Joe Bonamassa - Albums Collection 2000-2014 (18CD)

Named after the early Jethro Tull classic, which he expertly covers here in a jaw-dropping performance, A New Day Yesterday is a fine debut by guitar ace Joe Bonamassa. And though his record company tried to ride the coattails of teenage guitar prodigies like Kenny Wayne Shepard and Jonny Lang and position him (misguidedly and much too late) as a straight-up prodigal blues kid, Bonamassa is really much more than a traditional bluesman. Rather, as best exemplified by the Jethro Tull number cited above, his bluesy take on Free's "Walk in My Shadows," or his hard boogie romp through Al Kooper's "Nuthin' I Wouldn't Do (For a Woman Like You)," this excellent debut places the guitarist's influences as much in classic '70s hard rock as in the blues. Along with his deceptively age-wearied vocals (he was only 22 at the time of this recording), this unusual combination translates into the aggressive, soulful crunch heard on Bonamassa's many original compositions. Among these, the jolting double whammy of "Miss You, Hate You" and "Colour and the Shape" (note the Anglicized spelling) are the most obvious standouts, but the guitarist also makes the Warren Haynes-penned "If Heartaches Were Nickels" his own with a tense, riveting performance. All in all, a promising debut.

Review by Eduardo Rivadavia, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 24. January 2012, 22:41

Joe Bonamassa / A New Day Yesterday

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
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Defeat audio cache : Yes
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Read offset correction : 48
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Additional command line options : -8 -V %s


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Peak level 99.8 %
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Test CRC 33264F44
Copy CRC 33264F44
Copy OK

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Something of an odd release, A New Day Yesterday Live documents the final date of a 60-day jaunt during blues guitar prodigy Joe Bonamassa's 2001 tour in support of his major-label debut bearing the same title, and (this is the odd part), released just a few months earlier. Just why his record company felt the need for it, then, is up for grabs (more promotion…thinking Bonamassa's virtuosity came across stronger in a live setting…who knows?), but what's clear is that the young guitarist's trio lacked nothing in terms of on-stage presence and performing tightness as compared to what was heard on said studio album. Their kinetic reinventions of oft-overlooked '70s rock classics such as Free's "Walk in My Shadows" and Jethro Tull's "A New Day Yesterday" instantly distinguish Bonamassa from teenage blues competitors such as the overly Stevie Ray Vaughan-reliant Kenny Wayne Shepherd or the more purist (and technically less dazzling) Jonny Lang, and his better-conceived originals ("Colour & Shape," the wonderful "Miss You Hate You") stand up under any circumstance – but again, so what? Didn't listeners just buy their studio versions a few months ago? Yes, there's the additional benefit of extended jamming and incendiary guitar soloing to expand upon their themes, but suffice to say that this set need only be sought out by Bonamassa fanatics, or, in the event that they've yet to hear the studio version, first timers, too – why not?

Review by Eduardo Rivadavia, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 24. January 2012, 23:58

Joe Bonamassa / A New Day Yesterday Live

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
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Defeat audio cache : Yes
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Copy CRC 11B7D58A
Copy OK

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End of status report

Joe Bonamassa may well be a young guitar virtuoso, in line with the likes of Derek Trucks and John Mayer (like Jonny Lang and Kenny Wayne Shepherd before them) to be the Next Blues-Rock Guitar Hero. Unfortunately, he's not much of a songwriter. So, It's Like That, his sophomore solo effort, is filled with subpar tunes bloated with clichés. The production (by Clif Magness) is swell enough, though Bonamassa's guitar sometimes sounds too carefully dirty, and his band – comprised of drummer Kenny Kramme and bassist Eric Czar – far too generic. Bonamassa shines when he is allowed to stretch out and explore, on songs such as the sonically varied "Pain and Sorrow." There, on a long improvisation, he works through myriad modes of playing, textures, and musical ideas. And, since it is one of the album's only extended tracks, it is also one of the album's only redeeming moments – and the only thing that clearly separates Bonamassa from generic boorishness.

Review by Jesse Jarnow, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 25. January 2012, 7:51

Joe Bonamassa / So, It's Like That

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

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Peak level 100.0 %
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Copy CRC 4CDB5FDD
Copy OK

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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

Joe Bonamassa's first solo release in 2000, A New Day Yesterday, paid homage to classic '70s blues/hard rock. Three years later, with the release of Blues Deluxe, the young guitarist is doing the same with the roots of the blues. Eight of the 12 tracks are covers: B.B. King's "You Upset Me Baby," John Lee Hooker's "Burning Hell," Buddy Guy's "Man of Many Words," Elmore James' "Wild About You Baby," T-Bone Walker's "Long Distance Blues," Freddie King's "Pack It Up," Albert Collins' "Left Overs," and Robert Johnson's "Walking Blues." The problem with about half of the disc is the difficulty of covering this type of material without being able to add much to it. At this relatively early stage in Bonamassa's discography, it may have been a better idea if he would have mixed 70-percent originals with a few covers instead of vice-versa. It's obvious Bonamassa has devoured this material, but his take on "Burning Hell," for instance, doesn't come close to matching the strength and realism of the original. The album's strong points are the three originals – "Woke Up Dreaming," "I Don't Live Anywhere," and "Mumbling Word" – and the Jeff Beck Group's "Blues Deluxe," which features smokin' guitar pyrotechnics. Still, thanks to musicians like Bonamassa, the more traditional blues artists covered on this disc continue to gain just as much exposure as younger artists as Eric Clapton, Stevie Ray Vaughan, or Jimi Hendrix.

Review by Al Campbell, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 24. January 2012, 23:13

Joe Bonamassa / Blues Deluxe

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
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Read offset correction : 48
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Delete leading and trailing silent blocks : No
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Quality : High
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Additional command line options : -8 -V %s


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Peak level 99.8 %
Extraction speed 0.2 X
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Test CRC 8BE36FEA
Copy CRC 8BE36FEA
Copy OK

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All tracks accurately ripped

End of status report

Guitar hero Bonamassa may have dropped the "Smokin'" prefix from his performing name that he carried as a teenager, but he still specializes in superheated fret work. And for him, the faster it is, the better. Bonamassa sought to showcase the "heavier side of blues" on his fourth studio recording, emphasizing the approach used by the classic English blues-rockers. And he does just that with a hyperactive "Travellin' South" that Ten Years After would have been proud to claim and a hard-edged remake of the B.B. King hit "Never Make Your Move Too Soon". The title track, a Blind Faith favorite, is transformed into a frenetic live jam while Lowell Fulson's "Reconsider Baby", a staple of Bonamassa's live show, is given an extended workout and features some of his most potent blues licks. Sometimes Bonamassa is in too much of a hurry for his own good, but his penchant for speed works especially well on a couple of instrumentals. He races through "Revenge of the 10 Gallon Hat", a country-flavored tribute to mentor Danny Gatton, and the rapid-fire, Al Di Meola-influenced closer "Faux Mantini."

Review by Michael Point, Amazon

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 25. January 2012, 0:42

Joe Bonamassa / Had to Cry Today

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


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Range status and errors

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Peak level 98.8 %
Extraction speed 0.1 X
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Test CRC 74EA295D
Copy CRC 74EA295D
Copy OK

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End of status report

Despite his statement in the liner notes that "In an era where it is best to play it safe, I chose to take a risk…," there isn't much surprising or risky about young guitarist Joe Bonamassa's fifth studio album. Most of his previous releases have mixed blues covers with his own originals, all played with a rocker's attitude, volume and less-than-subtle approach. This one follows suit and even though he goes on to say that he "wanted to make a blues album, not a rock album that has blues on it," as in the past; it's impossible to claim that he has succeeded with You & Me. That doesn't make this a bad or disappointing disc; quite the contrary, it's a solid blues-rock release and arguably his best work to date. But as early as the second track, an original rocker titled "Bridge to Better Days," Bonamassa takes off on an early Free/Savoy Brown-styled stomper. Things settle down and get more rootsy on the following two slow blues tracks, although a lovely Bonamassa original, "Asking Around for You," adds strings, not exactly a touch most would associate with pure blues. Regardless, it's extremely effective and when the strings return on a nine-and-a-half-minute cover of Led Zeppelin's "Tea for One," it is a spine-tingling experience and possibly this album's finest moment. Drummer Jason Bonham, who is excellent throughout, brings additional authenticity to the song his dad first played on. Bonamassa unplugs for a few mid-disc tracks, including a cover of "Tamp 'Em Up Solid" (oddly credited to Ry Cooder but typically known as a traditional piece, even on Cooder's version). Twelve-year-old harmonica whiz L.D. Miller does his best John Popper imitation on a hyperactive version of Sonny Boy Williamson's "Your Funeral and My Trial" (someone needs to inform the kid that playing lots of notes really fast doesn't mean he has soul), and the instrumental titled "Django" shows that Bonamassa has been listening to Gary Moore's "Parisienne Walkways." It adds up to a quality Bonamassa disc that will please existing fans and might bring some new ones into the fold, but it's also one that doesn't take the chances that he claims might push the guitarist into uncharted territory.

Review by Hal Horowitz, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 25. January 2012, 23:13

Joe Bonamassa / You & Me

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

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Range status and errors

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Peak level 100.0 %
Extraction speed 0.3 X
Range quality 99.9 %
Test CRC DB6EAA74
Copy CRC DB6EAA74
Copy OK

No errors occurred


AccurateRip summary

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10 track(s) accurately ripped
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Some tracks could not be verified as accurate

End of status report

For his seventh studio album, guitar wiz Joe Bonamassa has chosen to work again with producer Kevin Shirley, who produced the highly successful and huge-sounding You & Me for Bonamassa in 2006. This outing, though, is far from a ditto session, with a much more acoustic feel and a greater focus on Bonamassa's singing, which unfortunately has been generally (and unfairly) overshadowed by his guitar playing. Bonamassa has also stepped up his songwriting (four of the 11 tracks here are originals; the rest are blues and hard rock covers) and cut way down on his clichés, delivering in the process his most varied and impressive album yet. The lead track, a version of Chris Whitley's "Ball Peen Hammer," is an atmospheric gem, as is the title tune, a cover of a song written by Bob Ezrin and Michael Kamen that first appeared on Tim Curry's solo debut album in 1978. Bonamassa's singing on both of these is wonderfully nuanced and shows he can do way more than just shout out blues-rockers. Also worth noting is his Dobro work on a fine cover of John Martyn's "Jelly Roll," and then there are the four originals – "Dirt in My Pocket," "Richmond," "Around the Bend," and the striking "India" – which show Bonamassa's continued growth and confidence as a songwriter. There are less of those flashy and jaw-dropping guitar leads on Sloe Gin (rest assured, he stretches out a few times on guitar, though), which is mostly a good thing, since it allows his increasing maturity as a writer and singer to shine through. This is a fine album, and one gets the distinct feeling that an even better one may be lurking just around the bend.

Review by Steve Leggett, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 25. January 2012, 22:26

Joe Bonamassa / Sloe Gin

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:27.29 | 0 | 15553
2 | 3:27.29 | 5:40.14 | 15554 | 41067
3 | 9:07.43 | 3:49.37 | 41068 | 58279
4 | 12:57.05 | 4:54.71 | 58280 | 80400
5 | 17:52.01 | 8:13.45 | 80401 | 117420
6 | 26:05.46 | 3:10.57 | 117421 | 131727
7 | 29:16.28 | 5:15.65 | 131728 | 155417
8 | 34:32.18 | 4:22.23 | 155418 | 175090
9 | 38:54.41 | 2:12.62 | 175091 | 185052
10 | 41:07.28 | 4:31.24 | 185053 | 205401
11 | 45:38.52 | 3:19.54 | 205402 | 220380


Range status and errors

Selected range

Filename G:\Download\Музыка LossLess\Joe Bonamassa\Studio albums\2007 - Joe Bonamassa - Sloe Gin [2007, J&R Adventures - 60283]\Joe Bonamassa - Sloe Gin.wav

Peak level 96.5 %
Extraction speed 0.2 X
Range quality 99.9 %
Test CRC E5B84554
Copy CRC E5B84554
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [5B008752]
Track 2 accurately ripped (confidence 4) [C8A366AC]
Track 3 accurately ripped (confidence 4) [0CBC85CA]
Track 4 accurately ripped (confidence 4) [7F0F938C]
Track 5 accurately ripped (confidence 4) [0D798B3E]
Track 6 accurately ripped (confidence 4) [3ABD4BBE]
Track 7 accurately ripped (confidence 4) [9A56458C]
Track 8 accurately ripped (confidence 4) [51104E4C]
Track 9 accurately ripped (confidence 4) [48058844]
Track 10 accurately ripped (confidence 4) [BAA6B67F]
Track 11 accurately ripped (confidence 4) [0F99E977]

All tracks accurately ripped

End of status report

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 11:13

Joe Bonamassa / Live From Nowhere In Particular CD1

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:27.65 | 0 | 24589
2 | 5:27.65 | 5:15.31 | 24590 | 48245
3 | 10:43.21 | 6:09.55 | 48246 | 75975
4 | 16:53.01 | 10:17.50 | 75976 | 122300
5 | 27:10.51 | 3:47.69 | 122301 | 139394
6 | 30:58.45 | 7:20.35 | 139395 | 172429
7 | 38:19.05 | 5:53.56 | 172430 | 198960


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Live From Nowhere In Particular CD1.wav

Peak level 98.8 %
Extraction speed 5.3 X
Range quality 100.0 %
Test CRC BA4B2337
Copy CRC BA4B2337
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 12) [5973402A] (AR v2)
Track 2 accurately ripped (confidence 12) [97E4FC39] (AR v2)
Track 3 accurately ripped (confidence 12) [CBC7FD3B] (AR v2)
Track 4 accurately ripped (confidence 12) [097EE991] (AR v2)
Track 5 accurately ripped (confidence 12) [7E8FE59C] (AR v2)
Track 6 accurately ripped (confidence 12) [050DDE51] (AR v2)
Track 7 accurately ripped (confidence 12) [240F97F7] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: aATZWHqOUhpY1TP5R.TEVScb5Hk-] found, Submit result: aATZWHqOUhpY1TP5R.TEVScb5Hk- has been confirmed
[40dda8fb] (63/63) Accurately ripped


==== Log checksum 8255387AFA3686B40BFF8CB997A7557CD9A5F85477DC3D8C866940458E7C7EBB ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 11:33

Joe Bonamassa / Live From Nowhere In Particular CD2

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:23.57 | 0 | 19781
2 | 4:23.57 | 4:08.12 | 19782 | 38393
3 | 8:31.69 | 7:59.34 | 38394 | 74352
4 | 16:31.28 | 17:52.74 | 74353 | 154826
5 | 34:24.27 | 4:48.64 | 154827 | 176490
6 | 39:13.16 | 7:24.13 | 176491 | 209803
7 | 46:37.29 | 7:50.74 | 209804 | 245127


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Live From Nowhere In Particular CD2.wav

Peak level 100.0 %
Extraction speed 5.6 X
Range quality 100.0 %
Test CRC 814329B5
Copy CRC 814329B5
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 10) [3F7A288E] (AR v2)
Track 2 accurately ripped (confidence 10) [B47E06DE] (AR v2)
Track 3 accurately ripped (confidence 10) [E270157F] (AR v2)
Track 4 accurately ripped (confidence 10) [62FE334B] (AR v2)
Track 5 accurately ripped (confidence 10) [4040835B] (AR v2)
Track 6 accurately ripped (confidence 10) [FB97167E] (AR v2)
Track 7 accurately ripped (confidence 10) [1DF06687] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: zdGIzUDkAg2Hj27qhCl1.NkqNA4-] found, Submit result: zdGIzUDkAg2Hj27qhCl1.NkqNA4- has been confirmed
[86cbaf10] (159/162) Accurately ripped
[a706f86c] (001/162) No match
[b0026572] (001/162) No match
[9923221e] (001/162) No match


==== Log checksum C30B456E03F8DF1900453630E3E161EB7841FA9569FA661A784E220E81DF998E ====

In 2007, Joe Bonamassa titled his album after a Bob Ezrin song. In 2009, he named his seventh studio album The Ballad of John Henry after one of the most enduring tales in American folk music. The difference between these two songs should signal a great difference between the two albums and that's true, to a certain extent. The Ballad of John Henry is heavy on myth-making that translates to heavy guitars on several occasions, particularly on the epic six-minute title track, whose roiling minor-key riffs, orchestrations, and excursions into acoustic instruments are closer to prog than blues. While the rest of the record never gets as overblown as this, it shares similar thick sonics and a sober sensibility, an approach that treats Ike & Tina Turner's "Funkier Than a Mosquito's Tweeter" as sacred text and straightens out Tom Waits' "Jockey Full of Bourbon." This sobriety means that The Ballad isn't a whole lot of fun – when Bonamassa sings that he's "Feelin' Good," it feels a bit like drudgery – but this dogged approach does give the album some self-serious heft, adding the impression of weight that fits a record that feels like a summation of his strengths. His guitar and voice carry equal weight as he runs through SRV-styled slow blues, a shuffle or two, acoustic numbers, covers, and originals – everything that he's dabbled with on previous albums is pulled together here, making for his most varied album and possibly his best, even if that heaviness means that it's not necessarily the easiest to enjoy.

Review by Stephen Thomas Erlewine, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 25. January 2012, 21:39

Joe Bonamassa / The Ballad Of John Henry

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:26.39 | 0 | 28988
2 | 6:26.39 | 6:48.35 | 28989 | 59623
3 | 13:14.74 | 7:15.25 | 59624 | 92273
4 | 20:30.24 | 5:22.18 | 92274 | 116441
5 | 25:52.42 | 4:59.54 | 116442 | 138920
6 | 30:52.21 | 3:08.43 | 138921 | 153063
7 | 34:00.64 | 6:40.25 | 153064 | 183088
8 | 40:41.14 | 4:44.02 | 183089 | 204390
9 | 45:25.16 | 5:00.16 | 204391 | 226906
10 | 50:25.32 | 7:39.31 | 226907 | 261362
11 | 58:04.63 | 2:24.27 | 261363 | 272189
12 | 60:29.15 | 3:58.74 | 272190 | 290113


Range status and errors

Selected range

Filename G:\Download\Музыка LossLess\Joe Bonamassa\Studio albums\2009 - Joe Bonamassa - The Ballad of John Henry [2009, J&R Adventures - PRAR91646]\Joe Bonamassa - The Ballad Of John Henry.wav

Peak level 96.5 %
Extraction speed 0.2 X
Range quality 100.0 %
Test CRC 2658F988
Copy CRC 2658F988
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 23) [6E1C5AAD]
Track 2 accurately ripped (confidence 22) [75E6EE11]
Track 3 accurately ripped (confidence 22) [7F43BD25]
Track 4 accurately ripped (confidence 22) [9F541068]
Track 5 accurately ripped (confidence 23) [9A75B5CA]
Track 6 accurately ripped (confidence 21) [FB89AC24]
Track 7 accurately ripped (confidence 22) [72893B07]
Track 8 accurately ripped (confidence 22) [E6045E50]
Track 9 accurately ripped (confidence 22) [B6BA137A]
Track 10 accurately ripped (confidence 22) [EAF5D313]
Track 11 accurately ripped (confidence 21) [1B76C6F8]
Track 12 accurately ripped (confidence 20) [763884D2]

All tracks accurately ripped

End of status report

Guitarist Joe Bonamassa was opening for B.B. King when he was only eight years old and was a veteran of the road and gigging by the time he was 12, so it’s tempting to toss him in the all flash but no soul prodigy trash bin that has been filling up pretty well since Stevie Ray Vaughan shuffled off to blues heaven – but that would be a big mistake. Bonamassa has soul, plenty of it, and he plays guitar with a reverent grace, and sometimes lost in all this is that he’s a pretty good singer, too, sounding more than a little bit like a reconstituted Paul Rodgers. His stunning headline show from the Royal Albert Hall, which featured guest spots by Eric Clapton and Paul Jones, was released in 2009 on DVD and download versions of the songs have been available on iTunes for a while, but this two-disc set marks the first official release of the concert as an album in and of itself, and it’s simply wonderful, full of great guitar playing, solid singing, and with a horn section and double drummers on board, the sound is full and even majestic. Bonamassa is the real deal, and tracks here like the elegant opener “Django,” “The Ballad of John Henry,” the marvelous cover of Charley Patton's “High Water Everywhere,” and a shifting, sprawling workout on Rod Stewart's “Blues Deluxe” show a musician at the top of his game, one who has learned that a guitar lead should serve the song and not the other way around. Bonamassa isn’t some kid prodigy anymore – he’s grown up into one of the most soulful blues-rock performers on the planet. There’s plenty of proof of that here.

Review by Steve Leggett, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 19:47

Joe Bonamassa / Live From The Royal Albert Hall CD1

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:43.56 | 0 | 16780
2 | 3:43.56 | 6:47.05 | 16781 | 47310
3 | 10:30.61 | 2:55.72 | 47311 | 60507
4 | 13:26.58 | 7:18.26 | 60508 | 93383
5 | 20:45.09 | 6:15.43 | 93384 | 121551
6 | 27:00.52 | 5:56.06 | 121552 | 148257
7 | 32:56.58 | 5:44.64 | 148258 | 174121
8 | 38:41.47 | 10:06.03 | 174122 | 219574
9 | 48:47.50 | 5:07.27 | 219575 | 242626
10 | 53:55.02 | 8:18.53 | 242627 | 280029
11 | 62:13.55 | 4:37.40 | 280030 | 300844


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Live From The Royal Albert Hall CD1.wav

Peak level 100.0 %
Extraction speed 6.1 X
Range quality 100.0 %
Test CRC EDF7E348
Copy CRC EDF7E348
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 86) [C13A8F44] (AR v2)
Track 2 accurately ripped (confidence 86) [9BDA6861] (AR v2)
Track 3 accurately ripped (confidence 86) [80DF51C1] (AR v2)
Track 4 accurately ripped (confidence 85) [2A4E0DE0] (AR v2)
Track 5 accurately ripped (confidence 86) [DEB3D547] (AR v2)
Track 6 accurately ripped (confidence 86) [10DD4A40] (AR v2)
Track 7 accurately ripped (confidence 86) [5CB83FF2] (AR v2)
Track 8 accurately ripped (confidence 85) [DD64AB3D] (AR v2)
Track 9 accurately ripped (confidence 86) [D8342D5B] (AR v2)
Track 10 accurately ripped (confidence 85) [E0376841] (AR v2)
Track 11 accurately ripped (confidence 83) [E1FF9616] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 8DTmVE8cMXaCahaeph3QrUNHzN0-] found, Submit result: 8DTmVE8cMXaCahaeph3QrUNHzN0- has been confirmed
[77b30983] (117/124) Accurately ripped
[955fe3b6] (001/124) No match
[98ae433c] (001/124) No match
[80e5a0b1] (001/124) No match
[191ec64f] (001/124) No match
[cf3ac4fe] (001/124) No match
[e499bb7a] (001/124) No match
[1c70e86c] (001/124) No match


==== Log checksum EE137CE58D813ECFD6C1F6AE27DD5209403ECA35E51DABDFF23ED64093A409DE ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 20:17

Joe Bonamassa / Live From The Royal Albert Hall CD2

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:22.34 | 0 | 33183
2 | 7:22.34 | 4:05.32 | 33184 | 51590
3 | 11:27.66 | 9:13.33 | 51591 | 93098
4 | 20:41.24 | 5:14.64 | 93099 | 116712
5 | 25:56.13 | 7:52.38 | 116713 | 152150
6 | 33:48.51 | 10:44.08 | 152151 | 200458
7 | 44:32.59 | 10:43.30 | 200459 | 248713
8 | 55:16.14 | 10:01.63 | 248714 | 293851


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Live From The Royal Albert Hall CD2.wav

Peak level 100.0 %
Extraction speed 5.9 X
Range quality 100.0 %
Test CRC 8B818095
Copy CRC 8B818095
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 7) [5BAEFBC9] (AR v2)
Track 2 accurately ripped (confidence 7) [9BB3284F] (AR v2)
Track 3 accurately ripped (confidence 7) [E51C765E] (AR v2)
Track 4 accurately ripped (confidence 7) [BD8B0217] (AR v2)
Track 5 accurately ripped (confidence 7) [151AF8E1] (AR v2)
Track 6 accurately ripped (confidence 7) [661243B5] (AR v2)
Track 7 accurately ripped (confidence 7) [FDB93BE2] (AR v2)
Track 8 accurately ripped (confidence 7) [CB9FAE1B] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: yOfVrqIOspJziH2OjrD1NbqVWDU-] found, Submit result: yOfVrqIOspJziH2OjrD1NbqVWDU- has been confirmed
[4352ff21] (119/123) Accurately ripped
[8404ce07] (001/123) No match
[45dbfab3] (001/123) No match
[b1c41b7a] (001/123) No match
[22aafbd1] (001/123) No match


==== Log checksum E9D9C7D639F6EFD982A815B9B6093603EB5C41C9B631B5A10F526CBADB945971 ====

It’s a sign of Joe Bonamassa’s increasing profile that he got blues legend B.B. King to guest on his eighth album Black Rock – and if what you’re doing is good enough to rope B.B. in, there’s not much reason to change, so Bonamassa doesn’t tinker with his formula here, retaining a little of the folky undertow of The Ballad of John Henry, but with its remaining roots in a thick, heavy blues-rock more redolent of ‘60s London than the ‘50s Delta. Of course, Bonamassa has never shied away from his love of Brit-blues, even underscoring it with a good streamlined cover of Jeff Beck’s “Spanish Boots,” but he retains a healthy respect for all manners of classic blues, kicking out a Chicago groove on a cover of Otis Rush’s “Three Times a Fool,” reaching back to Blind Boy Fuller for “Baby You Gotta Change Your Mind” and ably replicating B.B.’s latter-day soul groove on a horn-smacked cover of Willie Nelson’s “Night Life.” Bonamassa has an ear for non-blues writers too, cherrypicking Leonard Cohen’s “Bird on a Wire” and John Hiatt’s “I Know a Place,” tying it all together with beefy lead lines, but the provocative moments on Black Rock are all self-penned, whether it’s the clattering stomp “When the Fire Hits the Sea,” the British folk lilt of “Quarryman’s Lament” and “Athens to Athens,” or the droning dramatic epic “Blue and Evil.” These are easily the most intriguing songs here, suggesting Bonamassa realizes that the familiar covers allow him to stretch out elsewhere, and while it might be interesting hearing him follow this path for a full album, what’s here on Black Rock is both satisfying and admirably, if reservedly, ambitious.

Review by Stephen Thomas Erlewine, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 26. January 2012, 21:25

Joe Bonamassa / Black Rock

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:48.20 | 0 | 17119
2 | 3:48.20 | 4:19.13 | 17120 | 36557
3 | 8:07.33 | 3:55.23 | 36558 | 54205
4 | 12:02.56 | 5:22.22 | 54206 | 78377
5 | 17:25.03 | 4:38.63 | 78378 | 99290
6 | 22:03.66 | 5:21.07 | 99291 | 123372
7 | 27:24.73 | 2:02.65 | 123373 | 132587
8 | 29:27.63 | 3:26.08 | 132588 | 148045
9 | 32:53.71 | 4:19.32 | 148046 | 167502
10 | 37:13.28 | 3:27.25 | 167503 | 183052
11 | 40:40.53 | 2:26.55 | 183053 | 194057
12 | 43:07.33 | 5:44.33 | 194058 | 219890
13 | 48:51.66 | 4:25.24 | 219891 | 239789


Range status and errors

Selected range

Filename G:\Download\Музыка LossLess\Joe Bonamassa\Studio albums\2010 - Joe Bonamassa - Black Rock [2010, J&R Adventures - PRAR92023]\Joe Bonamassa - Black Rock.wav

Peak level 100.0 %
Extraction speed 0.3 X
Range quality 100.0 %
Test CRC 27CD68C9
Copy CRC 27CD68C9
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 16) [B6114E5B]
Track 2 accurately ripped (confidence 16) [FE2EEC87]
Track 3 accurately ripped (confidence 16) [149DE7D1]
Track 4 accurately ripped (confidence 16) [52618CDF]
Track 5 accurately ripped (confidence 16) [E603F480]
Track 6 accurately ripped (confidence 16) [FEDC430A]
Track 7 accurately ripped (confidence 16) [BF2FFDFD]
Track 8 accurately ripped (confidence 16) [74A83513]
Track 9 accurately ripped (confidence 16) [1A1DA4DD]
Track 10 accurately ripped (confidence 16) [DE0C1BF4]
Track 11 accurately ripped (confidence 16) [39FAFB9B]
Track 12 accurately ripped (confidence 16) [20D6DE2F]
Track 13 accurately ripped (confidence 16) [B6E26E5B]

All tracks accurately ripped

End of status report

For his second solo album in a year – not counting his excursion with Black Country Communion – Joe Bonamassa, the hardest working blues-rock guitarist of the 21st century, strikes up a bit of a smoky Black Keys vibe, signaling that he’s not quite as devoted to the past as he may initially seem. It’s not the only trick he has up his sleeve, either. Appropriately enough for an album entitled Dust Bowl, Bonamassa kicks up some country dirt on this record, enlisting John Hiatt for a duet on the songwriter’s “Tennessee Plates” and bringing Vince Gill in to play on the lazy shuffle “Sweet Rowena.” These are accents to an album that otherwise sticks to Bonamassa’s strong suit of blues in the vein of Cream, Stevie Ray, and Gary Moore, but it’s just enough of a difference to give Dust Bowl a distinctive flavor and suggests that the guitarist’s constant work is pushing him to synthesize his clear influences into something that is uniquely his own.

Review by Stephen Thomas Erlewine, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 26. January 2012, 20:56

Joe Bonamassa / Dust Bowl

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:49.54 | 0 | 30728
2 | 6:49.54 | 4:33.03 | 30729 | 51206
3 | 11:22.57 | 4:18.59 | 51207 | 70615
4 | 15:41.41 | 5:44.23 | 70616 | 96438
5 | 21:25.64 | 4:14.10 | 96439 | 115498
6 | 25:39.74 | 3:30.42 | 115499 | 131290
7 | 29:10.41 | 5:23.59 | 131291 | 155574
8 | 34:34.25 | 5:49.22 | 155575 | 181771
9 | 40:23.47 | 6:32.11 | 181772 | 211182
10 | 46:55.58 | 4:46.07 | 211183 | 232639
11 | 51:41.65 | 4:34.12 | 232640 | 253201
12 | 56:16.02 | 6:48.69 | 253202 | 283870


Range status and errors

Selected range

Filename G:\Download\Музыка LossLess\Joe Bonamassa\Studio albums\2011 - Joe Bonamassa - Dust Bowl [2011, J&R Adventures - PRAR93138]\Joe Bonamassa - Dust Bowl.wav

Peak level 100.0 %
Extraction speed 0.4 X
Range quality 100.0 %
Test CRC 79592964
Copy CRC 79592964
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 18) [2DEA3D0B]
Track 2 accurately ripped (confidence 18) [5979BE52]
Track 3 accurately ripped (confidence 18) [9EBE0F1D]
Track 4 accurately ripped (confidence 18) [55467D07]
Track 5 accurately ripped (confidence 18) [21C0EC19]
Track 6 accurately ripped (confidence 18) [87FF23BE]
Track 7 accurately ripped (confidence 18) [D1E915DD]
Track 8 accurately ripped (confidence 18) [66A8452C]
Track 9 accurately ripped (confidence 18) [EC40FA93]
Track 10 accurately ripped (confidence 18) [44DE96D5]
Track 11 accurately ripped (confidence 18) [F1F20745]
Track 12 accurately ripped (confidence 18) [910936F2]

All tracks accurately ripped

End of status report

Joe Bonamassa is a guitar hero and a road dog – the blues-rock crusher plays up to 200 shows a year, and it's significant that of the 15 albums he released between 2000 and 2012, four of them were live sets. When Bonamassa played the Beacon Theatre in New York City in November 2011, the marquee declared it "the guitar event of the year," and something that important would certainly merit another live album, wouldn't it? Beacon Theatre: Live from New York is a hefty two-disc set that features plenty of Bonamassa's trademark guitar work, at once precise and bombastic and firmly rooted in the traditions of British blues, and for this show he had Paul Rodgers on hand to lend appropriately swaggering lead vocals to a pair of Free covers, "Fire and Water" and "Walk in My Shadows." Two other guest singers pop up on this set: John Hiatt, whose craggy tone lends a welcome bit of texture to versions of two of his tunes, "Down Around My Place" and "I Know a Place," and Beth Hart, who has collaborated with Bonamassa in the past and lends her voice to spirited versions of "Sinner's Prayer" and "I'll Take Care of You." There's no arguing the technical skill of Bonamassa and his band (Carmine Rojas on bass, Rick Melick on keys, and Tal Bergman on drums), who perform with the accuracy of a Swiss watch, but some might question his taste – there's nothing the least bit subtle about Bonamassa's big, burly sound, and the emotional shadings of these songs are pretty much trampled into the dirt by the end of disc one, while the presence of the guest stars unfortunately reminds listeners that Bonamassa's vocals are not on a par with his skills on the fretboard. But if you're already a convert, Beacon Theatre: Live from New York finds Bonamassa playing with all his might for a crowd who are clearly digging what he has to offer, and if, like many of his fans, you're convinced he sounds stronger and more powerful on-stage, this album will tide you over nicely until he next rolls into your area.

Mark Deming, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 21:36

Joe Bonamassa / Beacon Theatre. Live From New York CD1

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:05.72 | 0 | 4946
2 | 1:05.72 | 6:35.60 | 4947 | 34631
3 | 7:41.57 | 4:22.52 | 34632 | 54333
4 | 12:04.34 | 3:43.52 | 54334 | 71110
5 | 15:48.11 | 7:49.57 | 71111 | 106342
6 | 23:37.68 | 7:06.23 | 106343 | 138315
7 | 30:44.16 | 6:36.00 | 138316 | 168015
8 | 37:20.16 | 5:41.35 | 168016 | 193625
9 | 43:01.51 | 5:04.22 | 193626 | 216447
10 | 48:05.73 | 4:10.69 | 216448 | 235266
11 | 52:16.67 | 3:52.40 | 235267 | 252706


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Beacon Theatre. Live From New York CD1.wav

Peak level 100.0 %
Extraction speed 5.6 X
Range quality 100.0 %
Test CRC F1629CCD
Copy CRC F1629CCD
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 40) [6FEDB5FC] (AR v2)
Track 2 accurately ripped (confidence 40) [6E6EE89A] (AR v2)
Track 3 accurately ripped (confidence 39) [80A30AAB] (AR v2)
Track 4 accurately ripped (confidence 40) [E3E215FF] (AR v2)
Track 5 accurately ripped (confidence 40) [F6DF6D00] (AR v2)
Track 6 accurately ripped (confidence 40) [353F7004] (AR v2)
Track 7 accurately ripped (confidence 40) [6BAE01A8] (AR v2)
Track 8 accurately ripped (confidence 40) [68B0D63B] (AR v2)
Track 9 accurately ripped (confidence 40) [B9E2FAC6] (AR v2)
Track 10 accurately ripped (confidence 40) [71811220] (AR v2)
Track 11 accurately ripped (confidence 40) [AE26950B] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 35tYfngWkcmqxIlgU1HkjLpia9k-] found, Submit result: already submitted
[de2ce722] (23/25) Accurately ripped
[e8566bf1] (01/25) No match
[894e28a8] (01/25) No match


==== Log checksum 2D0932D3E90395603629404E754CB7F6ACB7DC9BDDC624A15AC791AA369CEC75 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-03-27 02:35:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Joe Bonamassa / Beacon Theatre: Live From New York (2CD) Disc1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -1.66 dB -14.01 dB 1:06 01-72nd St. Subway Blues
DR5 0.00 dB -6.44 dB 6:36 02-Slow Train
DR6 0.00 dB -6.09 dB 4:23 03-Cradle Rock
DR5 0.00 dB -6.18 dB 3:44 04-When the Fire Hits the Sea
DR6 0.00 dB -8.99 dB 7:50 05-Midnight Blues
DR5 0.00 dB -6.81 dB 7:06 06-Dust Bowl
DR6 0.00 dB -7.67 dB 6:36 07-The River
DR6 0.00 dB -8.00 dB 5:41 08-I'll Take Care of You
DR6 0.00 dB -6.80 dB 5:04 09-Sinner's Prayer
DR5 0.00 dB -6.33 dB 4:11 10-You Better Watch Yourself
DR6 0.00 dB -7.19 dB 3:53 11-Steal Your Heart Away
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 916 kbps
Codec: FLAC
================================================================================

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2014, 21:07

Joe Bonamassa / Beacon Theatre. Live From New York CD2

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:45.61 | 0 | 25935
2 | 5:45.61 | 5:51.33 | 25936 | 52293
3 | 11:37.19 | 4:38.74 | 52294 | 73217
4 | 16:16.18 | 6:50.22 | 73218 | 103989
5 | 23:06.40 | 4:58.10 | 103990 | 126349
6 | 28:04.50 | 4:38.48 | 126350 | 147247
7 | 32:43.23 | 12:32.01 | 147248 | 203648
8 | 45:15.24 | 9:39.50 | 203649 | 247123
9 | 54:54.74 | 8:06.27 | 247124 | 283600


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Beacon Theatre. Live From New York CD2.wav

Peak level 100.0 %
Extraction speed 5.8 X
Range quality 100.0 %
Test CRC 12DA1918
Copy CRC 12DA1918
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 40) [F9508378] (AR v2)
Track 2 accurately ripped (confidence 40) [23BFE3C4] (AR v2)
Track 3 accurately ripped (confidence 40) [55D2386A] (AR v2)
Track 4 accurately ripped (confidence 40) [8387F01C] (AR v2)
Track 5 accurately ripped (confidence 40) [3151AFFD] (AR v2)
Track 6 accurately ripped (confidence 40) [494FFDB7] (AR v2)
Track 7 accurately ripped (confidence 40) [44778C82] (AR v2)
Track 8 accurately ripped (confidence 40) [8E6CF793] (AR v2)
Track 9 accurately ripped (confidence 39) [9E63E6B6] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: ABceOM9fc_o01IkHyiF3wfHaQUA-] found, Submit result: ABceOM9fc_o01IkHyiF3wfHaQUA- has been confirmed
[9bcd8f19] (24/24) Accurately ripped


==== Log checksum 25F783AC00BB454B961E4AA33AAFEFAA19B7BF23F90859290A51D1E8219509FA ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-03-27 02:35:48

––––––––––––––––––––––––––––––––––––––––
Analyzed: Joe Bonamassa / Beacon Theatre: Live From New York (2CD) Disc2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 0.00 dB -10.19 dB 5:46 01-Bird On a Wire
DR5 0.00 dB -9.99 dB 5:51 02-Down Around My Place
DR5 0.00 dB -6.04 dB 4:39 03-I Know a Place
DR5 0.00 dB -6.20 dB 6:50 04-Blue And Evil
DR5 0.00 dB -7.09 dB 4:58 05-Walk in My Shadows
DR5 0.00 dB -6.73 dB 4:39 06-Fire and Water
DR5 0.00 dB -8.64 dB 12:32 07-Mountain Time
DR5 0.00 dB -7.25 dB 9:40 08-Young Man Blues
DR6 0.00 dB -9.11 dB 8:06 09-If Heartaches Were Nickels
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 876 kbps
Codec: FLAC
================================================================================

He'll never be the new Stevie Ray Vaughan, but at the rate blues-rock (emphasis on the latter) guitarist Joe Bonamassa is going, he can take a stab at being the next Gary Moore. Like the Irish guitarist, Bonamassa is influenced by the British blues-rockers more than the Americans they lifted their licks from. He's also just as prolific; this is his thirteenth album in twelve years and that's not including side projects with Black Country Communion and Beth Hart, and DVDs grabbed from his 200-night-a-year road schedule filled with sweaty, high-energy performances. Makes you tired just reading about it. Bonamassa isn't much of a songwriter so he wisely contributes only four tunes to this disc's eleven, with some relatively obscure deep blues covers from Howlin' Wolf ("Who's Been Talkin'"), Willie Dixon ("I Got All You Need"), and Robert Johnson ("Stones in My Passway") gravitating toward his roots side. Also included are offbeat choices from Bill Withers ("Lonely Town/Lonely Street") and Tom Waits ("New Coat of Paint"). For better or worse, they all end up sounding like Joe Bonamassa tracks, since he feeds them into his leathery rock sensibilities, churning out requisite hot guitar solos whether they serve the song or not. He's left his road-hardened band on the sidelines and calls in top-notch session guys, including Aerosmith's Brad Whitford, David Letterman drummer Anton Fig, and keyboardist Arlen Schierbaum, whose piano and organ add some much-needed R&B attitude to the hard rock attack. Bonamassa even relinquishes lead vocals to Australian Jimmy Barnes, who goes so over the top singing his own "Too Much Ain't Enough Love" it seems like he is auditioning for AC/DC. Longtime producer Kevin Shirley gets a slick, professional sound from these guys, and when everyone is cooking and the material is solid, such as on the grinding Bonamassa original "Dislocated Boy" and the Wolf cover (including a spoken word sample of the blues legend that kicks off the tune), the arrangements and guitars mesh together like whisky and soda. What Bonamassa lacks in a distinctive sound and singing, he makes up for with sheer determination, which is almost enough to push the album from pretty good to pretty great, especially on the horn-enhanced slow blues of "A Place in My Heart" that explodes out of the speakers in a way Gary Moore could summon at will. In other words, this is a keeper if you've already bought into the guitarist's more-is-more approach that has served him well thus far, and he shows no signs of abandoning it now.

Hal Horowitz, Allmusic.com

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 5. June 2012, 20:29

Joe Bonamassa / Driving Towards The Daylight (Provogue-PRD73702)

Used drive : Optiarc DVD RW AD-5200S Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %s


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:39.56 | 0 | 29980
2 | 6:39.56 | 3:57.68 | 29981 | 47823
3 | 10:37.49 | 4:50.18 | 47824 | 69591
4 | 15:27.67 | 3:28.12 | 69592 | 85203
5 | 18:56.04 | 3:03.63 | 85204 | 98991
6 | 21:59.67 | 6:47.63 | 98992 | 129579
7 | 28:47.55 | 7:07.63 | 129580 | 161667
8 | 35:55.43 | 5:55.22 | 161668 | 188314
9 | 41:50.65 | 4:06.17 | 188315 | 206781
10 | 45:57.07 | 4:58.55 | 206782 | 229186
11 | 50:55.62 | 5:37.19 | 229187 | 254480


Range status and errors

Selected range

Filename G:\2012 - Joe Bonamassa - Driving Towards The Daylight [2012, Limited Edition, Digibox, Provogue - PRD73702]\Joe Bonamassa - Driving Towards The Daylight (Provogue-PRD73702).wav

Peak level 100.0 %
Extraction speed 0.3 X
Range quality 100.0 %
Test CRC 5D36D63D
Copy CRC 5D36D63D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [658B0CBC]
Track 2 accurately ripped (confidence 4) [39BEF7D2]
Track 3 accurately ripped (confidence 4) [ED885DBE]
Track 4 accurately ripped (confidence 4) [9F9F9BB4]
Track 5 accurately ripped (confidence 4) [51F137FD]
Track 6 accurately ripped (confidence 4) [60512F23]
Track 7 accurately ripped (confidence 4) [4A53D2EF]
Track 8 accurately ripped (confidence 4) [7E642B11]
Track 9 accurately ripped (confidence 4) [95D9EC15]
Track 10 accurately ripped (confidence 4) [8D696B3C]
Track 11 accurately ripped (confidence 4) [F38E8A9D]

All tracks accurately ripped

End of status report

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-03-27 01:53:25

––––––––––––––––––––––––––––––––––––––––
Analyzed: Joe Bonamassa / Driving Towards The Daylight (Provogue-PRD73702)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 0.00 dB -6.42 dB 6:40 01-Dislocated Boy
DR5 0.00 dB -5.93 dB 3:58 02-Stones In My Passway
DR5 0.00 dB -7.99 dB 4:50 03-Driving Towards The Daylight
DR5 0.00 dB -6.38 dB 3:28 04-Who's Been Talking?
DR6 0.00 dB -6.76 dB 3:04 05-I Got All You Need
DR5 0.00 dB -6.32 dB 6:48 06-A Place In My Heart
DR5 0.00 dB -6.89 dB 7:08 07-Lonely Town Lonely Street
DR5 0.00 dB -6.14 dB 5:55 08-Heavenly Soul
DR5 -0.03 dB -6.24 dB 4:06 09-New Coat Of Paint
DR5 0.00 dB -5.92 dB 4:59 10-Somewhere Trouble Don't Go
DR5 0.00 dB -5.56 dB 5:37 11-Too Much Ain't Enough Love (w\ Jimmy Barnes)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 957 kbps
Codec: FLAC
================================================================================

Joe Bonamassa has moved far past his initial incarnation as a kid guitar wiz with a Stevie Ray Vaughan fascination, and has developed into an elegantly reverent guitarist and a fine singer as well, bringing a little R&B blue-eyed soul to the blues. For Different Shades of Blue, Bonamassa co-wrote songs with veteran Nashville songwriters Jeffrey Steele, Gary Nicholson, James House, Jerry Flowers, and Jonathan Cain, then took 11 of the songs and tracked them in Las Vegas at Studio at the Palms with producer Kevin Shirley and a solid band of studio musicians including Reese Wynans (organ, piano), Carmine Rojas (bass), Michael Rhodes (bass), Anton Fig (drums, percussion), Lenny Castro (percussion), Lee Thornburg (trumpet, trombone), Ron Dziubla (saxophone), the Bovaland Orchestra (strings), and background vocalists Doug Henthorn and Melanie Williams. Bonamassa used 20 different vintage guitars for the project, along with 13 different amps, and lists each one in the liner notes. Consequently, this is an album about guitar tones, as each song demands its own and Bonamassa empties the tool kit. The best songs here, like the poppy and R&B-laced "Love Ain't a Love Song," the hard-driving honky tonk blues "Never Give All Your Heart," and "Trouble Town," a slice of horn-driven garage blues, are vintage Bonamassa, blending all of his influences, from Stevie Ray Vaughan, Eric Clapton, and Rory Gallagher to Jimi Hendrix and Hank Garland, into his own voice for the blues. The clear highlight here, and undoubtedly already or soon to be a high point of Bonamassa's live shows, is the stately and powerful "Oh Beautiful!," which alternates between hushed vocals and slashing, soaring electric guitar breaks, a sort of 21st century version of Blind Willie Johnson adorned with tone washes and blistering guitar. It's a striking and timeless recording, and a great blues song by anyone's standards. The problem here, though, is that with the exception of the above songs, and maybe one or two others, the songs on Different Shades of Blue shade toward the generic side of things, and no matter how wonderful and gorgeous the guitar tones may be, it's hard to make a generic song sing memorably.

Steve Leggett, Allmusic.com

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 14. October 2014, 10:20

Joe Bonamassa / Different Shades Of Blue

Used drive : ATAPI iHAS124 B Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:19.72 | 0 | 5996
2 | 1:19.72 | 5:28.65 | 5997 | 30661
3 | 6:48.62 | 3:48.39 | 30662 | 47800
4 | 10:37.26 | 3:21.23 | 47801 | 62898
5 | 13:58.49 | 4:33.66 | 62899 | 83439
6 | 18:32.40 | 5:24.37 | 83440 | 107776
7 | 23:57.02 | 4:39.70 | 107777 | 128771
8 | 28:36.72 | 4:39.17 | 128772 | 149713
9 | 33:16.14 | 4:46.09 | 149714 | 171172
10 | 38:02.23 | 4:56.36 | 171173 | 193408
11 | 42:58.59 | 5:26.48 | 193409 | 217906


Range status and errors

Selected range

Filename G:\CD\Joe Bonamassa - Different Shades Of Blue.wav

Peak level 99.9 %
Extraction speed 5.6 X
Range quality 100.0 %
Test CRC 75A7AEF5
Copy CRC 75A7AEF5
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [B9E3AD0B] (AR v2)
Track 2 accurately ripped (confidence 1) [D9FEB8FD] (AR v2)
Track 3 accurately ripped (confidence 1) [446D8111] (AR v2)
Track 4 accurately ripped (confidence 1) [FE73AB61] (AR v2)
Track 5 accurately ripped (confidence 1) [85E60DDE] (AR v2)
Track 6 accurately ripped (confidence 1) [EB272DDB] (AR v2)
Track 7 accurately ripped (confidence 1) [D2248826] (AR v2)
Track 8 accurately ripped (confidence 1) [B39F0112] (AR v2)
Track 9 accurately ripped (confidence 1) [FCB63897] (AR v2)
Track 10 accurately ripped (confidence 1) [C1A47C86] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [CCE31C8F], AccurateRip returned [9AA5D55E] (AR v2)

10 track(s) accurately ripped
1 track(s) could not be verified as accurate

Some tracks could not be verified as accurate

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: nFRQj2MBMU6BCw3CkaU8ELWNy5w-] found, Submit result: nFRQj2MBMU6BCw3CkaU8ELWNy5w- has been confirmed
[f785aea9] (08/64) Differs in 7560 samples @48:25:04-48:25:14
[c338ca32] (53/64) Accurately ripped
[d8fb3663] (01/64) No match
[50c0af25] (01/64) No match
[5b98cbd7] (01/64) No match
You can use CUETools to repair this rip.


==== Log checksum 51E5266C7E9089F2256660094565F1D1491D76FA14CFCA2D6A48357258472316 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-03-24 22:55:51

––––––––––––––––––––––––––––––––––––––––
Analyzed: Joe Bonamassa / Different Shades Of Blue
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.08 dB -8.16 dB 1:20 01-Hey Baby (New Rising Sun)
DR7 -0.06 dB -9.19 dB 5:29 02-Oh Beautiful!
DR6 -0.05 dB -7.45 dB 3:49 03-Love Ain't A Love Song
DR7 -0.02 dB -8.68 dB 3:21 04-Living On The Moon
DR6 -0.04 dB -7.53 dB 4:34 05-Heartache Follows Wherever I Go
DR6 -0.06 dB -7.73 dB 5:24 06-Never Give All Your Heart
DR7 -0.04 dB -8.11 dB 4:40 07-I Gave Up Everything For You, 'Cept The Blues
DR6 -0.06 dB -7.99 dB 4:39 08-Different Shades Of Blue
DR6 -0.05 dB -7.70 dB 4:46 09-Get Back My Tomorrow
DR7 0.00 dB -8.04 dB 4:56 10-Trouble Town
DR8 -0.06 dB -10.28 dB 5:27 11-So, What Would I Do
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 940 kbps
Codec: FLAC
================================================================================