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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Alison Balsom, Quentin Thomas - Music for Trumpet and Organ (2002)

    Posted By: ArlegZ
    Alison Balsom, Quentin Thomas - Music for Trumpet and Organ (2002)

    Alison Balsom, Quentin Thomas - Music for Trumpet and Organ (2002)
    EAC | FLAC | Image (Cue & Log) ~ 219 Mb | Total time: 57:45 | Scans included
    Classical | Label: EMI Classics | 5 75683 2 | Recorded: 2002

    Balsom explains in her booklet note that EMI gave her considerable freedom in choosing her programme for the disc and thereby lays my only real reservation. The objective (a daunting one as Balsom readily admits) was to seek out new material although what we get is a slightly uncomfortable blend of one vast original composition in the Eben, that whilst well coupled with the shorter Tomasi work seems rather ill at ease with the likes of Shenandoah and George Thalben-Ball’s well-known organ Elegy. It may be that Balsom was conscious of not duplicating works with Håkan Hardenberger’s release of music for the same combination that appeared on BIS earlier this year (also reviewed by the writer) although in fact it is only the Tomasi that is common to both discs.

    Sachsisches Vokalensemble, Matthias Jung - Petr Eben - Salve Regina: Sacred Choral Works (2013)

    Posted By: Designol
    Sachsisches Vokalensemble, Matthias Jung - Petr Eben - Salve Regina: Sacred Choral Works (2013)

    Petr Eben - Salve Regina: Sacred Choral Works (2013)
    Sächsisches Vokalensemble; Matthias Jung, conductor

    EAC | FLAC | Image (Cue&Log) ~ 257 Mb | Mp3 (CBR320) ~ 153 Mb | Scans included
    Classical, Choral, Sacred | Label: cpo | # cpo777627-2 | Time: 00:59:48

    Petr Eben drew upon the Old Testament and sacred texts from early church fathers for his powerful sacred vocal works. Latin was his preferred language for these settings, and he favoured Gregorian chant which he used as inspiration for his weaving polyphonic lines, complex rhythms and irregular patterning. This body of work, written in the teeth of party opposition in Czechoslovakia – born a Jew, Eben became a practising Catholic – is one of the most important by a Czech composer in the twentieth-century.

    Gunther Rost, Tine Thing Helseth, Babette Haag - Petr Eben: Okna; Landscapes of Patmos; Organ Concerto No.2 (2012)

    Posted By: Designol
    Gunther Rost, Tine Thing Helseth, Babette Haag - Petr Eben: Okna; Landscapes of Patmos; Organ Concerto No.2 (2012)

    Petr Eben: Okna; Landscapes of Patmos; Organ Concerto No.2 (2012)
    Gunther Rost, organ; Tine Thing Helseth, trumpet; Babette Haag, percussion
    Bamberger Symphoniker; Bayerische Staatsphilharmonie; Gabriel Feltz, conductor

    EAC | FLAC | Image (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
    Classical, Contemporary | Label: Oehms Classics | # OC 420 | Time: 01:14:16

    Petr Eben (1929-2007) is considered to be one of the Czech Republic‘s leading contemporary composers. His organ compositions explore new territory in regard to playing techniques, sound and subject matter. His goal is to convey a message to listeners, e.g. through commentaries or – as in his Second Organ Concerto – by prefixing his scores with a motto. Formal clarity and understandability are a „must“ for him. His music is characterized by free tonality that always includes tonal sections. Gunther Rost was able to win two prominent guest musicians for this CD: Tine Ting Helseth (trumpet) and Babette Haag (percussion).