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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Juan Carlos Muñoz, Artemandoline - Arte Mandoline: Dall’Abaco, Castello, D. Scarlatti, Vivaldi, Arrigoni, Weiss, Fasch (2012)

    Posted By: ArlegZ
    Juan Carlos Muñoz, Artemandoline - Arte Mandoline: Dall’Abaco, Castello, D. Scarlatti, Vivaldi, Arrigoni, Weiss, Fasch (2012)

    Juan Carlos Muñoz, Artemandoline - Arte Mandoline: Dall’Abaco, Castello, D. Scarlatti, Vivaldi, Arrigoni, Matteis, Weiss, Fasch, Uccellini (2012)
    EAC | FLAC | Image (Cue & Log) ~ 330 Mb | Total time: 61:26 | Scans included
    Classical | Label: K617 ‎| K617 238 | Recorded: 2011

    This disc is a real plucker’s delight featuring not only the skills of three leading mandolinists – Juan Carlos Muñoz, Mari Fe Pavón and Alla Tolkacheva – but also a continuo section consisting of baroque guitar, harpsichord and (anachronistically) Renaissance lute; even the violone and gamba are usually played pizzicato. Together they romp through a programme of concerti and sonatas by Dall’Abaco, Arrigoni, Matteis, Domenico Scarlatti, Johann Sigismund Weiss (rather than his more famous brother Sylvius Leopold), Fasch and of course Vivaldi; with a doffof their tricorns in the direction of earlier baroque composers Castello and Uccellini. This is joyous, glorious music-making.

    Hermann Max, Rheinische Kantorei, Das Kleine Konzert - Johann Friedrich Fasch: Cantatas; Carl Fasch: Psalm 119 (2002)

    Posted By: ArlegZ
    Hermann Max, Rheinische Kantorei, Das Kleine Konzert - Johann Friedrich Fasch: Cantatas; Carl Fasch: Psalm 119 (2002)

    Hermann Max, Rheinische Kantorei, Das Kleine Konzert - Johann Friedrich Fasch: Cantatas; Carl Fasch: Psalm 119 (2002)
    EAC | FLAC | Image (Cue & Log) ~ 399 Mb | Total time: 79:09 | Scans included
    Classical | Label: CPO | # 999 594-2 | Recorded: 1995, 1996, 2001

    Wie weit komponierende Söhne und Väter stilistisch auseinander liegen können, wird oft an dem Vergleich Johann Sebastians und Johann Christian Bachs demonstriert. Nun, es gibt einen ähnlich gelagerten Fall: Johann Friedrich Fasch (1688–1758) und sein Sohn Carl (1736–1800).

    Stefan Temmingh, Capricornus Consort Basel - Leipzig 1723: J.S.Bach, Graupner, Fasch, Telemann (2021)

    Posted By: ArlegZ
    Stefan Temmingh, Capricornus Consort Basel - Leipzig 1723: J.S.Bach, Graupner, Fasch, Telemann (2021)

    Stefan Temmingh, Capricornus Consort Basel - Leipzig 1723: J.S.Bach, Graupner, Fasch, Telemann (2021)
    EAC | FLAC | Image (Cue & Log) ~ 406 Mb | Total time: 66:15 | Scans included
    Classical | Label: Accent | # ACC24375 | Recorded: 2020

    The Thomaskantor position in Leipzig was one of the most important jobs for musicians in Germany in the 18th century; several important musicians applied to succeed Johann Kuhnau after his death in 1722. In the recruitment process, the Leipzig city council was able to choose from the most famous personalities of the time. The first choice was Georg Philipp Telemann, who declined however, after he had obtained a decent salary increase at his Hamburg post.

    Markus Uhl, L'arpa festante - Johann Friedrich Fasch: Die Vier Tageszeiten (2024)

    Posted By: ArlegZ
    Markus Uhl, L'arpa festante - Johann Friedrich Fasch: Die Vier Tageszeiten (2024)

    Markus Uhl, L'arpa festante - Johann Friedrich Fasch: Die Vier Tageszeiten (2024)
    EAC | FLAC | Image (Cue & Log) ~ 300 Mb | Total time: 64:54 | Scans included
    Classical | Label: Christophorus | # CHR77480 | Recorded: 2023

    The brief heyday of the Anhaltinische Hof in Zerbst (Saxony-Anhalt) coincided with the work of its court Kapellmeister Johann Friedrich Fasch. The benevolent and prudent Prince Johann August von Anhalt-Zerbst (1677-1742) expanded his court orchestra and engaged outstanding musicians for this purpose.

    Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Wind Concertos (1998)

    Posted By: ArlegZ
    Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Wind Concertos (1998)

    Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Bläser Konzerte / Wind Concertos (1998)
    EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 51:09 | Scans included
    Classical | Label: MDG | # MDG 310 0309-2 | Recorded: 1988

    Johann Friedrich Fasch was a contemporary of Johann Sebastian Bach, and that has seriously hampered the interest in his music. It was the German musicologist Hugo Riemann, who at the beginning of the 20th century made an attempt to restore his reputation.

    Andreas Helm, Ensemble Barucco - Johann Friedrich Fasch: Sonatas (2024)

    Posted By: ArlegZ
    Andreas Helm, Ensemble Barucco - Johann Friedrich Fasch: Sonatas (2024)

    Andreas Helm, Ensemble Barucco - Johann Friedrich Fasch: Sonatas (2024)
    EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 56:47 | Scans included
    Classical | Label: Accentus Music | # ACC30644 | Recorded: 2020

    Delve into the captivating compositions of Johann Friedrich Fasch with Accentus Music’s latest CD release, “Fasch: Sonatas” interpreted by Austrian baroque ensemble Barucco. Fasch, renowned as a composer even before assuming the prestigious role of court Kapellmeister in Anhalt-Zerbst in 1722, left an indelible mark on the musical landscape of the Baroque era.

    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann (2012)

    Posted By: ArlegZ
    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann (2012)

    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann: Violinkonzerte aus Dresden (2012)
    EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 58:08 | Scans included
    Classical | Label: Raumklang | # RK 3105 | Recorded: 2011

    This CD features the world premiere recording of Pisendel’s Concerto in G major for violin, horns, oboes, bassoon, strings and basso continuo. Johannes Pramsoler is the leader and artistic director of the International Baroque Players and is one of a new generation of violinists specialising in historical performance. The ensemble was formed in 2009, from two prestigious training schemes, the European Union Baroque Orchestra and the Britten-Pears Baroque Orchestra.

    Nele Vertommen, Musica Gloria - Fasch's Oboe: Music at the Zerbst Court (2022)

    Posted By: ArlegZ
    Nele Vertommen, Musica Gloria - Fasch's Oboe: Music at the Zerbst Court (2022)

    Nele Vertommen, Musica Gloria - Fasch's Oboe: Music at the Zerbst Court (2022)
    EAC | FLAC | Image (Cue & Log) ~ 351 Mb | Total time: 61:36 | Scans included
    Classical | Label: Pan Classics | # PC10435 | Recorded: 2021

    The composer Johann Friedrich Fasch maintained a particularly close relationship with the court of Anhalt-Zerbst, where he served as Kapellmeister from 1722 until his death in 1758. The present programme focuses on the oboe: these are compositions by Fasch himself, such as an oboe concerto, a concerto for 2 oboes and smaller works for oboe, as well as works with oboe by Telemann and Bach, which are connected with the Zerbst court music inventory, Fasch's "Concert-Stube" (1743), and Fasch's tenure in Zerbst.

    Wolfram Schurig, Concerto Stella Matutina - Babà Musicale: Count Harrach's treasures (2017)

    Posted By: ArlegZ
    Wolfram Schurig, Concerto Stella Matutina - Babà Musicale: Count Harrach's treasures (2017)

    Wolfram Schurig, Concerto Stella Matutina - Babà Musicale: Count Harrach's treasures (2017)
    EAC | FLAC | Image (Cue & Log) ~ 349 Mb | Total time: 65:49 | Scans included
    Classical | Label: Fra Bernardo | # FB1702576 | Recorded: 2016

    The typical Neapolitan dessert «Babà» originated across the Alps in Poland and is therefore a perfect synonym for the musical treasures of Aloys Thomas Raimund Count Harrach. The count, initially a diplomat in the imperial service and ultimately viceroy of Naples, possessed an eclectic taste ranging from music from German states and Viennese pièces to Neapolitan concerti. Buon appetito!

    Cappella Coloniensis - Johann Friedrich Fasch: Overture; Sinfonias; Concerti (2009)

    Posted By: ArlegZ
    Cappella Coloniensis - Johann Friedrich Fasch: Overture; Sinfonias; Concerti (2009)

    Cappella Coloniensis - Johann Friedrich Fasch: Overture; Sinfonias; Concerti (2009)
    EAC | FLAC | Image (Cue & Log) ~ 299 Mb | Total time: 59:48 | Scans included
    Classical | Label: Phoenix Edition | # 191 | Recorded: 1970-1987

    It's a fairly well known fact that Bach had a keen interest in music of his musical ancestors as well as his contemporaries. His library contained music of other German composers as well as music from France and Italy. Among the composers whose music found a home on Bach's shelves were Antonio Vivaldi, Christoph Graupner, and Johann Friedrich Fasch (1688-1758). Whether or not Bach ever performed this music with his Collegium Musicum at Zimmermann's Coffee House in Leipzig is unknown, but Bach thought enough of the music of these and other composers to seek it out and collect it.

    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)

    Posted By: ArlegZ
    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)

    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)
    EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 70:52 | Scans included
    Classical | Label: CPO | # 777 782-2 | Recorded: 2012

    Dresden was a music capital of European rank during the seventeenth and eighteenth centuries, which means that this German city and baroque music have a common history. It was in Dresden that important composers and musicians of the time lived and worked. In 1991 graduates of the Dresden College of Music discovered their shared interest in this musical epoch and founded the Dresden Baroque Orchestra. Its members are committed to offering energetic interpretations on baroque instruments in keeping with the tenets of historical performance practice and to the rediscovery of forgotten works from the collection of the Dresden court chapel – top priorities for them that have also become their trademarks.

    Jana Semerádová, Collegium Marianum - Rorate Cœli: Music for Advent and Christmas in Baroque Prague (2009)

    Posted By: ArlegZ
    Jana Semerádová, Collegium Marianum - Rorate Cœli: Music for Advent and Christmas in Baroque Prague (2009)

    Jana Semerádová, Collegium Marianum - Rorate Cœli: Music for Advent and Christmas in Baroque Prague (2009)
    EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 59:04 | Scans included
    Classical | Label: Supraphon | # SU 4002-2 | Recorded: 2003, 2005, 2009

    In the rich musical life of early 18th century Prague, the Advent and Christmas seasons formed a chapter unto themselves. Their specific repertoire consisted not only of the themes of this liturgical season (including a strong element of the Marian cult), but also of special liturgical and musical forms. In both songs and figural music Czech suddenly appeared side by side with Latin, along with elements of folk religion and culture.

    Shalev Ad-El, Accademia Daniel - Johann Friedrich Fasch: Cantatas, Overture in D minor, Concerto in B flat minor (2000)

    Posted By: ArlegZ
    Shalev Ad-El, Accademia Daniel - Johann Friedrich Fasch: Cantatas, Overture in D minor, Concerto in B flat minor (2000)

    Shalev Ad-El, Accademia Daniel - Johann Friedrich Fasch: Cantatas, Overture in D minor, Concerto in B flat minor (2000)
    EAC | FLAC | Image (Cue & Log) ~ 372 Mb | Total time: 68:53 | Scans included
    Classical | Label: CPO | # 999 674-2 | Recorded: 1999

    German Baroque composer Johann Friedrich Fasch organized a music exchange service between Dresden, Darmstadt, Hamburg, and other cities, which allowed him to know exactly what was new and upcoming. His style, then, often seems to be rooted in his own period, while looking forward to the classical era. He enjoyed writing for the chalumeau, an early French two-keyed clarinet, and this mellow yet agile instrument is featured on three of the pieces here, most notably the concerto in B-flat. Gili Rinot proves a worthy player of this curious instrument, playing with virtuoso flair, yet able to float long, lyrical lines so lovely and sweetly that they seem to hang in the air.

    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)

    Posted By: ArlegZ
    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)

    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)
    EAC | FLAC | Image (Cue & Log) ~ 3.46 Gb | Total time: 11 h 20 min | Scans included
    Classical | Label: Arcana | A202 | Recorded: 1993-2017

    During the summer of 1989, oboists Alfredo Bernardini and Paolo Grazzi together with bassoonist Alberto Grazzi founded Zefiro, a versatile ensemble specialized in 18th century music predominantly featuring wind instruments. Zefiro soon made a name for itself worldwide, and to celebrate its thirty years of activity Arcana is releasing an elegant 10-CD set of their complete recordings of baroque music. From the ensemble’s first disc (Sonatas by Zelenka - Grand Prix du Disque), the compilation alternates recordings of repertoire composers and pieces that have become absolute points of reference, such as the Vivaldi Bassoon Concertos, Handel’s Fireworks (Diapason d’or de l’année 2009) or the Bach Overtures (judged by Gramaphone to be one of the 50 best Bach recordings of all time).

    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)

    Posted By: ArlegZ
    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)

    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)
    EAC | FLAC | Image (Cue & Log) ~ 389 Mb | Total time: 70:36 | Scans included
    Classical | Label: Accent Records | # ACC 24202 | Recorded: 2007

    Nach dem Tod des Dresdner Konzertmeisters Johann Georg Pisendel 1755 ließ Kurfürstin Maria Josepha dessen musikalischen Nachlass aufkaufen. In der Dresdner Hofkirche, in einem großen Schrank mit der Nummer II, wurde der musikalische Schatz aus eigenen und fremden Kompositionen eingelagert und hat sich über die Jahrhunderte hinweg erhalten. Nur ein geringer Teil dieses Repertoires ist allerdings bislang gesichtet, geschweige denn eingespielt worden, so dass die Batzdorfer Hofkapelle mit einigen Weltersteinspielungen aufwarten kann.