.48 dB 4:35 10-I'm Slowly Turning Into You
DR6 -0.10 dB -9.91 dB 4:20 11-A Martyr For My Love For You
DR7 0.00 dB -10.31 dB 4:18 12-Catch Hell Blues
DR10 0.00 dB -12.04 dB 3:00 13-Effect And Cause
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1010 kbps
Codec: FLAC
================================================================================

All thanks to original releaser - squirr

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