The Whale is the 1970 album by John Tavener. It was released by Apple Records and was meant to be the first of two records for the label. Tavener did make a second before it was moved to another label. This is taken from the first digital version of the album, released on compact disc in 1992 via Capitol.

Versus is a long-gestating audio document of the collaboration between Detroit techno luminary Carl Craig, pianist Francesco Tristano, and French orchestra Les Siècles, conducted by François-Xavier Roth. All the aforementioned musicians (along with Germany's Moritz von Oswald, who serves as "spiritual advisor" for this recording) premiered Versus on-stage in 2008, reportedly to five standing ovations. Instead of taking the easy way out and just releasing a recording of the concert, Craig and company spent nearly a decade working on this album, taking full advantage of the capabilities of the recording studio. The orchestrations are rich and expressive yet intricate and fine-tuned, and they provide a hefty kick when necessary…

Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of northeast England. Adnan Songbook, settings of six poems by Lebanese poet Etel Adnan, are beautifully sung by soprano Valerie Anderson and delicately scored for a small ensemble. Bryars's biggest hits, The Sinking of the Titanic and Jesus' Blood Never Failed Me Yet, have inspired him to numerous reworkings and capsuled fragments. They're represented by Titanic Lament, depicting a hymn tune dissolving into gray, watery textures, and two very different four-minute versions of Jesus' Blood, both with Tom Waits.

Everything You Always Wanted To Hear On The Moog (But Were Afraid To Ask For) is the 1972 album by The Mighty Moog. The music was produced and "conducted" by Andrew Kazdin and Thomas Z. Shepard, demonstrating the power of the Moog synthesizer. This was released by Columbia Masterworks.

In mixed programming for quartet, bandoneón, and guitar, Decca recording artists Giampaolo Bandini, guitar and Cesare Chiacchiaretta, accordion & bandoneón, will join the Dalí to offer concert programming that is a Latin American tour de force. Programs will include works by Piazzolla's and Vivaldi's "Eight Seasons", and a "Folias de Tango" program of works by Gardel, Molinelli, Piazzolla, Iannarelli, Brouwer, Pujol and Paquito D'Rivera.

Peter Broderick: violin, piano, saw, voice Rutger Zuydervelt: guitar, objects, effects Jan Kleefstra: words (track 2) Romke Kleefstra: guitar, effects (track 2) Anne Chris Bakker: guitar, effects, laptop (track 2) Nils Frahm: piano (track 2) . Produced and recorded for Dwars by Berry Kamer, Amsterdam, 5 November 2009. Mastered by Nils Frahm.

Winds of Change is a beautiful collection of diverse original instrumental music with hints of Classical, Irish, Celtic, and Spanish influences. Produced by Young, Denise enlists a few new top-tier acoustic musicians from New York, Nashville, Los Angeles, and Buenos Aires, whose performances touch the heart. Like her previous albums with Grammy award winning rosters of musicians, Winds of Change delivers stunning instrumental music of the highest caliber. It is wonder­fully eclectic, masterfully writ­ten, and expertly performed.

A Different Light is a look back at the career of Art of Noise member and soundtrack composer Anne Dudley. Although the album features songs from her most successful compositions, Dudley reworks them to create new pieces for her second solo album.

Not only is The Nightmare Before Christmas one of the best musicals of the past two decades; it may well be Danny Elfman's masterpiece, successfully integrating his main influences (from Cab Calloway to Nino Rota) into a fantastic whole. The first disc of this reissue features the original soundtrack, its songs still teetering between dark humor and poetic flights of fancy; this so-called kids' music is at least as sophisticated and skilled as anything you're likely to hear on Broadway. The second disc includes demo versions of four songs on which Elfman plays and sings everything, and five new covers of some of Nightmare's best-loved songs. Marilyn Manson successfully applies his spooky Weimar-circus style on "This Is Halloween" while Panic! At the Disco's lushly orchestrated take on the same tune is closer to the original. Fiona Apple's poignant "Sally's Song" is enhanced by very nice string charts, and She Wants Revenge does a disco take on "Kidnap the Sandy Claws." Best perhaps is Fall Out Boy's cover of "What's This?" which sounds like an unexpected cross between the Beach Boys and Queen. A highly recommended set.

‘Silence the chatter of the mind, close your eyes and open the eyes of the Soul. Behold the vastness of the cosmic sea. Sail your boat through the life’s waves of joy and suffering. Hold your balance and focus on your true divine nature. Become the Wave Master until the waves stop. Then you will wake up from your dream and melt into Infinity’

On this pioneering album the full resources of a Symphony Orchestra are emulated with the uniquely powerful GDS and Synergy Digital Synthesizers. Predating samplers, and in many ways still superior to that now omnipresent technology, these instruments combined additive and complex FM/PM modulation, with great flexibility. Carlos developed a surprisingly realistic library of most existing acoustic instruments plus many novel hybrids and extrapolated timbres that also sound "real." The two orchestral suites on this album comprise the debut performance and introduction of the aptly named LSI Philharmonic.

This CD is a hodgepodge of various tunes from Bach to Beatles supposedly requested by listeners after "The Well-Tempered Synthesizer" was released. The result may only only be mildly interesting to the occasional listener, but to followers of electronic music, it's like rediscovering a lost gem.

Wendy Carlos released this on the Telarc label in 1992 to commemorate the 25th anniversary of her classic recording, Switched-On Bach. That recording, remarkably futuristic in 1967, is still a major milestone in the history of e-music. (It is also, alas, long since unavailable.) Carlos' mastery of the synthesizer in the '60s and her transcriptions of classical music were extremely instrumental in moving electronic music from its strict avant-garde classification to an acceptable and accessible form of musical expression. These are beautiful recordings, too. Given the composing and the performing talent, it is difficult to imagine anything else. This CD comes with a 28-page booklet full of wonderful technical, historical, and biographical data. It all comes back, however, to the music. This performance is damn near perfect. Carlos' meticulous attention to detail and her production skills serve this project well.

Anne Dudley, composer, artist and founding member of the hugely influential Art of Noise, and the only artist in history to have won an Oscar, a Grammy and had a No. 1 on the Billboard Dance Chart, releases her brand new work Anne Dudley plays the Art of Noise. This delicate, haunting piano album which sees the award winning composer reinterpreting the music of one of her most influential projects, the Art of Noise. This instrumental record finds Dudley performing piano covers of classic Eighties hits and new interpretations of pioneering electronic music.

Border is the 2019 compact disc by Japanese artist and composer しっぽ置き場 (Hiroto Kumoi). This one came out on the しっぽ置き場 label.