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Ben Frost - Scope Neglect (2024)

Posted By: delpotro
Ben Frost - Scope Neglect (2024)

Ben Frost - Scope Neglect (2024)
EAC Rip | FLAC (tracks+log+.cue) - 230 Mb | MP3 CBR 320 kbps - 109 Mb | Covers included | 00:38:49
Experimental Electronic | Label: Mute Records

Scope Neglect is an experimental and genre-shifting album forged from Frost’s admiration for metal with the mindful removal of its conventional attributes. Where the record touches aspects of the genre, it’s met with glitching electronics, immersive ambient industrial churns and deeply contemplative explorations that result in something impossible to pigeonhole. Created with guitarist Greg Kubacki (from New York’s progressive metal band Car Bomb) and bassist Liam Andrews (from Melbourne band MY DISCO), the album was recorded at Candy Bomber studios in Berlin with engineer Ingo Krauss (Swans, Nick Cave, and Mick Harvey).

Ben Frost - Theory of Machines (2007)

Posted By: Designol
Ben Frost - Theory of Machines (2007)

Ben Frost - Theory of Machines (2007)
EAC | FLAC | Image (Cue&Log) ~ 204 Mb | Mp3 (CBR320) ~ 89 Mb | Scans ~ 62 Mb
Label: Bedroom Community | # HVALUR 2 | Time: 00:38:42
Experimental Electronic, Noise, Ambient

Blending the current trend for all things noisy with something altogether more 'composed' we end up with a curious concoction of Cliff Martinez and Wolf Eyes, stopping at planet Badalamenti for a strong cup of Joe ("black like midnight on a moonless night"). Frost's primary influence (and sound source…) for the album was Michael Gira's seminal noise-rock band Swans, an influence which bubbles majestically on the album's central piece, cunningly titled 'We Love You Michael Gira'. The track starts simply enough; shifting, moody synthesized tones sitting eerily next to shivering waves of guitar noise before both give way to the sort of glacial blip-work that would make Mika Vainio jealous, and then it hits you; chunks of percussive noise that enter the sound-field like a serial killer bursting into the family home, gritty and abrasive, raw and untamed. The Swans factor isn't lost in this track, it's something that needs to be played so loud that it almost hurts the eardrums for full, visceral effect and proves as if proof be needed that Ben Frost is a rare producer who really knows how to use the loud as it should be used.