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La Capella Ducale - Heinrich Schutz: Schwanengesang (2023)

Posted By: ciklon5
La Capella Ducale - Heinrich Schutz: Schwanengesang (2023)

La Capella Ducale - Heinrich Schütz: Schwanengesang (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 84:18 min | 374 / 192 Mb
Genre: Classical

Heinrich Schütz (1585-1672) had already completed his eightieth year when he set the 119th Psalm to music with almost youthful freshness. The enormous text poem apparently offered him a musical challenge of the highest caliber and, in terms of content, the opportunity to write down his unshakable faith in a powerful confession. He supplemented this so-called swan song with his creative examination of Psalm 100 and the German Magnificat - two hymns of praise to the greatness of the Lord in whose hand he felt secure. A not inconsiderable problem to be solved here, as with so many works of the time, is the question of instrumentation. The original indications are often enough approximate, and in actual performances one often had to make do with what was available. Roland Wilson, a pronounced connoisseur of the matter, has thoroughly researched the historical sources of the work and Schütz's indications. The result of this research is a recording of extraordinary color and impressive richness of variety - a worthy credo and a testimony to artistic care all in one.

Roland Wilson, Musica Fiata, Tobias Hunger, Marie Luise Werneburg, La Capella Ducale - Schütz: Dafne (Recons. R. Wilson) (2022)

Posted By: delpotro
Roland Wilson, Musica Fiata, Tobias Hunger, Marie Luise Werneburg, La Capella Ducale - Schütz: Dafne (Recons. R. Wilson) (2022)

Roland Wilson, Musica Fiata, Tobias Hunger, Marie Luise Werneburg & La Capella Ducale - Schütz: Dafne (Reconstr. R. Wilson) (2022)
WEB FLAC (tracks) - 479 Mb | MP3 CBR 320 kbps - 340 Mb | Digital booklet | 01:15:47
Classical, Opera | Label: CPO

Dafne by Heinrich Schütz: a phoenix rises from the ashes. The first and presumably only performance of the opera Dafne took place in Torgau on April 13, 1627, as part of the festivities celebrating the marriage of the Saxon Duchess Sophie Eleonore and the Hessian Landgrave Georg II. Although the libretto by Martin Opitz appeared in print, virtually nothing of the music has survived. At first glance, the reconstruction of an opera whose music has not survived appears to be a daring undertaking. In fact, however, there are many clues to the structure of the work, so that it was possible to produce something that, although not identical to the original, is very close to it.