For Steve Hackett, his 26th studio album (a remarkable statistic of itself) is far more than merely a collection of quality tracks. It goes a lot deeper than this. “I love experimenting with sounds and ethnic instruments, and thereby taking my ideas into other musical territories, to go where I have not artistically been before. This is essentially British music but it's being developed in foreign soil, as it were.” 'At The Edge Of Light' represents the master guitarist's commitment and passion for a global perspective on the music he writes and performs. “It feels here like I have finally connected properly to world music,” he explains. “In the past there have been a few tracks where I have skirted around that type of genre. But now, it's the entire album that fits into this style.” But it goes far beyond a dedication to musical aspirations that drives Hackett this time. He is acutely aware of the way in which the world is seeping towards a dangerous viewpoint that may have already gone too far.

Goldener Saal des Wiener Musikvereins, im Frühling 2014. Ein seltenes, ein einmaliges Zusammentreffen. Zwei sehr unterschiedliche Superstars de r Klassik entdecken neu die Klavierkonzerte Nr. 17 und 24 von Mozart: Weltstarpianist Lang Lang, Alte -Musik -Legende und Doyen der historischen Aufführungspraxis Nikolaus Harnoncourt gemeinsam mit – nicht zu vergessen – den Wiener Philharmonikern. Ein Ferns ehteam begleitete vier Tage lang die Vorbereitungen, die Proben, die Aufnahmesitzungen und die Diskussionen, kurz – den kompletten künstlerischen Schaffensprozess, an dessen Ende ein vielbejubeltes Bestselleralbum entstand.