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    1. Home
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    3. Wolfram Christ

    Stuttgarter Kammerorchester, Wolfram Christ - Carl Philipp Emanuel Bach: Hamburger Sinfonien Wq. 182 (2014)

    Posted By: Designol
    Date: 27 Mar 2025 12:54:53
    Stuttgarter Kammerorchester, Wolfram Christ - Carl Philipp Emanuel Bach: Hamburger Sinfonien Wq. 182 (2014)

    Carl Philipp Emanuel Bach - Hamburger Sinfonien Wq. 182 (2014)
    Stuttgarter Kammerorchester, conducted by Wolfram Christ
    EAC | FLAC | Image (Cue&Log) ~ 294 Mb | Mp3 (CBR320) ~ 151 Mb | Scans included
    Genre: Classical | Label: hänssler CLASSIC | # HAEN98637 | Time: 01:05:27

    In honor of CPE Bach's 300th birthday, hänssler CLASSIC will be releasing an exciting series of recordings dedicated to the music of this well known but hitherto neglected Bach son during the first 3 months of 2014. At the beginning there are the so-called “Hamburg” symphonies Wq 182, interpreted with great sensitivity and bite, when necessary, by the Stuttgart Chamber Orchestra under the renowned conductor and former violist of the Berlin Philharmonic, Wolfram Christ. Maestro Christ sees these works as expressive pieces, open to multiple interpretations that invite the listener to experience them as almost Romantic in their gesture and content. Deciding on a fortepiano continuo instrument is not only a historically informed decision, but contributes to a perfectly balanced overall sound.
    Details

    Wolfram Christ - J.C. Bach, M. Haydn, C. Stamitz: Viola Concertos (1994)

    Posted By: tirexiss
    Date: 21 Dec 2019 07:36:36
    Wolfram Christ - J.C. Bach, M. Haydn, C. Stamitz: Viola Concertos (1994)

    Wolfram Christ - J.C. Bach, M. Haydn, C. Stamitz: Viola Concertos (1994)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:05:50 | 384 MB
    Genre: Classical | Label: Koch Schwann | Catalog: 313312

    Wolfram Christ can be a boring performer (witness a deadpan Berlioz Harold in Italy with Maazel), but these works seem to suit him perfectly. The J.C. Bach Concerto (is *that* really J.C. Bach???) is quite splashy, especially witness the final movement. It's very exciting, and definitely worth exploring, with a tuneful first movement, and a lovely second. The first theme of I comes back to haunt in III, making it a "cyclical" work.
    Details
    UPWARDS