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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    John Lee Hooker - The Classic Early Years 1948-1951 (2002) 4 CD Box Set

    Posted By: Designol
    John Lee Hooker - The Classic Early Years 1948-1951 (2002) 4 CD Box Set

    John Lee Hooker - The Classic Early Years 1948-1951 (2002) 4 CD Box Set
    EAC | FLAC | Image (Cue&Log) ~ 1.2 Gb | Mp3 (CBR320) ~ 840 Mb | Scans included
    Delta Blues, Detroit Blues, Country Blues | Label: JSP Records | # JSPCD7703 | Time: 05:01:54

    This four-disc box from London's JSP Records collects an astounding 100 songs recorded by John Lee Hooker in Detroit from the years 1948 to 1952, including his first two sides ever, the signature tunes "Boogie Chillen" and "Sally Mae." Most of the tracks here are done solo, with Hooker's ever-present foot-stomping, although a few feature other musicians on loose-limbed blues boogies. Since Hooker never significantly altered his style during his long career, these first recordings set the stage for all that came after, and he arguably never sounded fresher or better. Four discs worth of this throwback Mississippi bluesman will be severe overkill for casual listeners, but diehard Hooker fans will find this box set absolutely essential.

    John Lee Hooker - Endless Boogie (1971)

    Posted By: Designol
    John Lee Hooker - Endless Boogie (1971)

    John Lee Hooker - Endless Boogie (1971)
    EAC | FLAC | Image (Cue&Log) ~ 374 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included | 01:12:40
    Delta Blues, Detroit Blues, Electric Blues | Label: MCA | # MCAD-10413, MCAD 10413

    Endless Boogie is a studio album by John Lee Hooker, released in 1971 through ABC Records. Produced by Bill Szymczyk and Ed Michel, the double album was recorded at Wally Heider Recording with session musicians such as Jesse Ed Davis, Carl Radle, Steve Miller, Gino Skaggs and Mark Naftalin.

    John Lee Hooker - The Complete '50s Chess Recordings [Recorded 1950-1954] (1998)

    Posted By: gribovar
    John Lee Hooker - The Complete '50s Chess Recordings [Recorded 1950-1954] (1998)

    John Lee Hooker - The Complete '50s Chess Recordings [Recorded 1950-1954] (1998)
    EAC Rip | FLAC (image+.cue+log) - 385 MB | MP3 CBR 320 kbps (LAME 3.93) - 229 MB | Covers - 17 MB
    Genre: Blues, Detroit Blues, Delta Blues | RAR 3% Rec. | Label: Chess/MCA Records (CHD2-9391)

    Hooker bounced around between label affiliations like crazy in the 1950s, recording under almost as many fake names as he did labels during that decade. His two lasting record company hookups occurred with Chess in the early 1950s and Vee-Jay later on in the decade. All of Hooker's Chess masters from that decade (he would later record in the '60s for them as well) are here on this two-disc, 31-track collection. Unlike other Chess artists, Hooker did little of his recording in Chicago, preferring to work out of his Detroit home base, where he continued to record for other labels under a variety of pseudonyms. His 1951 Chicago session excepted, the rest of the tracks emanate from Detroit sessions that also saw issuance on the local Gone, H-Q and Fortune labels…