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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Mt. Desolation - Mt. Desolation (2010)

    Posted By: Designol
    Mt. Desolation - Mt. Desolation (2010)

    Mt. Desolation - Mt. Desolation (2010)
    EAC | FLAC | Image (Cue&Log) ~ 291 Mb | Mp3 (CBR320) ~ 113 Mb | Scans ~ 34 Mb
    Atternative Country-Rock, Alt. Country, Indie Folk | Label: V2 | # VVR751758 | 00:49:13

    ‘Tis the season for country-themed side projects. Just a few weeks before Mt. Desolation’s release, Tired Pony – another indie rock supergroup with rootsy inclinations – issued their own debut. What was billed as a country album turned out to be little more than standard pop/rock, though, which makes Mt. Desolation’s debut – recorded by a loose group of British musicians, with Keane's Tim Rice-Oxley and Jesse Quin serving as co-captains – all the more charming. The best songs here sound like genuine Americana, not pop songs dressed up in acoustic guitars and cowboy shirts, and even the filler material has a cohesion that’s rare for most first-time supergroups. “The Midnight Ghost,” with its barroom ambience and harmony vocals, is a woozy Western ballad that takes its cues from Patsy Cline and Loretta Lynn, while “Platform 7” – featuring the Killers’ Ronnie Vannucci on percussion – is bar band country-rock, filled with all the twangy trimmings that the Killers attempted (with mixed results) on Sam’s Town.