| Su | Mo | Tu | We | Th | Fr | Sa |
|---|---|---|---|---|---|---|
| 26 | 27 | 28 | 29 | 30 | 31 | 1 |
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | 1 | 2 | 3 | 4 | 5 |
Have you ever wondered what your name says about you? At KoalaNames.com, we’ve decoded over 17,000 names to uncover the cosmic and numerical energies woven into every letter.
Our unique blend of astrology and numerology delivers:
![]Bill Watrous - Manhattan Wildlife Refuge - (1974)](https://pixhost.icu/avaxhome/74/ea/000eea74_medium.jpeg)
![The Kolisch Quartet [Rec. 1929-1937] Plays Mozart · Schumann · Wolf [Re-Up]](https://pixhost.icu/avaxhome/c1/ea/000eeac1_medium.jpeg)
The "Wiener Streichquartett" remained in its first successful form until 1926. After that, three musicians joined the ensemble in the course of a year, whom Kolisch himself described as the "definitive" members of the quartet: Felix Khuner, second violin, Eugene Lehner, viola, and Benar Heifetz, violoncello. In his letters to Schoenberg, Kolisch raved over the tireless enthusiasm with which his young quartet colleagues studied the repertoire… Eugene Lehner describes it "When Heifetz and I joined the quartet, the whole day was one rehearsal. We met at about ten o'clock in the morning in Mama Kolisch's apartment, and practiced till late in the evening…. When rehearsing, whether alone or in the presence of the composer, the idea of time never came into anyone's head. What could anyone do other than play quartets?"
