Halestorm is aptly named, as vowel-averse frontwoman Lzzy Hale has an F5 tornado for a voice, which she uses to great effect on her band's fourth studio long-player. The follow-up to 2015's Into the Wild Life, which was the group's highest-charting outing to date, Vicious doesn't deviate too much from the stock hedonism of its predecessor – the holy hard rock trinity of sex, drugs, and rock & roll is alive and well – but it connects on such a visceral and familiar level that listeners will likely be unable to resist the urge to turn things up to 11. In lesser hands, big-box hard rock songs like "Skulls," "Uncomfortable," and "Black Vultures" would blow in one ear and out the other, but Hale and company are as adept with hooks as they are with decibels, which makes the material sticky enough to leave some residue on its way out of your head.

After a relatively quick turnaround, German metal masters Rammstein added another highlight to their discography with eighth album Zeit. Like many other artists around the world, a postponed tour during the COVID-19 pandemic forced the band back to the studio to funnel their creative juices into a new album, erasing any fears that it'd be another decade before hearing a follow-up to 2019's Untitled. Much like that catalog triumph, Zeit is yet another step forward in artistic growth and maturity; it might even be Rammstein's most thoughtful and poignant record to date. Yes, even with a song titled "Dicke Titten" ("Big Tits"). The title track is a towering accomplishment of power and restraint, an unexpected meditation on time and aging that finds hulking frontman Till Lindemann contemplating mortality against a swelling backdrop of angst and drama provided by guitarists Paul Landers and Richard Z. Kruspe, bassist Oliver Riedel, drummer Christoph Schneider, and keyboardist Flake Lorenz.

Disasterpieces is the second video album by American heavy metal band Slipknot. Unveiled at an advance screening in New York City on November 1, 2002, and released on November 22, the two-disc set features a concert at London Dockland Arena, and all the band's music videos to date, including songs from Slipknot and Iowa…

Nearly 30 years into their career as one of the most globally recognized hard rock bands‚ not to mention pioneers of nu metal, proving severe guitar syncopation and high-octane rap-rock are no flash-in-the-pan genre trends—Korn returns with their 14th studio album. Not quite as dark as 2019’s The Nothing, written in the aftermath of the death of frontman Jonathan Davis’ wife, Requiem is a complex meditation on grief. Not softer, exactly, but nine tracks of real profundity: shoegaze-y detours (“Let the Dark Do the Rest”), death-metal sludge (“Hopeless and Beaten”), metallic scraping (“Lost in the Grandeur”), and the thick radio-rock melodicism of “Start the Healing” (featuring a surprisingly positive message: “I can take it all away, the feelings/Break apart the pain and start the healing”). This is not just the veteran release of a consistent band but one that chooses to evolve with each new record.

Left to their own devices on Here and Now, Nickelback have done the unthinkable: they’ve embraced who they are. Chad Kroeger’s brow is no longer furrowed, treating rock & roll as an ordeal; he’s stepped back a bit, allowing himself to have a good time. This doesn’t quite mean he’s left his misogyny behind – it lingers, infecting otherwise innocuous songs – but it does mean that Nickelback no longer rely solely on heavy-footed power chords set to lumbering rhythms. True, this signature sound still underpins much of Here and Now, but the group is now loose enough to throw in a disco-rock thumper (“Kiss It Goodbye,” another in a long line of anti-Hollywood, anti-plasticity anthems destined to be staples in Hollywood strip clubs) and even dabbles in a bit of power pop on “When We Stand Together,” giving it an actual swing, something unheard on previous Nickelback albums, and this isn’t an isolated incident. “Gotta Get Me Some” abandons the brutal four-on-the-floor Nickelback signature in favor of an actual groove and the group even sounds nimble on its power ballads.

Them Crooked Vultures is a rock supergroup formed in Los Angeles in 2009 by John Paul Jones (former member of Led Zeppelin), Dave Grohl (of Foo Fighters and former member of Nirvana), and Josh Homme (of Queens of the Stone Age and former member of Kyuss). The group also includes guitarist Alain Johannes during live performances. The band's first single "New Fang" was released in October 2009, followed by the group's self-titled debut album the following month, debuting at number 12 on the Billboard 200. The group won the 2011 Grammy Awards Best Hard Rock Performance category for "New Fang".

Deftone's live album 'Live At Dynamo Open Air 1998' is available here on CD. An aggressive slab of metallic guitars and hammering drums, giving this live concert a visceral force. Two tracks featuring Max Cavalera.