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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    David Parry, Philharmonia Orchestra - Giovanni Simone Mayr: Medea in Corinto (1994)

    Posted By: ArlegZ
    David Parry, Philharmonia Orchestra - Giovanni Simone Mayr: Medea in Corinto (1994)

    David Parry, Philharmonia Orchestra - Giovanni Simone Mayr: Medea in Corinto (1994)
    XLD | FLAC | Image (Cue & Log) ~ 786 Mb | Total time: 65:37+73:39+58:24 | Scans included
    Classical | Label: Opera Rara | ORC 11 | Recorded: 1993

    Giovanni Mayr is known today primarily as the teacher of Donizetti, but in the very late 1700s and first two decades of the 1800s, this German-born, Italian-by-adoption composer was all the operatic rage, combining the fiorature and niceties of Italian vocal writing with a German penchant for orchestration (Medea’s opening aria has a violin obbligato of the type that you simply do not find with the Italians, for instance). Medea in Corinto is considered Mayr’s masterpiece; in fact, it’s a long score, not quite as poweful as Cherubini’s, but with plenty of flavor of its own.

    David Parry, Philharmonia Orchestra - Gaetano Donizetti: Rosmonda d'Inghilterra (1996)

    Posted By: ArlegZ
    David Parry, Philharmonia Orchestra - Gaetano Donizetti: Rosmonda d'Inghilterra (1996)

    David Parry, Philharmonia Orchestra - Gaetano Donizetti: Rosmonda d'Inghilterra (1996)
    EAC | FLAC | Image (Cue & Log) ~ 643 Mb | Total time: 77:55+72:39 | Scans included
    Classical | Label: Opera Rara | # ORC13 | Recorded: 1995

    Nelly Miricioiu and Renée Fleming, as Eleanor of Aquitaine and the fair Rosamund, battle for the love of Bruce Ford (Henry II of England) in one of Donizetti’s more intimate serious works. A cholera epidemic in 1837 prevented the performance of the revised ending – given here complete for the first time – in which the jealous Eleanor stabs her rival. 'The performance could hardly be improved. … Renée Fleming … one of the most lovely voices to be hearde in our time' (John Steane, The Gramophone)

    David Parry, Philharmonia Orchestra - Gioacchino Rossini: Otello (1999)

    Posted By: ArlegZ
    David Parry, Philharmonia Orchestra - Gioacchino Rossini: Otello (1999)

    David Parry, Philharmonia Orchestra - Gioacchino Rossini: Otello (1999)
    EAC | FLAC | Image (Cue & Log) ~ 618 Mb | Total time: 71:58+77:51+77:34 | Scans included
    Classical | Label: Opera Rara | # ORC 18 | Recorded: 1999

    Opera Rara recorded the new critical edition by the Rossini Foundation of Otello. Hugely admired in its day, this highly innovative score contains some of Rossini’s most inspired music. The recording includes the reconstruction of the alternative happy ending (written for Rome in 1820) as well as an aria for Desdemona which the great Giudetta Pasta sang to acclaim in Paris and London.

    David Parry, Academy of St Martin in the Fields - Gaetano Donizetti: Zoraida di Granata (1999)

    Posted By: ArlegZ
    David Parry, Academy of St Martin in the Fields - Gaetano Donizetti: Zoraida di Granata (1999)

    David Parry, Academy of St Martin in the Fields - Gaetano Donizetti: Zoraida di Granata (1999)
    EAC | FLAC | Image (Cue & Log) ~ 961 Mb | Total time: 74:22+71:40+54:54+64:19 | Scans included
    Classical | Label: Opera Rara | # ORC 17 | Recorded: 1998

    Although it was Donizetti’s first theatrical success, the original 1822 version of this violent love story was never given a complete performance because the tenor cast in the role of the hero died shortly before the first night. Even so, Donizetti quickly adapted this role for a mezzo-soprano, achieving his first theatrical success. Opera Rara presents the world premiere of the original tenor version. In addition the recording includes six more pieces written for the 1824 revival.

    Giuliano Carella, The London Philharmonic Orchestra - Rossini: Elisabetta, Regina d'Inghilterra (2002)

    Posted By: ArlegZ
    Giuliano Carella, The London Philharmonic Orchestra - Rossini: Elisabetta, Regina d'Inghilterra (2002)

    Giuliano Carella, The London Philharmonic Orchestra - Rossini: Elisabetta, Regina d'Inghilterra (2002)
    EAC | FLAC | Image (Cue & Log) ~ 612 Mb | Total time: 47.48+35.32+71.26 | Scans included
    Classical | Label: Opera Rara | # ORC22 | Recorded: 2002

    Elisabetta regina d’Inghilterra (1815) was the first of the nine Rossini Neapolitan operas written for Teatro San Carlo. The works Rossini composed were hailed (and have been ever since) as some of the most remarkable ever to be composed for the lyric stage. Opera Rara has made a new performing edition from the autograph manuscript and, for the first time, Rossini’s opera has been recorded absolutely complete, with the original orchestration. As Queen Elizabeth, Jennifer Larmore takes command of her country and her audience with a portrayal, which is strong, yet avoids the stereotypical concept of Elizabeth associated with the films of Bette Davis. Larmore, with the splendid vocalism, makes Rossini’s florid vocal writing work for the character. The part of her rival Matilde has Majella Cullagh giving another of her limpid-voiced heroines. Antonino Siragusa makes his mark in the demanding tenor part of Norfolk while Bruce Ford as Leicester adds the ninth and last of the Neapolitan operas to his repertoire.

    Bruno Campanella, Orchestre et Choers de l'Opéra National de Paris - Rossini: L'Italiana in Algeri (2007/1998)

    Posted By: Vilboa
    Bruno Campanella, Orchestre et Choers de l'Opéra National de Paris - Rossini: L'Italiana in Algeri (2007/1998)

    Bruno Campanella, Orchestre et Choers de l'Opéra National de Paris - Rossini: L'Italiana in Algeri (2007/1998)
    NTSC 16:9 (720x480) | Italiano | LinearPCM, 2 ch | Dolby AC3, 6 ch | 7.83 Gb (DVD9) | 148 min
    Classical | TDK | Sub.: English, Deutsch, Francais, Espanol, Italiano, Japanese

    TDK presents a production of Rossinis LItaliana in Algeri by renowned opera stage director Andrei Serban and conducted by Bruno Campanella from the prestigious Opéra National de Paris. The excellent cast of singer-actors was led by international mezzo- star Jennifer Larmore who, with her unaffected contact with the audience, beautiful voice and excellent acting, is central to this staging. The American singer has acquired a reputation as a Rossini specialist, and is no stranger to inventive stagings of the composers comedies. However, the work may be named after the Italian girl, but her adversary Mustafà is just as dominant, and this production has one of the leading exponents of this gleeful role, the buffo bass Simone Alaimo.

    Gottfried von der Göltz, Freiburger Barockorchester - Wolfgang Amadeus Mozart: Il sogno di Scipione (2001)

    Posted By: ArlegZ
    Gottfried von der Göltz, Freiburger Barockorchester - Wolfgang Amadeus Mozart: Il sogno di Scipione (2001)

    Gottfried von der Göltz, Freiburger Barockorchester - Wolfgang Amadeus Mozart: Il sogno di Scipione (2001)
    EAC | FLAC | Tracks (Cue & Log) ~ 561 Mb | Total time: 1h 50m | Scans included
    Classical | Label: Astrée / Naïve | # E8813 | Recorded: 2000

    This is probably Mozart’s least interesting opera–if indeed it is an opera at all. Composed at the end of 1771 in honor of the 50th anniversary of Salzburg’s Archbishop Schrattenbach, its performance was cancelled due to the archbishop’s sudden death. Mozart re-dedicated it to the new archbishop (Colloredo). There is still doubt as to whether it was ever performed. It’s in one act of just under two hours and is concerned with the Roman general Scipio, who in a dream is made to choose between the godesses Fortune and Constancy to guide him through life. Needless to say, he chooses Constancy over luck, and we don’t care.

    Andrew Davis, The London Philharmonic - Rossini: Ermione (2006/1995)

    Posted By: Vilboa
    Andrew Davis, The London Philharmonic - Rossini: Ermione (2006/1995)

    Andrew Davis, The London Philharmonic - Rossini: Ermione (2006/1995)
    NTSC 4:3 (720x480) | Italiano (Dolby AC3, 2 ch) | 7.05 Gb (DVD9) | 138 min
    Classical | NVC Arts | Sub.: English, Deutsch, Espanol, Francais, Italiano, Portugues

    Recorded at Glyndebourne’s superb new opera house, this lavishly praised production of Rossini’s forgotten and unusual tragic opera has proved to be an unequivocal success. Based on Racine’s Andromaque, this account of the Greek and Trojan love tangle has been set by Graham Vick in the classically-inspired auditorium of an Italian opera house, rather than in ancient Greece. The set designs, with their striking colours, forms and lighting are as if created especially for the small screen.

    Paul Daniel, The Orchestra of the Royal Opera House - Mozart: Mitridate, Re di Ponto (2002/1993)

    Posted By: Vilboa
    Paul Daniel, The Orchestra of the Royal Opera House - Mozart: Mitridate, Re di Ponto (2002/1993)

    Paul Daniel, The Orchestra of the Royal Opera House - Mozart: Mitridate, Re di Ponto (2002/1993)
    NTSC 4:3 (720x480) | Italiano (Dolby AC3, 2 ch) | 6.74 Gb (DVD9) | 177 min
    Classical | Kultur | Sub.: English

    Mozart's fourth opera - written when he was only 14 - displays all the hallmarks of the fresh, inventive writing that was to flourish into extraordinary genius in his later works and, with a cast as good as this, The Royal Opera's production takes Mitridate, re di Ponto to the highest levels of operatic achievement. Based on a play by Jean Racine, it is a story of jealous love and political intrigue.

    David Parry, Philharmonia Orchestra - Pacini: Maria regina d’Inghilterra [1998]

    Posted By: Vilboa
    David Parry, Philharmonia Orchestra - Pacini: Maria regina d’Inghilterra [1998]

    David Parry, Philharmonia Orchestra - Pacini: Maria regina d’Inghilterra [1998]
    EAC (flac, image, cue, log) | TT: 41.48+58.24+71.37 | Covers | 649 Mb
    Classical | Opera Rara | # ORC15 | Rec: 1997

    Based on Victor Hugo’s passionate play about Mary Tudor, Maria regina d’Inghilterra was one of Pacini’s most successful operas. Written in 1843, the vocal portrait of the central character is among the composer’s best creations. Joy, tears, outrage and forgiveness are all contained in the vivid vocal characterisation that was Pacini’s hallmark.