Subcategories
Tags
Language
Tags

Gavin Bryars ‎- A Portrait (2003) 2CDs [Re-Up]

Posted By: Designol
Gavin Bryars ‎- A Portrait (2003) 2CDs [Re-Up]

Gavin Bryars ‎- A Portrait (2003) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 703 Mb | Mp3 (CBR320) ~ 362 Mb
Label: Philips | # 473 296-2 | Time: 02:30:19 | Scans included
Modern Classical, Experimental, Minimalism

Play a random three-minute sequence from any one of these CDs and the composer’s identity immediately establishes itself. Gavin Bryars at 60 is the same mellow, reflective and quietly innovative composer who years ago unfolded his own heart-rending revision of Jesus’ blood never failed me yet. Philips’s ‘Portrait’ includes both a ‘single’ and a ‘single re-mix’ condensation of the same piece, the first opening with the singing of that by-now legendary homeless senior citizen, so affecting in his vocal frailty. Both versions add the grainy voice of Tom Waits (which wasn’t on the original version) and yet neither can match the cumulatively powerful impact of the expansive full work. To be honest, Jesus’ blood isn’t really ‘single’ material. It needs time to make its point, and time is the very quality that other music on these discs thrives on; the exception is another ‘single’, the ‘Titanic Lament’, a revision of music from The Sinking of the Titanic (1969, recorded 1994). It’s aurally striking though less imposing than the parent work.

CBC offers the most recent pieces, the majority hovering around the quarter-of-an-hour mark and all involving dedicated Canadian performers from Bryars’ self-acknowledged second home. We’re initially offered three sensitively scored songs for Holly Cole, the first opening Rheingold-style (there’s also a quote from ‘I’ll be with you in Apple-Blossom Time’) and featuring Bryars’s own instrument, the double bass. Bryars is the soloist in By the Vaar, composed in 1987 for the jazz bass player Charlie Haden, pizzicato for the duration and with the bass balanced fairly close to the mikes. Here, Bryars’s haunting but somewhat somnolent style melds with elements of jazz.

The Porazzi Fragment for strings toys with Wagner’s last musical thoughts, quoting them much as Richard Strauss had done with Beethoven’s Eroica towards the end of his similarly string-based Metamorphosen. The Violin Concerto, like the Cello Concerto included on the Philips package, is predominantly lyrical and has the soloist weave an almost continuous line. Quotes from Vivaldi’s Four Seasons allude to the Primavera Chamber Orchestra, for whom the work was composed, and the subtitle, The Bulls of Bashan, to an ancient piece of musical reportage (check out the booklet for the full facts).

Bryars is a great one for punning, and a good many of his titles prove the point. As to his music, time and again you notice the same stylistic fingerprints: the slow tempi, Parsifal-like string arpeggios (the sort Wagner used in his operatic Prelude), rumbling low percussion (more often than not with tam-tam), chromatic harmonic twists and a musical climate where daylight invariably gives way to dusk. The sun rarely shines in the music of Bryars.

The Philips Collection opens with the Cello Concerto that Bryars composed for Julian Lloyd Webber, named Farewell to Philosophy in verbal tribute to two popular Haydn symphonies: Lloyd Webber had wanted something that he could programme alongside the Haydn cello concertos. Again, low percussion is a prominent feature (aided by the harp), and there’s imaginative use of woodwind.

The ‘one last bar’ of the all-percussion One Last Bar, Then Joe Can Sing harks back to the closing bar from the first part of Bryars’s opera Medea, a prompt for a highly tactile, melancholy variety of near-minimalism, the second section all tuned percussion, hissing cymbals and teeth-filing harmonics (beware your fillings). Les Fiancailles was written for performance in Vienna. It opens to a sequence of repeated piano chords with strings sailing above and around them. There’s a veiled suggestion of Verklärte Nacht somewhere in the mix, whereas the evocative centre of The Green Ray (a momentary shaft of maritime light) is reminiscent of Rautavaara in ‘angel’ mode. Here, saxophonist John Harle is on marvellous form.

I particularly enjoyed the eloquent songs on texts by Etel Adnan, sensually sung by Valdine Anderson, the sixth and eight of them graced by memorably poetic instrumental postludes. The North Shore suggests vast unpeopled spaces, rather as Arvo Pärt does in his Tabula Rasa.

Like everything else on the set, this is music as a mood-setter, skilfully written, but, as Bryars himself has suggested, neither more nor less than ‘another way of making music…touching the lives and feelings of ordinary people’ – meaning non-specialists and non-academics, people who crave a musical backdrop for their deeper musings, but don’t necessarily want to get involved in a gritty confrontation with musical ‘argument’. That, I think, hints at a common misconception, not only about Bryars but about Adams, Riley, some Reich, some Turnage, Volans, and many others like them: the idea that uncomplicated new music must somehow be lacking in profundity. Can’t it also be true that music such as this can act as a sympathetic midwife for the rebirth of one’s deeper, more meditative self? That’s certainly how I hear it.

Review by Rob Cowan, Gramophone

Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of northeast England. Adnan Songbook, settings of six poems by Lebanese poet Etel Adnan, are beautifully sung by soprano Valerie Anderson and delicately scored for a small ensemble. Bryars's biggest hits, The Sinking of the Titanic and Jesus' Blood Never Failed Me Yet, have inspired him to numerous reworkings and capsuled fragments. They're represented by Titanic Lament, depicting a hymn tune dissolving into gray, watery textures, and two very different four-minute versions of Jesus' Blood, both with Tom Waits. Some will find Bryars's brand of minimalism veering too closely to New Age music, but others will immerse themselves in a sound world of originality and refined beauties.

Review by Dan Davis

Gavin Bryars ‎- A Portrait (2003) 2CDs [Re-Up]

Gavin Bryars ‎- A Portrait (2003) 2CDs [Re-Up]



Tracklist:

CD1:

Cello Concerto (Farewell to Philosophy)
01. 1 (9:13)
02. 2. Piu mosso (4:53)
03. 3. (4:37)
04. 4. (2:04)
05. 5. ('The Philosopher') (2:09)
06. 6. Poco meno mosso (6:11)
07. 7. ('Farewell') a tempo (6:03)
- Julian Lloyd Webber, cello
- English Chamber Orchestra
- James Judd, conductor

One Last Bar, Then Joe Can Sing
08. 1. Lento (8:28)
09. 2. Piu mosso (7:42)
10. 3. Coda (2:55)
- Nexus Percussion Ensemble

11. Les Fiancailles (18:45)
- Gavin Bryars Ensemble

12. Jesus' Blood Never Failed Me Yet - Single (4:05)
- Gavin Bryars Ensemble
- Tom Waits, voice

CD2:

01. The Green Ray (21:28)
- John Harle, saxophone
- Bournemouth Sinfonietta
- Ivor Bolton, conductor

Adnan Songbook
02. Song 1 (3:27)
03. Song 2 (4:22)
04. Song 3 (3:17)
05. Song 4 (1:35)
06. Song 5 (4:05)
07. Song 6 (3:14)
08. Song 7 (3:13)
09. Song 8 (5:32)
- Valerie Anderson, soprano
- Gavin Bryars Ensemble

10. The Sinking of the Titanic (4:07)
- Gavin Bryars Ensemble

11. The North Shore (14:53)
- Bill Hawkes, viola
- Gavin Bryars Ensemble
- Roger Heaton, conductor

12. Jesus' Blood Never Failed Me Yet - Single remix (4:02)
- Gavin Bryars Ensemble
- Tom Waits, voice


Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 25. ноября 2008, 10:44

Gavin Bryars / A Portrait CD1

Дисковод: Optiarc DVD RW AD-7170A Adapter: 1 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 9:12.63 | 0 | 41462
2 | 9:12.63 | 4:52.62 | 41463 | 63424
3 | 14:05.50 | 4:36.63 | 63425 | 84187
4 | 18:42.38 | 2:04.37 | 84188 | 93524
5 | 20:47.00 | 2:09.00 | 93525 | 103199
6 | 22:56.00 | 6:10.63 | 103200 | 131012
7 | 29:06.63 | 6:03.12 | 131013 | 158249
8 | 35:10.00 | 8:27.50 | 158250 | 196324
9 | 43:37.50 | 7:42.00 | 196325 | 230974
10 | 51:19.50 | 2:55.25 | 230975 | 244124
11 | 54:15.00 | 18:45.00 | 244125 | 328499
12 | 73:00.00 | 4:05.00 | 328500 | 346874


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Downloads\Gavin Bryars - A Portrait\Gavin Bryars - A Portrait CD1.wav

Пиковый уровень 95.8 %
Качество диапазона 99.9 %
CRC копии EA874F73
Копирование… OK

Ошибок не произошло

Конец отчёта

[CUETools log; Date: 29.05.2017 0:11:47; Version: 2.1.4]
[CTDB TOCID: yz6v5Ajyt3vOHaR_co_gTL6iG44-] found.
Track | CTDB Status
1 | (5/5) Accurately ripped
2 | (5/5) Accurately ripped
3 | (5/5) Accurately ripped
4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
6 | (5/5) Accurately ripped
7 | (5/5) Accurately ripped
8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped
11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
[AccurateRip ID: 001ed9e8-0123572f-a812110c] found.
Track [ CRC | V2 ] Status
01 [765708a1|b7995849] (09+07/16) Accurately ripped
02 [a46f767b|39d634ac] (09+06/15) Accurately ripped
03 [7b6a61b4|1ddf1203] (09+07/16) Accurately ripped
04 [b9fea6d3|ab87be22] (09+07/16) Accurately ripped
05 [2daae8a7|7369d57e] (09+07/16) Accurately ripped
06 [06b6b4e9|4e262bd3] (09+07/16) Accurately ripped
07 [2d99755c|ef0793cc] (09+07/16) Accurately ripped
08 [17a04fc5|c11221c9] (09+06/15) Accurately ripped
09 [e7d687e0|0bf8a83e] (09+06/15) Accurately ripped
10 [7fde340a|3c35f5c1] (09+07/16) Accurately ripped
11 [313d4e21|0013e7cb] (09+06/15) Accurately ripped
12 [4d6a5533|786c90d8] (09+07/16) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 95,8 [EA874F73] [00339B62] CRC32
01 65,9 [8C168E77] [057DF10F]
02 95,8 [745DD487] [8CC7D2C9]
03 64,9 [F28B82BC] [C02052B5]
04 81,1 [E227FCA0] [BBE06C4D]
05 84,5 [0395FA29] [E691BCD2]
06 50,3 [25345EA7] [2E487F3C]
07 29,6 [45BA7162] [B0A96FE8]
08 33,2 [0BC68931] [50E311E7]
09 73,1 [F2EB1798] [6093E82B]
10 6,8 [EC4D824F] [C201F1A3]
11 94,7 [3A89B208] [8083283F]
12 89,1 [77B38A78] [2062A2DA]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-05-29 00:34:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Gavin Bryars / A Portrait CD1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.62 dB -20.30 dB 9:13 01-Julian Lloyd Webber / Cello Concerto (Farewell to Philosophy) - 1
DR11 -0.36 dB -15.76 dB 4:53 02-Julian Lloyd Webber / 2: Piu mosso
DR12 -3.74 dB -19.25 dB 4:37 03-Julian Lloyd Webber / 3
DR13 -1.81 dB -20.20 dB 2:04 04-Julian Lloyd Webber / 4
DR10 -1.46 dB -16.31 dB 2:09 05-Julian Lloyd Webber / 5: ('The Philosopher')
DR11 -5.96 dB -21.53 dB 6:11 06-Julian Lloyd Webber / 6: Poco meno mosso
DR11 -10.57 dB -28.17 dB 6:03 07-Julian Lloyd Webber / 7: ('Farewell') a tempo
DR13 -9.56 dB -27.92 dB 8:28 08-Nexus / One Last Bar, Then Joe Can Sing - 1: Lento
DR11 -2.71 dB -18.57 dB 7:42 09-2: Piu mosso
DR10 -23.23 dB -37.96 dB 2:55 10-3: Coda
DR13 -0.47 dB -17.88 dB 18:45 11-Les Fiancailles
DR12 -1.00 dB -18.51 dB 4:05 12-Tom Waits / Jesus' Blood Never Failed Me Yet - Single
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 641 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 25. ноября 2008, 11:04

Gavin Bryars / A Portrait CD2

Дисковод: Optiarc DVD RW AD-7170A Adapter: 1 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 21:28.00 | 0 | 96599
2 | 21:28.00 | 3:26.53 | 96600 | 112102
3 | 24:54.53 | 4:22.22 | 112103 | 131774
4 | 29:17.00 | 3:17.00 | 131775 | 146549
5 | 32:34.00 | 1:35.00 | 146550 | 153674
6 | 34:09.00 | 4:04.54 | 153675 | 172028
7 | 38:13.54 | 3:14.00 | 172029 | 186578
8 | 41:27.54 | 3:12.41 | 186579 | 201019
9 | 44:40.20 | 5:31.55 | 201020 | 225899
10 | 50:12.00 | 4:07.00 | 225900 | 244424
11 | 54:19.00 | 14:52.60 | 244425 | 311384
12 | 69:11.60 | 4:02.15 | 311385 | 329549


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Downloads\Gavin Bryars - A Portrait\Gavin Bryars - A Portrait CD2.wav

Пиковый уровень 98.8 %
Качество диапазона 99.9 %
CRC копии 60DBF349
Копирование… OK

Ошибок не произошло

Конец отчёта

[CUETools log; Date: 29.05.2017 0:12:23; Version: 2.1.4]
[CTDB TOCID: Fr43Cr7WvkwZm7M.kQJTpUknlIA-] found.
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped
11 | (6/6) Accurately ripped
12 | (6/6) Accurately ripped
[AccurateRip ID: 002345a7-0134030e-b1112a0c] found.
Track [ CRC | V2 ] Status
01 [0ad175f3|36acde19] (07+07/14) Accurately ripped
02 [3ddf45ea|ddcffd46] (07+07/14) Accurately ripped
03 [4d967ff9|035e957f] (07+07/14) Accurately ripped
04 [dc9dcb04|edbebb17] (07+07/14) Accurately ripped
05 [1ff8e502|7b17ce8d] (07+07/14) Accurately ripped
06 [cacec2a4|287e25ae] (07+07/14) Accurately ripped
07 [d11087d3|ba33746a] (07+07/14) Accurately ripped
08 [21862efe|89ef8e15] (07+07/14) Accurately ripped
09 [0cdf7605|7679597c] (07+07/14) Accurately ripped
10 [d962bd34|63e3b2ec] (07+07/14) Accurately ripped
11 [13ace39d|a5f6e08f] (07+07/14) Accurately ripped
12 [2d3881d6|c45cba31] (07+07/14) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,8 [60DBF349] [E08306A2] CRC32
01 61,2 [F09B581D] [0F7D2870]
02 98,8 [1AC7713A] [B0FEE4EB]
03 68,9 [83157B75] [41D61332]
04 69,3 [2DD41B30] [28A36458]
05 98,6 [26B0F4E8] [2278DAF9]
06 73,2 [D2CF00E9] [6F0181C7]
07 98,8 [93B8235A] [B4AF456C]
08 92,0 [958AACE8] [4780B49A]
09 98,8 [880CE568] [00F19175]
10 68,7 [DE51E68C] [1AD2D9E8]
11 97,3 [9DE35626] [49F56252]
12 47,8 [FFDD3626] [52FCD4CE]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-05-29 00:34:47

––––––––––––––––––––––––––––––––––––––––
Analyzed: Gavin Bryars / A Portrait CD2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.26 dB -22.09 dB 21:28 01-The Green Ray
DR13 -0.10 dB -21.59 dB 3:27 02-Adnan Songbook 1
DR12 -3.23 dB -21.41 dB 4:22 03-Adnan Songbook 2
DR11 -3.18 dB -21.30 dB 3:17 04-Adnan Songbook 3
DR10 -0.12 dB -17.92 dB 1:35 05-Adnan Songbook 4
DR11 -2.71 dB -21.36 dB 4:05 06-Adnan Songbook 5
DR14 -0.10 dB -22.41 dB 3:14 07-Adnan Songbook 6
DR13 -0.72 dB -20.45 dB 3:13 08-Adnan Songbook 7
DR14 -0.10 dB -22.40 dB 5:32 09-Adnan Songbook 8
DR11 -3.25 dB -19.56 dB 4:07 10-The SInking of the Titanic
DR16 -0.23 dB -22.27 dB 14:53 11-The North Shore
DR12 -6.41 dB -23.10 dB 4:02 12-Jesus' Blood Never Failed Me Yet - Single remix
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 631 kbps
Codec: FLAC
================================================================================

Gavin Bryars ‎- A Portrait (2003) 2CDs [Re-Up]