RED SAND, known personally in 2005 with'Gentry 'released their 10th album, more and more distant from neo to Marillion. Simon Caron, an absolute Rothery fan, had even slipped down nicely with the sound of Pink Floyd on their last album; reminiscences of Camel, IQ or Pendragon can be found there. We are dealing with a concept album based on the seven deadly sins, mixed by Michel St-Père (Mystery) on beautiful progressive rock melodies…

RED SAND comes here to release its 9th album by offering a variation on the sounds of PINK FLOYD, Gimour being one of the masters of SImon. This opus therefore radically changes the sounds of the MARILLION Fish era with which it had quite a few similarities. RED SAND has just released a neo prog wonder quite simply…

This is first rate neo prog, maybe not original, but well played and with intresting passages. The bass, drums are all over and is clear that they play with pleasure for neo prog music. People who enjoyed the band's first two releases and also fancy the early Marillion albums should check out Behind The Mask.

What strikes the listener is how "early-Marillion" the band sounds without seeming to imitate them. The compositional style, breaks and moods, the Rothery-like guitar play and the Nolan-like keyboard flights all contribute to this impression - even the albums' artwork bears that early Marillion touch; yet for some reason, it all sounds very much Red Sand. Well produced and expertly crafted, their music flows naturally and the themes blend into one another with remarkable ease. The lyrics never sound forced or imitative (the vocalist sings in English but doesn't sound at all like Fish). The band may not offer anything original in terms of style, but they do deliver first-rate neo prog that oozes charm, refinement and professionalism.

Red Sand was created by guitarist Simon Caron, a self-proclaimed David Gilmour, Andy Latimer, Steven Rothery, IQ, BB King and Albert Collins fan. What strikes the listener is how "early-Marillion" the band sounds without seeming to imitate them. The compositional style, breaks and moods, the Rothery-like guitar play and the Nolan-like keyboard flights all contribute to this impression - even the albums' artwork bears that early Marillion touch; yet for some reason, it all sounds very much Red Sand. Well produced and expertly crafted, their music flows naturally and the themes blend into one another with remarkable ease. The lyrics never sound forced or imitative (the vocalist sings in English but doesn't sound at all like Fish). The band may not offer anything original in terms of style, but they do deliver first-rate neo prog that oozes charm, refinement and professionalism.

Red Sand was created by guitarist Simon Caron. At age 18, he started a couple of progressive rock bands and then left the music scene for a while. Unable to stay away from prog very long, however, he started to write again, searched for a band to perform his music and was soon surrounded by seasoned musicians most willing to oblige. Thus Red Sand was born. What strikes the listener is how "early-Marillion" the band sounds without seeming to imitate them. The compositional style, breaks and moods, the Rothery-like guitar play and the Nolan-like keyboard flights all contribute to this impression - even the albums' artwork bears that early Marillion touch; yet for some reason, it all sounds very much Red Sand…