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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Vaughan Jones - Johann Joseph Vilsmaÿr: Six Partitas for Solo Violin (2015)

    Posted By: ArlegZ
    Vaughan Jones - Johann Joseph Vilsmaÿr: Six Partitas for Solo Violin (2015)

    Vaughan Jones - Johann Joseph Vilsmaÿr: Six Partitas for Solo Violin (2015)
    EAC | FLAC | Image (Cue & Log) ~ 619 Mb | Total time: 118:09 | Scans included
    Classical | Label: First Hand | # FHR38 | Recorded: 2015

    Violinist Vaughan Jones brings us a fascinating collection of 18th century solo works. Three hundred years after their first publication, Austrian composer Johann Joseph Vilsmaÿr's Six Partitas for Solo Violin are recorded here in their entirety for the first time. Johann Georg Pisendel was a famous Baroque violinist and composer. His fiendishly difficult Violin Sonata is an unpredictable, tempestuous and capricious work, showing great scope and ambition. To round out the recording, Jones plays the famous Passacaglia by Biber - a somber, moving work and a perfect end to this noteworthy set.

    Martina Graulich, Ute Petersilge, Thomas C. Boysen, Stefano Demicheli - Pisendel & Dresden (2004)

    Posted By: ArlegZ
    Martina Graulich, Ute Petersilge, Thomas C. Boysen, Stefano Demicheli - Pisendel & Dresden (2004)

    Martina Graulich, Ute Petersilge, Thomas C. Boysen, Stefano Demicheli - Pisendel & Dresden (2004)
    EAC | FLAC | Image (Cue & Log) ~ 441 Mb | Total time: 78:31 | Scans included
    Classical | Label: Carus | # 83.162 | Recorded: 2003

    The present CD contains previously unpublished, virtuoso violin music from the first half of the 18th century. As its concert master, Pisendel directed the famous Dresdner Hofkapelle. His violin sonatas, a challange for every violinist, as well as compositions by Heinichen, W. F. Bach and Hasse, convey an impression of the transition which occurred between baroque and pre-classic.

    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann (2012)

    Posted By: ArlegZ
    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann (2012)

    Johannes Pramsohler, International Baroque Players - Pisendel, Fasch, Heinichen, Handel, Telemann: Violinkonzerte aus Dresden (2012)
    EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 58:08 | Scans included
    Classical | Label: Raumklang | # RK 3105 | Recorded: 2011

    This CD features the world premiere recording of Pisendel’s Concerto in G major for violin, horns, oboes, bassoon, strings and basso continuo. Johannes Pramsoler is the leader and artistic director of the International Baroque Players and is one of a new generation of violinists specialising in historical performance. The ensemble was formed in 2009, from two prestigious training schemes, the European Union Baroque Orchestra and the Britten-Pears Baroque Orchestra.

    Isabelle Faust - Solo: Matteis, Pisendel, Guillemain, Vilsmayr, Biber (2023)

    Posted By: ArlegZ
    Isabelle Faust - Solo: Matteis, Pisendel, Guillemain, Vilsmayr, Biber (2023)

    Isabelle Faust - Solo: Matteis, Pisendel, Guillemain, Vilsmayr, Biber (2023)
    XLD | FLAC | Image (Cue & Log) ~ 271 Mb | Total time: 54:29 | Scans included
    Classical | Label: Harmonia Mundi | # HMM 902678 | Recorded: 2023

    From Biber’s famous ‘Guardian Angel’ Passacaglia to Guillemain’s ‘Amusements’ and sonatas and fantasias by Matteis (father and son), Pisendel and Vilsmayr, Isabelle Faust offers us a panorama of European music for unaccompanied violin from the second half of the Baroque era. Dreamy or virtuosic, these pieces bear witness to the diversity of inspirations from Italy, France, England and the German-speaking countries - and to their marvellous intermingling echoes.

    Rachel Podger - Guardian Angel: Works by Biber, Bach, Tartini & Pisendel (2013)

    Posted By: Designol
    Rachel Podger - Guardian Angel: Works by Biber, Bach, Tartini & Pisendel (2013)

    Rachel Podger - Guardian Angel: Works by Biber, Bach, Tartini & Pisendel (2013)
    EAC | FLAC | Image (Cue&Log) ~ 343 Mb | Mp3 (CBR320) ~182 Mb | Scans included
    Genre: Classical | Label: Channel Classics | # CCS SA 35513 | Time: 01:18:31

    The music on this recording demonstrates how composers in Germany, Italy, Austria and England responded to the challenges of writing for violin senza basso. Music for violin senza basso had a distinguished history before Bach and was widely cultivated by his contemporaries. Violinistic virtuosity was extraordinarily experimental in the late seventeenth century, with novelties in the tuning of the strings (scordaura), bowing techniques, chordal playing and contrapuntal textures (with the development of sophisticated double-, triple- and quadruple-stopping techniques) and playing in high positions. This disc of solo violin music is a real mixture of some of Rachel’s favourite pieces. Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of the Baroque and Classical periods.

    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)

    Posted By: ArlegZ
    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)

    Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)
    EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 70:52 | Scans included
    Classical | Label: CPO | # 777 782-2 | Recorded: 2012

    Dresden was a music capital of European rank during the seventeenth and eighteenth centuries, which means that this German city and baroque music have a common history. It was in Dresden that important composers and musicians of the time lived and worked. In 1991 graduates of the Dresden College of Music discovered their shared interest in this musical epoch and founded the Dresden Baroque Orchestra. Its members are committed to offering energetic interpretations on baroque instruments in keeping with the tenets of historical performance practice and to the rediscovery of forgotten works from the collection of the Dresden court chapel – top priorities for them that have also become their trademarks.

    Nadja Zwiener, Johannes Lang - 1723: Bach, Bertali, Biber, Corelli, Pisendel (2023)

    Posted By: ArlegZ
    Nadja Zwiener, Johannes Lang - 1723: Bach, Bertali, Biber, Corelli, Pisendel (2023)

    Nadja Zwiener, Johannes Lang - 1723: Bach, Bertali, Biber, Corelli, Pisendel (2023)
    EAC | FLAC | Image (Cue & Log) ~ 400 Mb | Total time: 73:28 | Scans included
    Classical | Label: Ramée | # RAM 2202 | Recorded: 2022

    Johann Sebastian Bach, the newly appointed Cantor of the Thomaskirche, undertook his first official journey from Leipzig to nearby Störmthal in 1723, where he and his Thomanerchor inaugurated the beautiful new organ built by Zacharias Hildebrandt, a pupil of Silbermann. Bach was thrilled by the instrument’s splendid timbres and tonal beauty. A particularly beautiful violin was made by the German luthier David Tecchler in Rome — 1400 km from Störmthal — during that same year. Both instruments have survived and have been excellently restored; now, three hundred years after their creation, they meet for the first time.

    Gottfried von der Goltz, Freiburger Barockorchester - Johann Georg Pisendel: Dresdner Konzerte (1999)

    Posted By: ArlegZ
    Gottfried von der Goltz, Freiburger Barockorchester - Johann Georg Pisendel: Dresdner Konzerte (1999)

    Gottfried von der Goltz, Freiburger Barockorchester - Johann Georg Pisendel: Dresdner Konzerte - Concerti com varii strumenti (1999)
    EAC | FLAC | Image (Cue & Log) ~ 338 Mb | Total time: 67:05 | Scans included
    Classical | Label: Carus | # 83.301 | Recorded: 1998

    Diese CD zeichnet das Porträt eines hervorragenden Musikers: Drei Violin- konzerte, drei Orchesterkonzerte, eine Fantasie für Orchester und die Alternativfassung eines Mittelsatzes bieten Musik, die an Vielfalt keine Wünsche offenläßt.​Ideenreichtum, Charme und eine ausgefeilte Kompositions- technik ergänzen sich zu einem Stil, der den besten Leistungen der Epoche nicht nachsteht.

    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)

    Posted By: ArlegZ
    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)

    Batzdorfer Hofkapelle - Oboe Concerti at the Dresden Court: Pisendel, Fasch, Valentini, Heinichen (2008)
    EAC | FLAC | Image (Cue & Log) ~ 389 Mb | Total time: 70:36 | Scans included
    Classical | Label: Accent Records | # ACC 24202 | Recorded: 2007

    Nach dem Tod des Dresdner Konzertmeisters Johann Georg Pisendel 1755 ließ Kurfürstin Maria Josepha dessen musikalischen Nachlass aufkaufen. In der Dresdner Hofkirche, in einem großen Schrank mit der Nummer II, wurde der musikalische Schatz aus eigenen und fremden Kompositionen eingelagert und hat sich über die Jahrhunderte hinweg erhalten. Nur ein geringer Teil dieses Repertoires ist allerdings bislang gesichtet, geschweige denn eingespielt worden, so dass die Batzdorfer Hofkapelle mit einigen Weltersteinspielungen aufwarten kann.

    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda" (1995)

    Posted By: ArlegZ
    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda" (1995)

    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda": Heinichen, Veracini, Quantz, Pisendel, Fasch, Dieupart (1995)
    EAC | FLAC | Image (Cue & Log) ~ 381 Mb | Total time: 70:30 | Scans included
    Classical | Label: Archiv Produktion | # 447 644-2 | Recorded: 1994

    During the first half of the eighteenth century the Dresden court orchestra enjoyed international renown. Its excellence was on a par with those at Berlin, Paris and Vivaldi’s orchestra of ladies at the Pieta in Venice. The Enlightenment philosopher and amateur musician, Rousseau, rated it the most accomplished and best organized ensemble in Europe – and he had heard most of the competition. The Dresden achievement was largely thanks to Pisendel, who directed the court orchestra for over a quarter of a century and whose prowess as a violin virtuoso was probably unrivalled in Germany during his lifetime. Pisendel travelled, he knew Vivaldi and doubtless many other foreign musicians too, and he amassed a considerable number of their compositions which he copied or brought back with him to Dresden.