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    Lorenz Duftschmid, Armonico Tributo Austria - Georg Muffat: Nobilis Juventus (1999)

    Posted By: ArlegZ
    Lorenz Duftschmid, Armonico Tributo Austria - Georg Muffat: Nobilis Juventus (1999)

    Lorenz Duftschmid, Armonico Tributo Austria - Georg Muffat: Nobilis Juventus (1999)
    EAC | FLAC | Image (Cue & Log) ~ 343 Mb | Total time: 63:34 | Scans included
    Classical | Label: CPO | # 999 635-2 | Recorded: 1998

    50 Jahre früher lebte und wirkte am Salzburger Hof Georg Muffat, allerdings nicht unumschränkt, musste er sich doch die musikalische Arbeit mit lgnaz Franz Biber teilen. Galt letzterer als bester Geiger seiner Zeit, so war Muffat »das Haupt der katholischen Orgelspieler«.

    The New Gustav Leonhardt Edition [35CDs] (2022)

    Posted By: ArlegZ
    The New Gustav Leonhardt Edition [35CDs] (2022)

    The New Gustav Leonhardt Edition [35CDs] (2022)
    XLD | FLAC | Image (Cue & Log) ~ 10,60 Gb | Total time: 34:14:27 | Scans included
    Classical | Label: Warner Classics | # 0190296467714 | Recorded: 1962-1995

    The abundant legacy of Gustav Leonhardt’s recordings for Telefunken’s Das Alte Werk series invites us to follow his trajectory as a performer from the early 1960’s onwards, a time when the new codes of early music had yet to be invented, when their success depended above all on the strength of conviction of the performer. Leonhardt’s was strengthened by dialogue: with a range of partners whose variety defies all preconceived ideas, with ancient instruments or modern copies of all types, with repertoires as diverse as Byrd, Purcell, Rameau, Johann Sebastian but also Carl Philipp Emanuel Bach. Not forgetting the 1970 Monteverdi LP, which has never been reissued since. The image of a pope of early music isolated in his tower and frozen in a school style does not last long after listening to this historical sum, extended here by the later series of recordings under the Virgin Veritas flag.

    Georg Kallweit, Bjorn Colell - Passaggio: A Baroque Alpine Crossing (2017)

    Posted By: Designol
    Georg Kallweit, Bjorn Colell - Passaggio: A Baroque Alpine Crossing (2017)

    Georg Kallweit, Björn Colell - Passaggio: Eine Barocke Alpenüberquerung (2017)
    works by Schmelzer, Piccinini, Marini, Bartolotti, Vilsmayr, Pandolfi Mealli, Muffat

    EAC | FLAC | Image (Cue&Log) ~ 326 Mb | Mp3 (CBR320) ~ 157 Mb | Artwork included
    Genre: Classical | Label: Alpha Classics | # ALPHA 540 | Time: 01:06:43

    For several years now, the guitarist and lutenist Björn Colell and the Baroque violinist Georg Kallweit, Konzertmeister of the Akademie für Alte Musik Berlin, have formed a noted duo called Ombra e Luce: ‘With only two musicians and two instruments, we aspire to a perfect rapport and a permanent dialogue. We have access to a rich repertory of original pieces from the sixteenth to eighteenth centuries for violin and lute/theorbo: this was a widespread combination, essentially before 1700. We work a great deal on tone colours and nuances, spontaneity and improvisatory playing – a flexible and sensual interpretation of the works we perform, giving full value to chiaroscuro: ombra e luce! We are convinced that, played in this way, our “early music” can speak directly to the hearts even of listeners who are hearing it for the first time. This new recording, “Passagio”, is the result of our recent musical journeys. Setting out from Italy to go farther north, we have virtually and musically crossed the Alps with our instruments. The works on this recording shed a different light on the music of the courts of Modena, Bologna and Venice.’

    The Parley of Instruments - Georg Muffat: Armonico Tributo (1989)

    Posted By: ArlegZ
    The Parley of Instruments - Georg Muffat: Armonico Tributo (1989)

    The Parley of Instruments - Georg Muffat: Armonico Tributo (1989)
    EAC | FLAC | Image (Cue & Log) ~ 347 Mb | Total time: 59:12 | Scans included
    Classical | Label: Hyperion | # CDA66032 | Recorded: 1981

    These five sonatas which form the Armonico Tributo make the best possible case for Georg Muffat as a composer of the first rank. He apparently drew together the French, German and Italian styles in a way that was unprecedented, and the result is surprisingly moving and brilliant, likely to make new listeners wonder: Muffat where have you been all of my life? In fact it is deeply seductive, often with beautiful harmonies and exquisite grace notes that really get under the skin in this fantastic ambiance. They are in effect like double violin sonatas with a small chamber accompaniment in which each part is taken by one instrument. Roy Goodman leads with aplomb in a period style that has no lack of emotional weight, and contributes a useful note that puts this neglected name into the context of his time, being born 40 years before Bach.

    Nuria Rial, Michi Gaigg, L’Orfeo Barockorchester - George Frideric Handel: Handel: Armida abbandonata, Opera Arias (2004)

    Posted By: ArlegZ
    Nuria Rial, Michi Gaigg, L’Orfeo Barockorchester - George Frideric Handel: Handel: Armida abbandonata, Opera Arias (2004)

    Nuria Rial, Michi Gaigg, L’Orfeo Barockorchester - George Frideric Handel: Armida abbandonata, Opera Arias (2004)
    EAC | FLAC | Image (Cue & Log) ~ 304 Mb | Total time: 57:54 | Scans included
    Classical | Label: ORF | ORF CD 369 | Recorded: 2004

    Georg Friedrich Händel wrote musical history with his operas. In his chosen domicile, London, he had to fight off italian competition, but having already studied their style in Rome he was well-equipped to mount the most important of the world's stages.

    Johannes Strobl, Cappella Murensis, Les Cornets Noirs - Georg Muffat: Missa in labore requies a 24 (2016)

    Posted By: ArlegZ
    Johannes Strobl, Cappella Murensis, Les Cornets Noirs - Georg Muffat: Missa in labore requies a 24 (2016)

    Johannes Strobl, Cappella Murensis, Les Cornets Noirs - Georg Muffat: Missa in labore requies a 24 (2016)
    EAC | FLAC | Image (Cue & Log) ~ 375 Mb | Total time: 71:19 | Scans included
    Classical | Label: Audite | AUDITE97539 | Recorded: 2015

    Georg Muffat’s “Missa in labore requies” alongside church sonatas of his contemporaries make up audite’s latest offering in the series of polychoral baroque music recorded by renowned Early Music performers.
    With its octagonal layout and four galleries, the Abbey Church at Muri provides an ideal acoustic for performing polychoral music. The galleries surround the main body of the church, placing the audience in the midst of the musical event. This sound experience is unique, both in concert and in recordings. The considerable distance between the galleries creates challenges in the musical interaction of the different groups.

    Pál Németh, Capella Savaria - Georg Muffat: Twelve Concerti Grossi (1996)

    Posted By: ArlegZ
    Pál Németh, Capella Savaria - Georg Muffat: Twelve Concerti Grossi (1996)

    Pál Németh, Capella Savaria - Georg Muffat: Twelve Concerti Grossi (1996)
    EAC | FLAC | Image (Cue & Log) ~ 598 Mb | Total time: 52:32+59:08 | Scans included
    Classical | Label: Hungaroton | # HCD 31666-67 | Recorded: 1995, 1996

    Of remoter Scottish and nearer French ancestry, the German composer and organist Georg Muffat was employed in Vienna, Prague, Salzburg and finally Passau. A visit to Rome brought acquaintance with Corelli and his music, an influence on Muffat’s own orchestral suites and sonatas.

    Konrad Junghänel, Cantus Cölln, Concerto Palatino - Biber: Litaniæ de Sancto Josepho; Muffat: Missa in labore requies (1999)

    Posted By: ArlegZ
    Konrad Junghänel, Cantus Cölln, Concerto Palatino - Biber: Litaniæ de Sancto Josepho; Muffat: Missa in labore requies (1999)

    Konrad Junghänel, Cantus Cölln, Concerto Palatino - Biber: Litaniæ de Sancto Josepho; Muffat: Missa in labore requies (1999)
    EAC | FLAC | Image (Cue & Log) ~ 316 Mb | Total time: 69:27 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 901667 | Recorded: 1998

    The 17th-century Austrian composer Heinrich Biber is remembered today for his extraordinary solo violin music–collections such as the Mystery Sonatas. He wrote a number of large-scale instrumental works and choral pieces as well, but their reputation is not as high. They include a lot of grand gestures for brass, but they tend to be harmonically static and often seem long-winded. So Konrad Junghänel and his superb musicians have really achieved something by making the works on this disc sound so appealing.

    Ida Aldrian, Ensemble Castor - Discorsi Musicali: Musik am Münchner Hof unter Kurfürst Maximilian II Emanuel (2015)

    Posted By: ArlegZ
    Ida Aldrian, Ensemble Castor - Discorsi Musicali: Musik am Münchner Hof unter Kurfürst Maximilian II Emanuel (2015)

    Ida Aldrian, Ensemble Castor - Discorsi Musicali: Musik am Münchner Hof unter Kurfürst Maximilian II Emanuel (2015)
    EAC | FLAC | Tracks (Cue & Log) ~ 312 Mb | Total time: 52:26 | Scans included
    Classical | Label: Ensemble Castor | # SW 010468-2 | Recorded: 2014

    Discorsi Musicali’ reflects the music of the Munich Court under Maximilian II Emanuel, Elector of Bavaria, presenting works of Johann Kaspar Kerll, Agostino Steffani und Rupert Ignaz Mayr. Together with Ida Aldrian, mezzo-soprano from the Styrian city of Bruck an der Mur, Ensemble Castor introduces these lately rediscovered baroque masterpieces, which originate from the South-German and Austrian region – full of suspense and with high intensity.

    Petri Tapio Mattson, Markku Mäkinen, Eero Palviainen - A Virtuoso faceoff: Biber & Muffat - Violin Sonatas (2010)

    Posted By: ArlegZ
    Petri Tapio Mattson, Markku Mäkinen, Eero Palviainen - A Virtuoso faceoff: Biber & Muffat - Violin Sonatas (2010)

    Petri Tapio Mattson, Markku Mäkinen, Eero Palviainen - A Virtuoso faceoff: Biber & Muffat - Violin Sonatas (2010)
    EAC | FLAC | Image (Cue & Log) ~ 368 Mb | Total time: 73:46 | Scans included
    Classical | Label: Alba Records | # ABCD 311 | Recorded: 2006, 2008

    In a kind of High Baroque version of the duelling guitars from the film ‘Deliverance’, Alba have contrived to set Heinrich Biber and Georg Muffat against each other as rivals in a virtual virtuoso set-piece. The evidence for this is perhaps a little thin, but what is true is that both of these almost exact contemporaries worked for a while at the same time in the Court of the Prince-Archbishop of Salzburg. This period in the 1670s and 1680s gives rise to the not unreasonable speculation that there was a “rivalry that in all probability existed between them for the favour of their influential employer”, presumably with the ambition of ending up as Hofkapellmeister.

    Chiara Banchini, Ensemble 415 - Georg Muffat: Armonico Tributo (2003)

    Posted By: ArlegZ
    Chiara Banchini, Ensemble 415 - Georg Muffat: Armonico Tributo (2003)

    Chiara Banchini, Ensemble 415 - Georg Muffat: Armonico Tributo (2003)
    EAC | FLAC | Image (Cue & Log) ~ 378 Mb | Total time: 69:08 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 901581 | Recorded: 1995

    Muffat was in more ways than one the product of many cultures. Born in Savoy to a family of Scottish descent, he was trained by Lully in Paris, was taken under the wing of Pasquini and Corelli in Rome, and yet always considered himself a German. The style of his music is equally eclectic, combining the dance-like nature of seventeenth-century French music with the gusto and fantasy of Italian music and the sombreness of the music of the North. The result is astounding. In this vigorous performance, Ensemble 415, one of the best of today's period-instrument groups, tries to recreate the sound of the seventeenth-century Roman chamber orchestra.

    Lars Ulrik Mortensen, Concerto Copenhagen - Georg Muffat: Armonico Tributo (2022)

    Posted By: ArlegZ
    Lars Ulrik Mortensen, Concerto Copenhagen - Georg Muffat: Armonico Tributo (2022)

    Lars Ulrik Mortensen, Concerto Copenhagen - Georg Muffat: Armonico Tributo (2022)
    EAC | FLAC | Image (Cue & Log) ~ 316 Mb | Total time: 60:27 | Scans included
    Classical | Label: Berlin Classics | # 0302629BC | Recorded: 2020

    What the largely unknown name of Georg Muffat may lack in dissemination and reputation, he makes up for in incredible variety, virtuosic power, and influence, especially on the development of instrumental music. The treasure trove of Muffat, which comes to light in particular in his sonata collection Armonico tributo, is what the early music ensemble Concerto Copenhagen and its director Lars Ulrik Mortensen are taking to the discographic spearhead of their 30th anniversary in 2022.

    Chouchane Siranossian, Balázs Máté, Leonardo García Alarcón - Bach Before Bach: Farina, Walther, Muffat, Westhoff, Schme (2021)

    Posted By: ArlegZ
    Chouchane Siranossian, Balázs Máté, Leonardo García Alarcón - Bach Before Bach: Farina, Walther, Muffat, Westhoff, Schme (2021)

    Chouchane Siranossian, Balázs Máté, Leonardo García Alarcón - Bach Before Bach: Farina, Walther, Muffat, Westhoff, Schmelzer (2021)
    EAC | FLAC | Image (Cue & Log) ~ 404 Mb | Total time: 64:22 | Scans included
    Classical | Label: Alpha | # ALPHA758 | Recorded: 2020

    In the Europe of the first half of the seventeenth century, instrumental music became a source of sonic and expressive experimentation. Influenced by vocal rhetoric, composers sought to replace words with a new musical language. The virtuosity of the instrumentalists developed, as did invention, improvisation and the search for surprising sonorities. Along with the organ or the harpsichord, the violin was the instrument of choice for experimenting with these new techniques. Italian and German composers of the seventeenth and eighteenth centuries such as Farina, Schmelzer, Mealli, Buxtehude, Biber, Pisendel and Bach vied with each other in imaginativeness… The violinist Chouchane Siranossian and the harpsichordist Leonardo García Alarcón – both loyal Alpha Classics artists – have chosen to explore this repertory, here including Bach’s sonatas BWV 1019, 1021 and 1023 among other pieces.

    Paul McCreesh, Gabrieli Consort and Players - Heinrich Ignaz Franz von Biber: Requiem (2004)

    Posted By: ArlegZ
    Paul McCreesh, Gabrieli Consort and Players - Heinrich Ignaz Franz von Biber: Requiem (2004)

    Paul McCreesh, Gabrieli Consort and Players - Heinrich Ignaz Franz von Biber: Requiem (2004)
    EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 81:06 | Scans included
    Classical | Label: Archiv Produktion | # 4747142 | Recorded: 2004

    This commemoration of the 300th anniversary of the death of Biber is subtitled ‘In the midst of life we are in death’ and divided into ‘Vita’ and ‘Mors’. The ‘Life’ section consists of the Mass interspersed with all but two of the pieces by other composers listed above; ‘Death’ wraps the Praeludium and Lassus’s Media vita… round the Requiem.

    Florian Deuter, Mónica Waisman, Harmonie Universelle - Heinrich Ignaz Franz von Biber: Fidicinium Sacro-Profanum (2019)

    Posted By: ArlegZ
    Florian Deuter, Mónica Waisman, Harmonie Universelle - Heinrich Ignaz Franz von Biber: Fidicinium Sacro-Profanum (2019)

    Florian Deuter, Mónica Waisman, Harmonie Universelle - Heinrich Ignaz Franz von Biber: Fidicinium Sacro-Profanum (2019)
    EAC | FLAC | Image (Cue & Log) ~ 396 Mb | Total time: 76:05 | Scans included
    Classical | Label: Accent | # ACC 24357 | Recorded: 2018

    The 17th-century Bohemian/Austrian composer Heinrich Ignaz Franz Biber is best known for his works for solo violin, especially the Mystery Sonatas. However, he also wrote a considerable amount of music for string ensemble, including a set of 12 chamber sonatas subtitled Fidicinium Sacro-Profanum which was first published in Nuremberg in 1683. The title refers to the fact that the music in the sonatas combine sacred and secular styles. In his collection, Biber set new standards in the field of string chamber music. In the first part he composes for a five-part string ensemble: 2 violins, 2 violas, violone and basso continuo, a combination that was established at his time as the standard ensemble in Austrian cultural circles.