Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)

    Posted By: ArlegZ
    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)

    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)
    EAC | FLAC | Image (Cue & Log) ~ 349 Mb | Total time: 75:12 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | 19439711162 | Recorded: 2019

    The new recording by recorder player Dorothee Oberlinger with violinist and countertenor Dmitry Sinkovsky shows the musical turn of time from the Renaissance to the Baroque in a kaleidoscope of newly conceived, experimental declamatory music by Italian masters, who for the first time expressed passions such as love and hate, grief and joy, astonishment and longing in music to the fullest.

    Ensemble Sonnerie - Fontana, Cima, Turini: Sonatas (1996)

    Posted By: ArlegZ
    Ensemble Sonnerie - Fontana, Cima, Turini: Sonatas (1996)

    Ensemble Sonnerie - Fontana, Cima, Turini: Sonatas (1996)
    EAC | FLAC | Image (Cue & Log) ~ 714 Mb | Total time: 72:38+73:13 | Scans included
    Classical | Label: Virgin Veritas | 7243 5 45199 2 5 | Recorded: 1995

    This delightful pair of CDs contains music from three collections published in northern Italy between 1610 and 1641. The earliest is a volume published in Milan in 1610, Concerti ecclesiastici, which is made up of music by the two brothers Giovanni Paolo Cima and Andrea Cima and contains the ‘Sei sonate, per instrumenti à due, tre e quarto’ recorded here; the next, chronologically speaking, is the Madrigali, libro II of Francesco Turini, published in Venice in 1624, from which six sonatas for two violins and continuo have here been extracted. The last is another Venetian publication (of 1641) the Sonate a 12.2.3. per il violono or cornetto, fagotto, chitarone, violoncino o simile altro istrumento of Giovanni Battista Fontana.

    Convivium - Early Italian Violin Sonatas: Stradella, Marini, Castello, Cima, Uccellini (1998)

    Posted By: ArlegZ
    Convivium - Early Italian Violin Sonatas: Stradella, Marini, Castello, Cima, Uccellini (1998)

    Convivium - Early Italian Violin Sonatas: Stradella, Marini, Castello, Cima, Uccellini (1998)
    EAC | FLAC | Image (Cue & Log) ~ 351 Mb | Total time: 72:16 | Scans included
    Classical | Label: Hyperion | # CDA66985 | Recorded: 1997

    Everybody will know by now that Elizabeth Wallfisch has a special interest, affection and regard for the 17th- and 18th-century Italian violin schools. She has already recorded much music by the likes of Tartini, Corelli, Locatelli and others with her group, The Locatelli Trio, and also with The Raglan Baroque Players under Nicholas Kraemer. Here is a varied and fascinating collection of pieces by some of the lesser-known composers from a generation or two earlier than those composers.

    Philippe Jaroussky, Jean Tubery, Ensemble La Fenice - Un concert pour Mazarin (2004)

    Posted By: ArlegZ
    Philippe Jaroussky, Jean Tubery, Ensemble La Fenice - Un concert pour Mazarin (2004)

    Philippe Jaroussky, Jean Tubéry, Ensemble La Fenice - Un concert pour Mazarin (2004)
    EAC | FLAC | Image (Cue & Log) ~ 296 Mb | Total time: 60:48 | Scans included
    Classical | Label: Virgin | # 5 45656 2 | Recorded: 2003

    Giulio Mazzarino, better known as Cardinal Mazarin, played an important part in the dissemination of Italian music in France in the 17th century. From 1643, when he was appointed prime minister, to his death in 1661, he carried out an astute policy in favour of Italian culture, inviting the most famous Italian composers and performers to the French court. This disc presents a number of pieces, mainly by Italian composers, which became well known in France in the 17th century through Mazarin’s support.

    Il Giardino Armonico, Giovanni Antonini: Bach, Biber, Corelli, Locke, Monteverdi, Rossi, Vivaldi [11CDs] (2006)

    Posted By: ArlegZ
    Il Giardino Armonico, Giovanni Antonini: Bach, Biber, Corelli, Locke, Monteverdi, Rossi, Vivaldi [11CDs] (2006)

    Il Giardino Armonico, Giovanni Antonini: Bach, Biber, Corelli, Locke, Monteverdi, Rossi, Vivaldi [11CDs] (2006)
    EAC | FLAC | Image (Cue & Log) ~ 3.26 Gb | Total time: 11:17:57 | Scans included
    Classical | Label: Warner Classics | # 2564 63264-2 | Recorded: 1991-2000

    For fans of Il Giardino Armonico's flamboyant flourishes and exuberant expressiveness, it's like having all your birthdays at once, being presented with this great Warner Classics 11 CD set. My own feeling is that this "free" approach to Baroque music is at its best when applied to the theatrical music of disc 8 or the seventeenth century Italian music on disc 1. The showmanship and playfulness is an absolute joy in many of those pieces. I'm less satisfied with the interpretations of Bach's Brandenburg Concertos, (on discs 10 and 11), which require a different approach, I feel. I like my Bach to be a little more measured and subtle, I suppose. It has no need of the Il Giardino Armonico treatment. On the whole, though, I do love this set and wouldn't be without it.

    Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)

    Posted By: ArlegZ
    Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)

    Alarius Ensemble, Nikolaus Harnoncourt, Concentus Musicus Wien - Virtuoso Violin Music of the 17th Century (1998)
    EAC | FLAC | Image (Cue & Log) ~ 335 Mb | Total time: 62:00 | Scans included
    Classical | Label: Teldec | # 3984-21801-2 | Recorded: 1968

    The works of the early Baroque Italian composers featured on this CD all make some kind of use of the new virtuoso violin technique. Thus they enable us to understand how, as a result of untold experiments, a technique that was specifically suited to the violin gradually began to emerge.

    London Baroque - The Trio Sonata in 17th-Century Italy (2012)

    Posted By: ArlegZ
    London Baroque - The Trio Sonata in 17th-Century Italy (2012)

    London Baroque - The Trio Sonata in 17th-Century Italy (2012)
    EAC | FLAC | Image (Cue & Log) ~ 391 Mb | Total time: 68:51 | Scans included
    Classical | Label: BIS Records | # BIS-1795 | Recorded: 2010

    This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621.