If there is one student of Johann Sebastian Bach whom posterity has definitely not forgotten, it is Johann Gottlieb Goldberg. However, he owes this destiny to his position as harpsichordist to Count Keyserling: during the latter’s bouts of insomnia, it was Goldberg’s task to play for him the famous variations that he had commissioned from the Leipzig Kantor. This has probably long obscured the fact that Goldberg was also an excellent composer. Aside from his only two surviving cantatas (already recorded by Ricercar), his output is essentially instrumental, and the genre of the trio sonata occupies an appreciable place within it. Here are his complete trio sonatas, along with a sonata in C major at one time attributed to Johann Sebastian Bach (BWV 1037).

Francesco Corti and il pomo d’oro continue their acclaimed series of Bach harpsichord concertos with a recording of the concertos BWV 1044, 1054, 1056 and 1057. This completes the cycle of seven “official” harpsichord concertos that Bach composed. Many of them are masterful reworkings of existing material, either own compositions or works by contemporaries, showing Bach’s exceptional skill to present musical ideas in a different light. For their second Bach recording, Corti and il pomo d’oro have chosen to work with a relatively small ensemble, in order to bring out the individuality of each melodic line.

After devoting an album to sonatas by Giuseppe Tartini, for this anniversary year of the illustrious Paduan virtuoso, Evgeny Sviridov offers us a recording of violin concertos. This is his first collaboration with Millenium Orchestra, the ensemble founded by Leonardo Garcia Alarcon in the framework of CAVEMA in Namur. Most of the concertos selected come from manuscript copies made in eighteenth century Germany, where Tartinis reputation was very high. Evgeny Sviridov has found in these scores cadenzas and ornaments which are very probably in the hand of Johann Georg Pisendel, the great virtuoso violinist of the Dresden court, a friend (and interpreter) of Johann Sebastian Bach!

After devoting an album to sonatas by Giuseppe Tartini, for this anniversary year of the illustrious Paduan virtuoso, Evgeny Sviridov offers us a recording of violin concertos. This is his first collaboration with Millenium Orchestra, the ensemble founded by Leonardo Garcia Alarcon in the framework of CAVEMA in Namur. Most of the concertos selected come from manuscript copies made in eighteenth century Germany, where Tartinis reputation was very high. Evgeny Sviridov has found in these scores cadenzas and ornaments which are very probably in the hand of Johann Georg Pisendel, the great virtuoso violinist of the Dresden court, a friend (and interpreter) of Johann Sebastian Bach! Following a practice that was becoming increasingly common in Germany at that time, one of the concertos has two horn parts in addition to the strings. Of the 130 or so surviving violin concertos, Evgeny Sviridov has selected five.