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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Lovro von Matacic, Orchestra del Teatro alla Scala - George Frideric Handel: Eracle / Hercules (2009)

    Posted By: ArlegZ
    Lovro von Matacic, Orchestra del Teatro alla Scala - George Frideric Handel: Eracle / Hercules (2009)

    Lovro von Matacic, Orchestra del Teatro alla Scala, Elisabeth Schwarzkopf, Fedora Barbieri, Franco Corelli, Ettore Bastianini - George Frideric Handel: Eracle / Hercules (2009)
    EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 157:30 | Scans included
    Classical | Label: Myto | MCD00159 | Recorded: 1958

    Jerome Hines, Elizabeth Schwarzkopf and Franco Corelli star in this recording from La Scala of Handel’s “Eracle” (Hercules) recorded live on the 29th December 1958.

    Antonino Votto, Orchestra del Teatro alla Scala, Renata Scotto - Giuseppe Verdi: La Traviata (2007)

    Posted By: ArlegZ
    Antonino Votto, Orchestra del Teatro alla Scala, Renata Scotto - Giuseppe Verdi: La Traviata (2007)

    Antonino Votto, Orchestra del Teatro alla Scala, Renata Scotto - Giuseppe Verdi: La Traviata (2007)
    EAC | FLAC | Image (Cue & Log) ~ 590 Mb | Total time: 66:40+51:35 | Scans included
    Classical | Label: Deutsche Grammophon | # 477 5665 | Recorded: 1963

    Deutsche Grammophon's reissue of its 1963 recording of La Traviata should be an essential part of the library of anyone who loves the opera because Renata Scotto's Violetta is so beautifully sung and dramatically realized. Scotto was at the beginning of her career, not yet 30, when she made this recording, three years before her acclaimed Madama Butterfly with John Barbirolli. Her voice is wonderfully fresh, with a youthful bloom that makes Violetta's plight especially poignant. She is in complete control; her tone is pure, full, and sweet; and her coloratura is agile, but it's her exceptional ability to act with her voice that makes her Violetta so memorable. This was the role in which she had made her debut when she was 18, and she inhabits it fully. She's entirely believable and inexorably draws the listener into the tragedy that Violetta's life becomes. It's a portrayal so vivid that not all of the rest of the cast can avoid being dwarfed by it.