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    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)

    Posted By: Designol
    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers; Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)

    Renaud Capuçon - Wolfgang Rihm: Gedicht des Malers;
    Pascal Dusapin: Aufgang; Bruno Mantovani: Jeux d'eau (2016)
    Wiener Symphoniker, Orchestre de l'Opéra national de Paris; Philippe Jordan, conductor
    Orchestre Philharmonique de Radio France; Myung-Whun Chung, conductor

    EAC | FLAC | Image (Cue&Log) ~ 320 Mb | Mp3 (CBR320) ~ 153 Mb | Artwork included
    Classical, 21st Century | Label: Erato | # 2564 602687 | Time: 01:05:42

    Firmly established as one of the world’s greatest violinists, Renaud Capuçon career both on the stage and as a recording artist has spanned a wide gamut of concerto repertoire, chamber music and recitals. Celebrating his 40th birthday this year (2016), Capuçon presents three world-premiere recordings of violin concertos written for and dedicated to him by three of today’s most exciting composers: Wolfgang Rihm, Pascal Dusapin and Bruno Mantovani - with the Orchestre de l'Opéra national de Paris, Wiener Symphoniker and Orchestre Philharmonique de Radio France under the conductors Myung-Whun Chung and Philippe Jordan.

    Cecilia Bartoli, Bryn Terfel, Andrea Bocelli, Myung-Whun Chung - Voices from Heaven (1998)

    Posted By: ArlegZ
    Cecilia Bartoli, Bryn Terfel, Andrea Bocelli, Myung-Whun Chung - Voices from Heaven (1998)

    Cecilia Bartoli, Bryn Terfel, Andrea Bocelli, Myung-Whun Chung, Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia - Voices from Heaven (1998)
    EAC | FLAC | Image (Cue & Log) ~ 220 Mb | Total time: 59:18 | Scans included
    Classical | Label: Deutsche Grammophon | 459 156-2 | Recorded: 1998

    This is a beautiful anthology of sacred liturgical music. Chung coordinates his forces in larger choral pieces with power and vertical balance. Contributions by Cecilia Bartoli find the mezzo in top form, and Bryn Terfel brings charismatic presence to “Pie Jesu” from the Fauré Requiem. Also included are the interminable "Song for Athene" by John Taverner and a great performance by Andrea Bocelli in Eric Levi's hymn for the world, "I Believe".

    Renaud Capuçon - Le violon ROI [3CDs] (2013)

    Posted By: ArlegZ
    Renaud Capuçon - Le violon ROI [3CDs] (2013)

    Renaud Capuçon - Le violon ROI [3CDs] (2013)
    EAC | FLAC | Image (Cue & Log) ~ 1.01 Gb | Total time: 76:21+78:55+79:35 | Scans included
    Classical | Label: Erato | # 2564631360 | Recorded: 2001-2013

    A violinist in a class of his own, Renaud Capuçon shows why he is 'Le Violon Roi'; (The Violin King) in this 3-CD collection. As the leading French violinist of his generation, Capucon records exclusively for Virgin Classics and has a rich discography. The set brings together not only some of his best and most popular performances as a soloist but as a collaborator.

    Myung-Whun Chung, Orchestre de l'Opéra Bastille - Berlioz: Symphonie Fantastique; Dutilleux: Métaboles (1995)

    Posted By: ArlegZ
    Myung-Whun Chung, Orchestre de l'Opéra Bastille - Berlioz: Symphonie Fantastique; Dutilleux: Métaboles (1995)

    Myung-Whun Chung, Orchestre de l'Opéra Bastille - Berlioz: Symphonie Fantastique; Dutilleux: Métaboles (1995)
    EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 67:07 | Scans included
    Classical | Label: Deutsche Grammophon | # 445 878-2 | Recorded: 1993

    Not many versions of the Symphonie fantastique rival Myung-Whun Chung’s in conveying the nervously impulsive inspiration of a young composer, the hints of hysteria, the overtones of nightmare in Berlioz’s programme. He makes one register it afresh as genuinely fantastic. Some may well prefer the more direct, more solid qualities that you find in the new Mehta version, also well played, and recorded with satisfying weight, but the volatile element in this perennially modern piece is something which Chung brings out to a degree I have rarely known before, and that establishes his as a very individual, sharply characterized version with unusually strong claims.

    Cecilia Bartoli, Bryn Terfel, Myung-Whun Chung, Orchestra dell'Accademia di Santa Cecilia - Cecilia & Bryn: Duets (1999)

    Posted By: ArlegZ
    Cecilia Bartoli, Bryn Terfel, Myung-Whun Chung, Orchestra dell'Accademia di Santa Cecilia - Cecilia & Bryn: Duets (1999)

    Cecilia Bartoli, Bryn Terfel, Myung-Whun Chung, Orchestra dell'Accademia Nazionale di Santa Cecilia - Cecilia & Bryn: Duets (1999)
    EAC | FLAC | Image (Cue & Log) ~ 233 Mb | Total time: 54:06 | Scans included
    Classical | Label: DECCA | # 458 928-2 | Recorded: 1998

    Superlatives don't do justice to this priceless and incomparable collection of duets by opera's two most charismatic singers, whose interpretations are brimming with nuance only the truly gifted could capture. However pleasing Cecilia Bartoli's renditions of Cherubino and others in Mozart Arias, the depth of Susanna's emotional life that Bartoli conveys has yet to be even imagined by other sopranos, as she rips through opera's boundaries, creating her very own Fach and threatening the jobs of soubrettes the world over. Once she and Bryn Terfel draw you into their world of stellar, multidimensional creations, there's no escape from pleasure; in their talented hands, recitative becomes as interesting as any aria.

    Myung Whun Chung, Cecilia Bartoli, Andrea Bocelli - A Hymn for the World (1997)

    Posted By: ArlegZ
    Myung Whun Chung, Cecilia Bartoli, Andrea Bocelli - A Hymn for the World (1997)

    Myung Whun Chung, Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Cecilia Bartoli, Andrea Bocelli - A Hymn for the World (1997)
    EAC | FLAC | Image (Cue & Log) ~ 251 Mb | Total time: 58:45 | Scans included
    Classical | Label: Deutsche Grammophon | # 457 355-2 | Recorded: 1997

    The music in this collection, inspired by religious thought and liturgical text, has been selected in honor of Pope John Paul II's visit to Paris in August of 1997 to celebrate Mass as part of the Worldwide Days of Youth. Much of the music here is very familiar to even casual listeners to classical music. From J. S. Bach's "Jesu, Joy of Man's Desiring," to a rousing version of "Hallelujah" from Handel's 'Messiah,' this CD plays like a greatest hits of church music from the last 400 years.

    The Art of Cecilia Bartoli (2002)

    Posted By: ArlegZ
    The Art of Cecilia Bartoli (2002)

    The Art of Cecilia Bartoli (2002)
    EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 73:39 | Scans included
    Classical | Label: DECCA | # 473 380-2 | Recorded: 1992-2002

    Ein Rückblick auf zehn Jahre Cecilia Bartoli: Die Arie "Non piú mesto" aus der 1992 entstandenen Gesamtaufnahme von Rossinis La Cenerentola ist das älteste Tondokument dieser Anthologie, und mancher, der wie der Rezensent diese Cenerentola damals erworben hat, wird sich gut erinnern an die unbeschreiblich elektrisierende Wirkung, die die junge Italienerin mit ihrem vollblütigen Stimmmaterial, ihrem Temperament und ihrer faszinierenden Virtuosität auf ihn ausübte. Das Besondere: Die Geschwindigkeit der rasend schnellen Koloraturen geht niemals zu Lasten des Ausdrucks oder der Intensität.

    Chung Trio, Philharmonia Orchestra, Patrick & Pascal Gallois - Beethoven: Triple Concerto; Romances (1998)

    Posted By: Designol
    Chung Trio, Philharmonia Orchestra, Patrick & Pascal Gallois - Beethoven: Triple Concerto; Romances (1998)

    Ludwig van Beethoven: Triple Concerto; Romance in E minor; Violin Romances (1998)
    Kyung-Wha Chung, violin; Myung-Wha Chung, cello; Patrick Gallois, flute; Pascal Gallois, bassoon
    Philharmonia Orchestra; Myung-Whun Chung, conductor & piano

    EAC | FLAC | Tracks (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 53 Mb
    Genre: Classical | Label: Deutsche Grammophon | # 453 488-2 GH | Time: 00:55:45

    Beethoven’s Triple Concerto, completed about the same time as the Eroica Symphony, has suddenly become popular. One reason for its previous lack of popularity was the fact that three soloists cost three times as much as one normally expensive pianist, violinist or cellist. Another reason is that the work seeks to be a popular success, hence the Rondo alla Polacca with which it concludes. The piano part was intended for Beethoven’s patron and pupil, the Archduke Rudolph von Habsburg, and hence is less technically demanding than the composer’s usual pianistic writing, destined for himself. The standard CD (previously LP) of the work was a spectacular performance and recording made by EMI many years ago with David Oistrakh, Rostropovich and Richter with the Berlin Philharmonic under Karajan. It was opulently played with the BPO’s luscious sound, but has little to do with what Beethoven would have heard in 1804. Another choice was the version of Stern, Rose and Serkin (Sony), less lush and not so high-powered as Karajan’s.

    Cecilia Bartoli, Myung-Whun Chung - Chant d'amour: Melodies française: Bizet, Delibes, Viardot, Berlioz, Ravel (1996)

    Posted By: ArlegZ
    Cecilia Bartoli, Myung-Whun Chung - Chant d'amour: Melodies française: Bizet, Delibes, Viardot, Berlioz, Ravel (1996)

    Cecilia Bartoli, Myung-Whun Chung - Chant d'amour: Mélodies française: Bizet, Delibes, Viardot, Berlioz, Ravel (1996)
    EAC | FLAC | Image (Cue & Log) ~ 281 Mb | Total time: 67:33 | Scans included
    Classical | Label: DECCA | # 452 667-2 | Recorded: 1996

    This disc demonstrates that Cecilia Bartoli is as much at home in the world of the salon recital as she is in the swoops and vocal acrobatics of the Rossini coloratura repertoire. Her voice is in fine form here- -rich, resonant and full of surprising colours–but her talent for characterisation is even finer. In Pauline Viardot's "Havanaise" for example, she perfectly captures the flirtatious, almost desperate pleadings of a Spanish sailor for a French girl to accompany him on his boat –and then switches easily to the more capricious and teasing reply of the girl in French. In a number by Ravel (sung in Yiddish and Hebrew) she brings a rather elliptical exchange between a father and his young son to life with exquisite tenderness, and finds yet another voice out of her repertoire to characterise the little boy.

    Renaud Capuçon; Gautier Capuçon - Johannes Brahms: Double Concerto, Clarinet Quintet (2007)

    Posted By: ArlegZ
    Renaud Capuçon; Gautier Capuçon - Johannes Brahms: Double Concerto, Clarinet Quintet (2007)

    Renaud Capuçon; Gautier Capuçon - Johannes Brahms: Double Concerto, Clarinet Quintet (2007)
    EAC | FLAC | Image (Cue & Log) ~ 312 Mb | Total time: 72:21 | Scans included
    Classical | Label: Virgin Classics | # 00946 395147 2 4 | Recorded: 2007

    The stellar young Capuçon brothers seem incapable of setting a foot wrong on disc and they put their considerable chamber-music experience to great use in Brahms's final orchestral work, with cellist Gautier Capuçon proving an eloquent lead in the vehement first movement.

    Royal Concertgebouw Orchestra, Myung-Whun Chung - Sergei Prokofiev: Romeo & Juliet - Highlights (1994)

    Posted By: Designol
    Royal Concertgebouw Orchestra, Myung-Whun Chung - Sergei Prokofiev: Romeo & Juliet - Highlights (1994)

    Sergei Prokofiev: Romeo & Juliet - Highlights (1994)
    Royal Concertgebouw Orchestra, conducted by Myung-Whun Chung

    EAC | FLAC | Tracks (Cue&Log) ~ 228 Mb | Mp3 (CBR320) ~ 146 Mb | Scans ~ 54 Mb
    Genre: Classical | Label: Deutsche Grammophon | # 439 870-2 | Time: 01:03:22

    Rather than play any single complete suite (of the three) that Prokofiev extracted from the complete ballet, Myung-Whun Chung makes his own selection of numbers, roughly following the plot line and including music representative of all the major characters. Although some other collections offer more music, this hour of Romeo and Juliet makes a satisfying presentation on its own. What makes the performance special is the spectacular playing of the Dutch orchestra. Frankly, it's never been done better. From the whiplash virtuosity of the violins to the bite of the trombones and the firm thud of the bass drum, this is the sound the composer must have dreamed of.

    Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Shostakovich: Lady Macbeth of Mtsensk District (1993)

    Posted By: tirexiss
    Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Shostakovich: Lady Macbeth of Mtsensk District (1993)

    Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Shostakovich: Lady Macbeth of Mtsensk District (1993)
    WEB | FLAC (tracks) - 590 MB | 02:35:01
    Genre: Classical | Label: Deutsche Grammophon

    This opera is a study in the psychopathology of everyday life. It exposes the kind of brutal manners familiar in naturalistic novels after the Goncourts and Zola, but Shostakovich had the misfortune of running afoul of the official Soviet position that criminality and pathology couldn't exist in the workers' paradise. Maria Ewing's strength isn't pure vocalism; anyone can find fault on technical grounds. But she is a passionate, involving actress with her voice, and she makes our anti-heroine chillingly desperate and driven–every moment is haunted. The supporting cast joins in with a broadly vicious portrayal of a spider's den passing for normal home life.

    Plácido Domingo, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Verdi: Otello (1994)

    Posted By: tirexiss
    Plácido Domingo, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Verdi: Otello (1994)

    Plácido Domingo, Orchestre de l'Opéra Bastille, Myung-Whun Chung - Verdi: Otello (1994)
    WEB | FLAC (tracks) - 541 MB | 02:11:24
    Genre: Classical | Label: Deutsche Grammophon

    For some years now, Domingo has been, on stage, the greatest Otello of our age. On record, though, he has had less success. Leiferkus and Domingo have worked closely together in the theatre; and it shows in scene after scene – nowhere more so than in the crucial sequence in Act 2 where Otello so rapidly ingests Iago's lethal poison. By bringing into the recording studio the feel and experience of a stage performance – meticulous study subtly modified by the improvised charge of the moment – both singers help defy the jinx that so often afflicts Otello on record.

    Ana María Martínez, Myung-Whun Chung - Bacalov: Misa Tango; Tangosaín / Piazzolla: Adiós Nonino; Libertango (2000)

    Posted By: tirexiss
    Ana María Martínez, Myung-Whun Chung - Bacalov: Misa Tango; Tangosaín / Piazzolla: Adiós Nonino; Libertango (2000)

    Ana María Martínez, Plácido Domingo, Myung-Whun Chung - Bacalov: Misa Tango; Tangosaín / Piazzolla: Adiós Nonino; Libertango (2000)
    WEB | FLAC (tracks) - 240 MB | 53:50
    Genre: Classical | Label: Deutsche Grammophon

    This is a great Mass work. It is good that Mr. Domingo and the people from Deutsche Grammophon recorded this work from Bacalov. Placido Domingo is great at always finding and recording new genders of music. I believe this is the first time this work is recorded. His recent recording of Albéniz "Merlin" (Decca London) is also a first. He is accompanied on both works by Ms.Ana Maria Martinez who in my oppinion has one of the best young voices today. She sings beautifully on both works. Her vocal range and musicality is one of the best my ears have listen to. I saw her live singing with Andrea Bocelli and she brought tears to my eyes. What a voice!! I will definetly buy more copies of Misa Tango to give to my friends this holiday season.

    Wiener Philharmonic Orchestra, Myung-Whun Chung - Dvorák: Symphonies Nos. 6 & 8 (2000)

    Posted By: tirexiss
    Wiener Philharmonic Orchestra, Myung-Whun Chung - Dvorák: Symphonies Nos. 6 & 8 (2000)

    Wiener Philharmonic Orchestra, Myung-Whun Chung - Dvorák: Symphonies Nos. 6 & 8 (2000)
    WEB | FLAC (tracks) - 336MB | 01:16:16
    Genre: Classical | Label: Deutsche Grammophon

    Myung-Whun Chung previously has proven his affinity for Dvorák on two occasions: an excellent recording of Symphonies Nos. 7 and 8 for BIS, and later with Symphonies 3 and 7 for Deutsche Grammophon. No, there’s nothing wrong with your computer screen: he’s already recorded Symphony No. 7 twice, and this disc gives us his second reading of No. 8, undoubtedly DG’s response to millions of fan letters sent to their offices by love-struck teenage girls threatening suicide unless Chung’s Vienna Dvorák cycle was allowed to continue. His recording of Symphonies Nos. 3 and 7 was never released domestically, by the way, leading us to speculate about what makes this disc more marketable than that one, assuming of course that such considerations have anything to do with DG’s decision to schedule a recording for domestic distribution.