With his impressive artistic biography, Michael Formanek is one of the outstanding personalities of contemporary jazz as a composer, a bassist in ensembles and a soloist. He belongs to the circle of leading bassists and composers that includes Charles Mingus, Dave Holland, Charlie Haden and Barry Guy. Formanek's musical world, his immense experience, his knowledge of jazz tradition and the avantgarde, his ability and his charismatic appearance have a highly stimulating effect on the musicians of his bands. After the release of the CD with the Elusion Quartet (with Kris Davis, Tony Malaby, Ches Smith), the first album from his new trio follows: Michael Formanek Very Practical Trio with saxophonist Tim Berne and guitarist Mary Halvorson.

Guitarist-composer David Torn, a longstanding ECM artist, has enjoyed a particularly fruitful 21st-century with the label, releasing two albums under his own name – the solo only sky and quartet disc prezens – in addition to producing records by Tim Berne and Michael Formanek. With Sun of Goldfinger, Torn returns in a trio alongside the alto saxophonist Berne and percussionist Ches Smith (a member of Berne’s Snakeoil band who made his ECM leader debut in 2016 with The Bell). The Torn/Berne/Smith trio, also dubbed Sun of Goldfinger, features alone on two of this album’s three intense tracks of 20-plus minutes; the vast sonic tapestries of “Eye Muddle” and “Soften the Blow” – each spontaneous group compositions – belie the fact that only a trio is weaving them, with live electronics by Torn and Smith expanding the aural envelope.

American tenor saxophonist Tim Berne joins Umberto Petrin's piano trio for four of the nine tracks on this CD, which features tunes written by the pianist. Petrin launches a broadside in the liners, stating that "avant-garde" and "experimentalism" are no longer relevant terms, but that idea and form should hold sway…

Berne calls this band Caos Totale, and if it doesn't quite achieve that lofty goal, it comes close enough to provide a fine mix of rich, involved compositions and lusty, almost rockish, improvisations. One of Berne's songwriting trademarks has been lengthy pieces (often exceeding 30 minutes) with multiple themes that emerge and disappear in an organic but unpredictable way, and this is clearly on view here. Pieces begin in one place but invariably end in another area entirely, but the ride is quite scenic…

This octet session, recorded live in the studio in June 1997 but not released until 2011, is a departure for Tim Berne. His 1990s quartet Bloodcount (with clarinetist Chris Speed, bassist Michael Formanek, and drummer Jim Black) is augmented by trumpeter Baikida Carroll, violinist Dominique Pifarély, cellist Erik Friedlander, and acoustic guitarist Marc Ducret. The disc contains only two compositions, the first running over 35 minutes and the latter a shade under 30…