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Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)

Posted By: ArlegZ
Date: 12 Oct 2021 11:00:07
Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)

Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)
EAC | FLAC | Image (Cue & Log) ~ 335 Mb | Total time: 62:00 | Scans included
Classical | Label: Teldec | # 3984-21801-2 | Recorded: 1968

The works of the early Baroque Italian composers featured on this CD all make some kind of use of the new virtuoso violin technique. Thus they enable us to understand how, as a result of untold experiments, a technique that was specifically suited to the violin gradually began to emerge.
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François Fernandez, Ricercar Consort - Violino oder Geige: Farina, Pohle, Furchheim, Löwe, Biber, Schmelzer, Walther (2005)

Posted By: ArlegZ
Date: 28 Apr 2020 15:59:35
François Fernandez, Ricercar Consort - Violino oder Geige: Farina, Pohle, Furchheim, Löwe, Biber, Schmelzer, Walther (2005)

François Fernandez, Ricercar Consort - Violino oder Geige: Farina, Pohle, Furchheim, Löwe, Biber, Schmelzer, Walther, Kühnel (2005)
EAC | FLAC | Image (Cue & Log) ~ 849 Mb | Total time: 148:16 | Scans included
Classical | Label: Ricercar | RIC232 | Recorded: 1988-1990

Italian violinists invaded germanic countries from the beginning of the 17th century, with Farina in Dresden, Marini in Neuburg and Bertali in Vienna. Their influence was considerable, stretching over the entire Empire to the furthest flung towns of Central or Northern Germany. The Italian sonata went hand in hand with the violin, exemplifying a taste for the fantastic and the baroque. Michal Praetorius, despite his knowledge of Italian musical practice, preferred to discuss the instrument under its German name of "Geige", although the term of "violino" soon began to appear in every musical publication In this eagerly awaited, special prized re-release of his remarkable anthology of early violin music, François Fernandez gives a us a masterly and higly seductive lesson of style.
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