Tranceportation Volume 2 is the next destination in Sonar’s ongoing musical journey as the Swiss-based band celebrates 10 years of cutting-edge music-making.

Desire of the Rhino King is a compilation of songs from Belew's three albums, Lone Rhino, Twang Bar King, and Desire Caught By the Tail. This generous, 20-track album epitomizes Adrian Belew in all his avant garde glory, complete with information about all three albums written by Belew himself…

There's an old saying that one is only as good as the people with whom one collaborates. Judging by the list of musical contributors to Hector Zazou's Sahara Blue, Zazou is quite good indeed. Among many others, those adding their own touch to Zazou's album include Bill Laswell, Dead Can Dance, John Cale, David Sylvian, Ryuichi Sakamoto, and Tim Simenon. Zazou devised the album as a mix of musical styles set to lyrics/vocals taken from the pen of Arthur Rimbaud. While it might appear like a pretentious undertaking on paper, the album is a cohesive slice of eclectic music-making. Jazzy spoken word songs such as "Ophelie" intermingle with throbbing dance-oriented numbers like "I'll Strangle You" and quiet, peaceful piano-based meditations such as "Harar et les Gallas." Dead Can Dance duo Brendan Perry and Lisa Gerrard work their particular magic on "Youth," exchanging vocals, and on "Black Stream," where Perry's dark, somber synth weeps around Gerrard's stunning vocals and yang chin. Zazou himself mostly stays in the background, providing production and electronic sounds, allowing the players to showcase their abilities.

Adrian Belew used his third release to blatantly demonstrate his love and talent for avant-garde guitar work, but many of the tracks on Desire Caught By the Tail take his passion for boisterous distortion, warped notes, thick sound, and highly experimental playing methods into absurdity…

Diversified and relentlessly creative – giving space to new artistic and emotional expression – this second solo album from guitarist Adrian Belew expands upon his already remarkable solo debut, though more than a few will be confused and put off by the opener, the Beatles' classic "I'm Down." …

The first solo album from monster alternative guitarist Belew comes in the middle of Robert Fripp's early-'80s reformulation of King Crimson, so it's no surprise that many a Crimson-esque herky-jerky guitar run and melody line pops up among Belew's other trademark sound, that of the animal-turned-guitar wail…

Gösta Berlings Saga from Stockholm, Sweden return with their sixth studio album. “Konkret Musik” contains 12 explosive tracks filled with experimental instrumental rock, showcasing a truly unique mix of progressive rock, synth minimalism and otherworldly melodies. Dystopian yet hopeful, maximal yet minimal: “Konkret Musik” will not leave anyone unaffected. Recorded, mixed and produced by Daniel Fagerström (Viagra Boys, Skull Defekts, Nina Kinert, etc.) and Anton Sundell (Tonbruket, Ane Brun, etc.).

The second album by Jah Wobble's Invaders of the Heart continued the bassist's exploration into ethnic fusion, merging together music from different world traditions with pop production and his own dub-influenced bass guitar. Fans of Wobble's earlier work with Holgar Czukay and Public Image Limited might be surprised and a bit dismayed at first by the glossy production and pop nature of some of the tracks here; one would never have guessed that Wobble would come up with something as commercial as the Latin pop of "Ungodly Kingdom." However, much of the music is remarkable and on each listen seems to contain something new. Wobble is far more interested in experimentation than simply adding world sounds to pop music. The tracks with Middle Eastern influences, including the amazing "Everyman's an Island," are quite remarkable and most feature the fine talents of Natasha Atlas. Meanwhile, the trance-like opener, "Visions of You," which guests Sinéad O'Connor on vocals, is absolutely beautiful. On the title track, Wobble even returns to his past, with he and guitarist Justin Adams bringing the sound of early PiL forward ten years.

"From album to album, Les Marquises has established itself as one of the most original and adventurous projects on the current independent scene. From this singular and radical universe, created by the Lyon multi-instrumentalist Jean-Sébastien Nouveau, this new album "La Battue" offers the quintessence. It is as if all the musical directions taken so far by the group were gathered in the same abundant sum"