Myrkur is the musical project of Danish singer, songwriter, multi-instrumentalist, model, and actress Amalie Bruun. The word translates from Icelandic to English as "darkness." The Myrkur project has become musically fluid and embraces everything from black metal to traditional Scandinavian folk. In 2015 Myrkur's debut full-length, M, was produced by Ulver's Garm, the set also included other personnel from that band as well as horns and strings. The r; traditional folk instrumentation had been added. She toured the globe on the festival circuit before returning to Denmark. She married death metal drummer Keith Abrami in 2018 and gave birth to her first child the following year…

Gaahls WYRD, the eponymous brainchild of one of black metal’s most iconic and enigmatic figures, has returned with a hypnotic new EP! ‘The Humming Mountain’ follows the band’s critically-acclaimed debut album, ‘GastiR – Ghosts Invited,’ and sees the latest evolution of the esoteric dark metal project’s sound. The five song offering creeps in like a whispering demon, slowly entrancing the listener with its deep, dark gaze before it sinks its teeth in and drags you into the all-consuming abyss.

Pioneering extreme Norwegian metal act SARKE return with their long awaited 7th full-length, entitled “Allsighr”! SARKE continue to exploit their unusual mix of 70`s rock, 80`s speed metal and 90`s black metal, resulting in an album full of heavy-rocking and groovy metal while not forgetting the unique psychedelic, doomy and dwelling passages. A monster of an album by a beast of a line-up ft. (ex) members of Darkthrone, Enslaved and Khold!

British extreme metallers CRADLE OF FILTH will release their 13th studio album, "Existence Is Futile", on October 22. Pieced together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (DEVILMENT, BENEDICTION, VADER), the band's latest chef-d'oeuvre is a pitch-black, perverse and at times absurdly brutal and extreme masterpiece following a truly nihilistic concept: "The album is about existentialism, existential dread and fear of the unknown," frontman Dani Filth explains. "The concept wasn't created by the pandemic. We'd written it long before that began, but the pandemic is the tip of the cotton-bud as far as the way the world is headed, you know? I guess the title, 'Existence Is Futile', does sound a little morbid. But again, it's more about recognizing that truth and saying that everything is permitted because nothing really matters, which mimics the occultist Aleister Crowley's maxim. We all know we're going to die, so we might as well indulge life while we possess it. The final track on the album — 'Us, Dark, Invincible' — really drives that point home. Also, the artwork for this record was created by the Latvian visionary Arthur Berzinsh, who also dressed the last two albums, and that reeks of the exceedingly beautiful yet apocalyptic too."

Gruzelementen is the 6th studio album in the bands 30 year history. ‘ One of the great advantages of a “one man band” is the freedom to do what you want in your music not caring about the opinion of others……. “Gruzelementen” turns out to be one of the best releases of the style this year and certainly marks the highest point in FUNERAL WINDS’ long journey into the underground ‘ Black Metal Terror Magazine

The second release in the Slavonic Trilogy reissue series. Sventevith (Storming Near the Baltic) is the debut studio album by Polish extreme metal band Behemoth; originally released in April 1995. The 2021 reissue is beautifully packaged and include bonus audio material and booklets containing exclusive archival content.

DYING VICTIMS PRODUCTIONS is proud to present the long-awaited fourth album of Germany’s NOCTURNAL, Serpent Death.As aptly titled as any NOCTURNAL full-length so far, Serpent Death slithers and strikes with a venomous menace. Arguably the band’s best-produced as well as best-played record to date, Serpent Death loses not an ounce of power and poignancy; if anything, NOCTURNAL sound more energetic than ever, revitalized and ripping and defying their seemingly advanced age. Whereas the preceding Storming Evil perhaps leaned too much on the cleaner side of things, Serpent Death is robustly analog, flexing both muscle and clarity, all while remaining steadfastly analog. Further, there’s more (but subtle) twists in the songwriting and dynamics, evincing an ageless metal wisdom whilst not sacrificing any urgency in the process. Avenger, as always, is an absolute riff-machine, firing off memorable lines right and left, but he’s more-than-ably backed up by a blood-red-vital rhythm section in bassist Incinerator and drummer John Berry. New vocalist Invoker has a rougher and more hollering voice, perfectly suited for these classic metal-inclined tunes. So, less “sharp” pure thrash and more “warmer” traditional metal: it’s a trade-off that pays in spades on Serpent Death. Timeless, eternal, both behind the times and ahead of ‘em – there’s few bands with a body of work quite like NOCTURNAL. Even if it’s another five-plus years between albums, Serpent Death handily satisfies with a sound that’s so old, it’s new!

On the threshold of the coming Ragnarok, Graveland comes to you armed with a new full-length album, with music that was created from the ashes of past battles. The new songs that revived like a phoenix from legends and myths and the most epic Graveland works such as "Thousand Swords" are a continuation of this style of the band. Epic Pagan Metal! Here's the music to prepare you for Ragnarok! Music from the beginning of the history of Graveland, when it was recorded in a full line-up! A sword, arrow and spear held in a strong hand, hardened in sweat, blood and battle. “Hour of Ragnarok” was forged by a three-person line-up. Three artisans of war weapons took care of it: Rob "Darken" - vocals, guitars, keyboards, Skyth - bass, Ahrin - drums. The songs for the album were created during last three years, but it was 2020 when the work gained momentum. It took a long time to compose and record the symphonic back tracks that makes up the epic background in music. This is a development of an idea that you could have already heared on the album "1050 Years of Pagan Cult". The album was recorded in the Italian studio Rocketbooster!

Waeltaja is an epic glorification of the harsh nature of the north and a tribute to the myths and legends that are still to this day told in northern Finland. It is a tale of a wanderer embarking on a quest to find the northernmost shores of Pohjola - the worlds end, to learn the wisdom of the respected seers of the North, to bathe in the ice-cold sea - in the realm of Ahti and eventually return home from his travels like a pilgrim of pagan ways. On his way back our protagonist is caught in a blizzard thus making his journey home a trial of strenght against the forces of nature as he gets lost in the cold, battling the elements and his own spirits during his long road back to the forests of ancient Kainuu. This poetic tale was written and performed by visiting talent S.Korpituli (Iku-Turso, Korpituli, Khanus, Wrathage, etc.) in native Finnish. The album was composed by Grim666 in a search for a more simplistic sound, using harmonies instead of lead guitar, making more space for the ambience of the keyboards in order to deliver an ice-cold experience of Finnish Black Metal.

With 'Skogarmaors' Obscurity forge their ninth studio album. At the first glance one might think there is nothing new in Obscurity, but with Skogarmaors there are several new elements within the band. Since their last album 'Streitmacht' Obscurity's team changed severely. The quintet from the Bergisch Land with Askar (guitars) and Isarn (drums) welcome new brothers in their ranks. Askar followed the footsteps of Cortez and Isarn took place for Draugr. Both, Askar and Isarn did a great job on the new album which is significantly influenced by them. But ingrained fans do not have to fear fundamental changes in style although there are new musical influences due to the line-up change. The 13 new songs on the upcoming album will benefit from those influences. Obscurity will stay a bastion in continuity and they only create music they do stand for. Continuity also takes its part in the place of production. The new album was recorded and produced in the holy halls of 4CN-Studios by Tim Schuldt. Stylistically the new songs reach from Death- to Viking Metal with Black Metal influences. In addition to that the bonus track is an experiment which differs slightly from the rest of the album/songs. Skogarmaors is not a concept album which is why there is such thematic diversity in the lyrics. Nordic mythology and contemporary social subjects take place in the sung words. In 2021 Obscurity hope to clink glasses with their numerous fans on the new album. The pandemic not only challenges artists but cut deeply in the daily life of all of us. Perhaps the music of the rooted in the soil musicians could heal the wounds a little.

With the sounds of churches burning through the riffing of this album, alchemists conjuring spells on the kit, and the gutting vocals of hatred. you get our very latest album "Mystic Spell Of Hatred"

The infamous MAYHEM return this year with an EP called “Atavistic Black Disorder / Kommando” that presents the band in a way that has never been heared before! The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways. For this goal, cover versions of bands like Discharge, Dead Kennedys, Rudimentary Peni and Ramones were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkenened sound. Nevertheless, MAYHEM would not be MAYHEM, if this musical creation would do without own composed songs. In addition to named cover versions, a brand new track called “Voces Ab Alta” was recorded to continue the musical journey alongside previously released tracks “Black Glass Communion” and “Everlasting Dying Flame”, which were used as bonus tracks for the 2019 album “Daemon”.

Norwegian viking pagan black metal brigade NIFROST is set to release their new, long-awaited, full length album to the masses on June 25, 2021 via Dusktone. NIFROST already established its own remarkable identity built upon cold and ferocious sounds attack, intense melodies and charging guitars. Combining unrelenting black metal atmosphere and vision from varying extreme metal genres with a apocalyptic twist of inspiration, careful listeners may just be able to identify themes from some of their stories, concepts and more… The concept of their third album began with the title “Orkja”, which is the name of a mountain infamous for landslides that turned into murderous floods in the olden days of Jølster, on the wild and beautiful western coast of Norway. Through these old stories, they found a spark of inspiration in approaching apocalyptic themes in a bigger or on smaller more personal-level picture, both physically and metaphorically. When the band wrote the album “Orkja” in late 2018, they never knew how fitting these doomsday-themes would come to be in current times. The seven songs that comprise “Orkja”, each have its own connection to the end of things, and to the possibility of new beginnings.