Sir Michael Tippett: Piano Sonatas 1-3; String Quartets 1-3, Fantasia Concertante
Double Concerto, Concerto for Orchestra; Triple Concerto; 4 Symphonies, Ritual Dances
Paul Crossley, piano; György Pauk, violin; Nobuko Imai, viola; Ralph Kirshbaum, cello
Lindsay String Quartet; Philip Jones Brass Ensemble; Barry Tuckwell Horn Quartet
Orchestra of the Royal Opera House, Covent Garden, conducted by Sir John Pritchard
Academy of St Martin in the Fileds, conducted by Sir Neville Marriner
London Symphony Orchestra, conducted by Sir Colin Davis
Chicago Symphony Orchestra, conducted by Sir Georg Solti
EAC | FLAC | Image (Cue&Log) ~ 1.92 Gb | Scans included
Genre: Classical | Label: Decca | # 475 6750 DC6 | Time: 07:36:50
Double Concerto, Concerto for Orchestra; Triple Concerto; 4 Symphonies, Ritual Dances
Paul Crossley, piano; György Pauk, violin; Nobuko Imai, viola; Ralph Kirshbaum, cello
Lindsay String Quartet; Philip Jones Brass Ensemble; Barry Tuckwell Horn Quartet
Orchestra of the Royal Opera House, Covent Garden, conducted by Sir John Pritchard
Academy of St Martin in the Fileds, conducted by Sir Neville Marriner
London Symphony Orchestra, conducted by Sir Colin Davis
Chicago Symphony Orchestra, conducted by Sir Georg Solti
EAC | FLAC | Image (Cue&Log) ~ 1.92 Gb | Scans included
Genre: Classical | Label: Decca | # 475 6750 DC6 | Time: 07:36:50
Wonderful, wonderful, wonderful. Anyone who loves twentieth century music, who loves English music, or who just plain loves music will love this collection of the music of Michael Tippett. Culled from previously issued but long out-of-print Philips, London, Argo, and l'Oiseau-Lyre LPs, most of these recordings were world premieres made in close consultation with the composer and in the hands of conductors Colin Davis, Georg Solti, Neville Marriner, pianist Paul Crossley, and the Lindsay String Quartet, they receive what can fairly be described as definitive performances. From the ecstatic lyricism of the Suite for Double String Orchestra of 1939 through the luminous vitality of the First Symphony of 1945, the radiant sensuality of the Ritual Dances of 1955, the blues-based modernism of the Third Symphony of 1972, to the glistening transcendentalism of the Fourth Symphony of 1977, Tippett's unique fusion of line, drive, color, and form is performed throughout with passionate dedication and absolute faith in the music's greatness.