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    Mari Kodama, Momo Kodama, Karin Kei Nagano, Orchestre de la Suisse Romande & Kent Nagano - Mozart & Poulenc (2024)

    Posted By: delpotro
    Date: 16 May 2024 12:17:18
    Mari Kodama, Momo Kodama, Karin Kei Nagano, Orchestre de la Suisse Romande & Kent Nagano - Mozart & Poulenc (2024)

    Mari Kodama, Momo Kodama, Karin Kei Nagano, Orchestre de la Suisse Romande & Kent Nagano - Mozart & Poulenc: Double & Triple Piano Concertos
    WEB FLAC (tracks) - 244 Mb | MP3 CBR 320 kbps - 152 Mb | Digital booklet | 01:04:35
    Classical | Label: Pentatone

    The pianists Mari Kodama, Momo Kodama, Karin Kei Nagano and conductor Kent Nagano present Double and Triple Piano Concertos by Mozart and Poulenc, together with the Orchestre de la Suisse Romande on a new CD recording (Pentatone). Similar to Mozart’s own practice of making music with his family, the Nagano-Kodama family recorded Mozart’s piano concerto No. 7 for 3 pianos and No.10 for 2 pianos as well as Poulenc’s concerto for 2 pianos and orchestra.
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    Karin Kei Nagano, Cecilia String Quartet - Mozart: Piano Concertos Nos. 12 & 13 (2014)

    Posted By: tirexiss
    Date: 10 Jul 2021 14:09:24
    Karin Kei Nagano, Cecilia String Quartet - Mozart: Piano Concertos Nos. 12 & 13 (2014)

    Karin Kei Nagano, Cecilia String Quartet - Mozart: Piano Concertos Nos. 12 & 13 (2014)
    EAC | FLAC (image+.cue, log) | Covers Included | 52:12 | 214 MB
    Genre: Classical | Label: Analekta | Catalog: AN28765

    Mozart did, it's true, "authorize" the performance of some of his piano concertos by piano and string quartet, as the notes to this Analekta release point out. But, as a Vienna freelancer in uncharted territory, he could hardly have done otherwise, and to suggest, from the perspective of 21st century Canada and its social safety net, that this indicates anything about the desirability of such a performance is questionable. Truth to tell, these two concertos from 1782, although their wind parts are not as prominent as those in some of the later ones, still sound a bit bare in their contrasts between solo and tutti here.
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