Les Nations is an ensemble specializing in the rediscovery of the oratorio musical form, from the Renaissance to the Baroque. In this production ""Les Nations is faced with an almost unknown author that, once again, proves he deserves a place amongst the greats. The few surviving works by Giovanni Battista Bassani, whose life remains mostly mysterious, testimony the incredible range and greatness of his musical writing. No exception is the Giona, the realization of which marked the debut of Bassani's oratorio at the court of Francesco II d'Este, Duke of Modena and Reggio, great lover of music, whose appointment had to be a great opportunity for the composer's artistic career, aware he could count both on an experienced and passionate client and almost unlimited resources.

Italian late Renaissance composer Giulio Caccini (1551-1618) was not only one of the most famous composers of his time but also an exceptionally gifted singer. "Dolcissimo sospiro" presents a fine selection of strophic arias and madrigals from Caccini's "Nuove Musiche". Singer of those "sweetest sigh", Roberta Invernizzi, is one of the most sought-after sopranos in the field of Early Music. The Accademia Strumentale Italiana, an ensemble specializing in Early Music, has performed extensively in Italy, Spain, Belgium, Switzerland, Austria and Germany and has been invited to several international festivals. This recording received the Midem Award for the Best Recording of Early Music in 2007.

…Fine motets by Stradella and Bassani make this disc worth investigation. …violinist Patrick Cohën-Akenine with his excellent bad Les Folies Françoises play with resonant warmth, particularly in two dynamically charged Corelli sonatas.

Giulio Mazzarino, better known as Cardinal Mazarin, played an important part in the dissemination of Italian music in France in the 17th century. From 1643, when he was appointed prime minister, to his death in 1661, he carried out an astute policy in favour of Italian culture, inviting the most famous Italian composers and performers to the French court. This disc presents a number of pieces, mainly by Italian composers, which became well known in France in the 17th century through Mazarin’s support.

The lament became a current and important feature of Italian Baroque monody, with its rhetorical and therefore dramatic connotations, generally set over a four-note descending bass line. The best known, though not the earliest, of these laments is probably Monteverdi's Lamento d'Arianna, a later version of which, with a sacred Latin text, was included in the composer's Selva morale e spirituale, published in Venice in 1641. In 1607 Monteverdi had provided the music for a favola in musica performed at the court of Duke Vincenzo Gonzaga in Mantua, where the composer was maestro di cappella. Orfeo, with a libretto by Alessandro striggio, has a literary source in the Metamorphoses of Ovid. The success of Orfeo led to the creation of a new dramatic work, a tragedy in musica, in 1608, a deliberate attempt, as the pastoral Orfeo was not, to create a work that would in some way revive ancient Greek tragedy.

Unsurprisingly, it is in the music of the Baroque era – the heyday of the castrato – that French countertenor Philippe Jaroussky has captured the attention of music-lovers lovers around the world. The ethereal, but sensuous beauty of his voice, his virtuosity and his sense of style have brought him critical praise, a number of major awards – including, in 2008, Germany’s prestigious Echo-Klassik prize for Male Singer of the Year.