Tags
Language
Tags
<<
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌
    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca
    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    1. Home
    2. Music
    3. Bruno Mantovani

    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)

    Posted By: Designol
    Date: 31 May 2025 13:27:28
    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)

    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers;
    Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)
    Wiener Symphoniker, Orchestre de l'Opéra national de Paris; Philippe Jordan, conductor
    Orchestre Philharmonique de Radio France; Myung-Whun Chung, conductor
    EAC | FLAC | Image (Cue&Log) ~ 320 Mb | Mp3 (CBR320) ~ 153 Mb | Artwork included
    Classical, 21st Century | Label: Erato | # 2564 602687 | Time: 01:05:42

    Firmly established as one of the world’s greatest violinists, Renaud Capuçon career both on the stage and as a recording artist has spanned a wide gamut of concerto repertoire, chamber music and recitals. Celebrating his 40th birthday this year (2016), Capuçon presents three world-premiere recordings of violin concertos written for and dedicated to him by three of today’s most exciting composers: Wolfgang Rihm, Pascal Dusapin and Bruno Mantovani - with the Orchestre de l'Opéra national de Paris, Wiener Symphoniker and Orchestre Philharmonique de Radio France under the conductors Myung-Whun Chung and Philippe Jordan.
    Details

    Orchestre Philharmonique de Radio France - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)

    Posted By: delpotro
    Date: 5 Sep 2020 13:33:37
    Orchestre Philharmonique de Radio France - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)

    Orchestre Philharmonique de Radio France, Orchestre du Conservatoire de Paris, Marzena Diakun, Bruno Mantovani & Pascal Rophé - Pierre Henry: La Dixième Symphonie: Hommage à Beethoven (2020)
    WEB FLAC (tracks) - 292 Mb | MP3 CBR 320 kbps - 176 Mb | Digital booklet | 01:14:06
    Classical | Label: Alpha Classics, Outhere Music

    Pierre Henry, a supreme innovator in the field of sound aesthetics, opened the gates to many other musical universes through the applications of his technological research. Fascinated by Beethoven from an early age, he composed a ‘Tenth Symphony’: ‘It’s not the one Beethoven made sketches for’, he said. ‘Nor is it a synthesis of the nine. It is essentially a combinatorial work. It’s also a tribute to the man who hoped to exceed the limits of the orchestra. Perhaps a way of painting my portrait (our portrait) through this music and the influence it has had on mine. It is a dreamlike, logical and respectful trajectory through what these symphonies contain and suggest. The work deliberately uses as “raw material” only notes, groups or motifs from the nine symphonies.’
    Details
    UPWARDS