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L7 - The Best Of L7: The Slash Years (2000)

Posted By: Designol
L7 - The Best Of L7: The Slash Years (2000)

L7 - The Best Of L7: The Slash Years (2000)
EAC | FLAC | Tracks (Cue&Log) ~ 332 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Alternative Rock, Grunge, Punk Rock | Label: London/Slash | # 8573820642 | 00:42:34

L7 had the sound, style, and tough-grrrl attitude to hit it big in the aftermath of grunge's mainstream breakthrough, but unfortunately, the band was too often hampered by uneven songwriting. The Best of L7: The Slash Years collects four songs apiece from Bricks Are Heavy, Hungry for Stink, and The Beauty Process: Triple Platinum (although, as the title suggests, there's nothing from the fine Sub Pop album Smell the Magic). It's a pretty good distillation of the cream of those records, even if there are still a few tunes on Bricks Are Heavy that could have made the cut on a less mathematically selected best-of. In fact, as L7's most pop-oriented record, Bricks Are Heavy is still a slightly more accessible introduction, since following that album, the band tended to rely more on sheer power than melody. Nevertheless, The Best of L7: The Slash Years does encapsulate what the group was all about, and it's a great way to dig deeper into their catalog without having to buy all the individual albums.

L7 - The Beauty Process: Triple Platinum (1997) [Japanese Edition]

Posted By: Designol
L7 - The Beauty Process: Triple Platinum (1997) [Japanese Edition]

L7 - The Beauty Process: Triple Platinum (1997) Japanese Edition
EAC | FLAC | Tracks (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included | 00:50:03
Alternative Rock, Grunge, Punk Rock | Label: Slash/London/Polydor K.K. | # POCD-1244

The Beauty Process: Triple Platinum is the fifth studio album by American rock band L7, released on February 25, 1997 by Slash Records in collaboration with Reprise Records. The band recorded most of the album as a trio formed by founding members Donita Sparks and Suzi Gardner, and longtime drummer Demetra Plakas, following the departure of bassist Jennifer Finch. The album marks a departure from the tough rock style of its predecessors to a slower and more adventorous style. The album received generally favorable reviews from critics, who praised its attitude-filled lyrics and more liberating style compared to previous L7 albums.