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    Big Bill Broonzy - The Father Of Chicago Blues Guitar (2009)

    Posted By: Designol
    Big Bill Broonzy - The Father Of Chicago Blues Guitar (2009)

    Big Bill Broonzy - The Father Of Chicago Blues Guitar (2009)
    EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 143 Mb | Scans ~ 61 Mb
    Label: Pea Vine Blues | # PCD 15831 | Time: 01:02:40
    Acoustic Chicago Blues, Country Blues, Pre-War Blues

    Big Bill Broonzy was viewed as a beloved country blues player when he died in 1958, a master of raw and authentic-sounding folk-blues. But this public image, although Broonzy worked hard to maintain it in his later years, does him a bit of a disservice. He was much more than a rustic relic, however well he played the part. Broonzy was an excellent and even sophisticated guitarist, starting out in the '30s as a rag and hokum player but he was versatile enough to work with jazz and R&B combos, and his guitar approach was instrumental in the early formation of the Chicago blues sound. He was also a crafty songwriter, who managed to write blues pieces that bridged the line between traditional blues themes and modern structure. This 21-track collection focuses mostly on his early solo acoustic material, although there are some band pieces included as well toward the end of the sequence.

    Big Bill Broonzy and Washboard Sam - Big Bill Broonzy and Washboard Sam (1961) Reissue 1986

    Posted By: Designol
    Big Bill Broonzy and Washboard Sam - Big Bill Broonzy and Washboard Sam (1961) Reissue 1986

    Big Bill Broonzy and Washboard Sam - Big Bill Broonzy and Washboard Sam (1961) Reissue 1986
    EAC | FLAC | Tracks (Cue&Log) ~ 213 Mb | Mp3 (CBR320) ~ 120 Mb | Scans included
    Country Blues, Acoustic Chicago Blues | Label: Chess | # CHD 9251 | Time: 00:34:25

    Although Chess didn't bother to anthologize these sides into album form until the early '60s, this marvelous collection actually dates from 1953. Broonzy and Sam are both in great form here, sharing the vocals throughout and recalling their earlier days as Bluebird label and session mates. The sound is fleshed out by the addition of guitarist Lee Cooper (who at times almost sounds a bit too modern for the genre being explored here, throwing in what can only be described as Chuck Berry licks) and Big Crawford on upright bass.