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Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016) [Re-Up]

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Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016) [Re-Up]

Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers;
Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)
Wiener Symphoniker, Orchestre de l'Opéra national de Paris; Philippe Jordan, conductor
Orchestre Philharmonique de Radio France; Myung-Whun Chung, conductor

EAC | FLAC | Image (Cue&Log) ~ 320 Mb | Mp3 (CBR320) ~ 153 Mb | Artwork included
Classical, 21st Century | Label: Erato | # 2564 602687 | Time: 01:05:42

Firmly established as one of the world’s greatest violinists, Renaud Capuçon career both on the stage and as a recording artist has spanned a wide gamut of concerto repertoire, chamber music and recitals. Celebrating his 40th birthday this year (2016), Capuçon presents three world-premiere recordings of violin concertos written for and dedicated to him by three of today’s most exciting composers: Wolfgang Rihm, Pascal Dusapin and Bruno Mantovani - with the Orchestre de l'Opéra national de Paris, Wiener Symphoniker and Orchestre Philharmonique de Radio France under the conductors Myung-Whun Chung and Philippe Jordan.

Orchestre Philharmonique de Radio France - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)

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Orchestre Philharmonique de Radio France - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)

Orchestre Philharmonique de Radio France, Orchestre du Conservatoire de Paris, Marzena Diakun, Bruno Mantovani & Pascal Rophé - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)
WEB FLAC (tracks) - 292 Mb | MP3 CBR 320 kbps - 176 Mb | Digital booklet | 01:14:06
Classical | Label: Alpha Classics, Outhere Music

Pierre Henry, a supreme innovator in the field of sound aesthetics, opened the gates to many other musical universes through the applications of his technological research. Fascinated by Beethoven from an early age, he composed a ‘Tenth Symphony’: ‘It’s not the one Beethoven made sketches for’, he said. ‘Nor is it a synthesis of the nine. It is essentially a combinatorial work. It’s also a tribute to the man who hoped to exceed the limits of the orchestra. Perhaps a way of painting my portrait (our portrait) through this music and the influence it has had on mine. It is a dreamlike, logical and respectful trajectory through what these symphonies contain and suggest. The work deliberately uses as “raw material” only notes, groups or motifs from the nine symphonies.’