Sacred music written for female singers and instrumentalists of the Ospedali became celebrated during the 18th century. This unique musical tradition became widely famous largely through the works of such notable composers as Vivaldi, Hasse, Porpora and Galuppi, who were active as teachers at the four "Ospedali grandi".

Vivaldi discoveries are not infrequent. …a third D major setting by the composer of the Vespers psalm Dixit Dominus, appears here on disc for the first time. It is a splendid piece: with scoring including woodwind and trumpet, it begins with a brief but dazzling chorus and concludes with a rewardingly worked fugue. Among the several intervening sections, a duet for two tenors, highly ornamented and vivaciously sung by Paul Agnew and Thomas Cooley, the chorus 'Juravit Dominus' and a contralto aria… sung with sensibility by Sara Mingardo.

The German composer Johann Gottlieb Naumann is mostly known for his operas. One of them, Gustav Wasa, which he composed in Sweden in 1786 and which he considered his best work, even became a Swedish national opera. This recording shows a lesser known aspect of Naumann's output: his sacred compositions. It contains three works: a large-scale cantata and two short pieces, which are much more modest in scoring and style.

Although little known today, during his lifetime Johann Gottlieb Naumann (1741–1801) occupied a very respected niche in the world of late 18th-century music. Born and raised near Dresden, his career was largely made there; after moving to northern Italy in 1757 for further musical training (his teachers there included Padre Martini), he was called to the Saxon imperial court in 1764 on the recommendation of Johann Adolf Hasse as second church composer, attaining promotion to Kapellmeister in 1776.