Immutable once again showcases Meshuggah’s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed. Since forming in 1987, the Swedish sound architects known as Meshuggah developed into one of the most technically complex and virtuosic group of players the metal realm has ever encountered, their distinctly unique brand of progressive groove-infused death metal inadvertently launching anentirely new subgenre. Recorded in Sweden’s Sweetspot Studios, their ninth full-length album Immutable is the follow-up to their highly acclaimed and Grammy nominated album, The Violent Sleep Of Reason.

British extreme metallers CRADLE OF FILTH will release their 13th studio album, "Existence Is Futile", on October 22. Pieced together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (DEVILMENT, BENEDICTION, VADER), the band's latest chef-d'oeuvre is a pitch-black, perverse and at times absurdly brutal and extreme masterpiece following a truly nihilistic concept: "The album is about existentialism, existential dread and fear of the unknown," frontman Dani Filth explains. "The concept wasn't created by the pandemic. We'd written it long before that began, but the pandemic is the tip of the cotton-bud as far as the way the world is headed, you know? I guess the title, 'Existence Is Futile', does sound a little morbid. But again, it's more about recognizing that truth and saying that everything is permitted because nothing really matters, which mimics the occultist Aleister Crowley's maxim. We all know we're going to die, so we might as well indulge life while we possess it. The final track on the album — 'Us, Dark, Invincible' — really drives that point home. Also, the artwork for this record was created by the Latvian visionary Arthur Berzinsh, who also dressed the last two albums, and that reeks of the exceedingly beautiful yet apocalyptic too."