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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Wieslaw Suruło, Paweł Solecki, Joanna Solecka, Anna Huszczo - Gusto Non Barbaro (2021)

    Posted By: ArlegZ
    Wieslaw Suruło, Paweł Solecki, Joanna Solecka, Anna Huszczo - Gusto Non Barbaro (2021)

    Wieslaw Suruło, Paweł Solecki, Joanna Solecka, Anna Huszczo - Gusto Non Barbaro: G.Ph. Telemann, C.Ph.E. Bach, Ch. Schaffrath, J.J. Quantz (2021)
    EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 54:44 | Scans included
    Classical | Label: RecArt | # 0043 | Recorded: 2021

    Płyta "Gusto Non Barbaro" poświęcona jest niemieckiej muzyce kameralnej XVIII wieku. Zostały na niej zarejestrowane utwory czterech kompozytorów, wśród których postacią centralną jest Carl Philipp Emanuel Bach. Tytuł płyty odnosi się do zaczerpniętego z traktatu Quantza cytatu, wymownie charakteryzującego przemiany, jakie zachodziły w stylu muzyki niemieckiej na tle oraz pod wpływem twórczości dwóch wiodących ośrodków: Francji i Włoch. Nowoczesny sposób komponowania, otwarty na asymilowanie godnych uznania zdobyczy estetycznych sztuki innych nacji stał się w Niemczech w XVIII wieku do tego stopnia dominujący, że właśnie owa synteza stylistyczna uznana została za cechę swoiście niemiecką.

    Ensemble Labirinto Armonico - Johann Joachim Quantz: Trio Sonatas (2022)

    Posted By: ArlegZ
    Ensemble Labirinto Armonico - Johann Joachim Quantz: Trio Sonatas (2022)

    Ensemble Labirinto Armonico - Johann Joachim Quantz: Trio Sonatas (2022)
    EAC | FLAC | Image (Cue & Log) ~ 370 Mb | Total time: 61:10 | Scans included
    Classical | Label: Dynamic | # CDS7957 | Recorded: 2021

    Johann Joachim Quantz wrote over 300 flute concertos for Frederick II, King of Prussia, works that have increasingly been recognised for their wealth of invention. Before his years in Berlin, however, Quantz had worked in Dresden where he wrote a series of trio sonatas. The genre had been codified by Arcangelo Corelli and was the most popular form of chamber music at the time. Quantz fashioned elegant dialogues between the instruments, fugal passages, the melodic element of the trios always highlighted next to the counterpoint. These concise, eloquent works blend styles and musical languages in a way that foreshadows his larger-scale concertos.

    Clas Pehrsson, Predrag Novović, Alf Petersén, Arnold Östman - Original Instruments (1994)

    Posted By: ArlegZ
    Clas Pehrsson, Predrag Novović, Alf Petersén, Arnold Östman - Original Instruments (1994)

    Clas Pehrsson, Predrag Novović, Alf Petersén, Arnold Östman - Original Instruments: Music by Telemann, Quantz, Vivaldi, C.P.E. Bach (1994)
    EAC | FLAC | Image (Cue & no Log) ~ 220 Mb | Total time: 51:09 | Scans included
    Classical | Label: BIS Records | # BIS-CD-220 | Recorded: 1975, 1982

    Clas Pehrsson, recorder, studied both music teaching and musicology and was active as a violinist and violist before deciding in the mid-1960s to dedicate most of his time to the recorder. His extensive international career as a soloist and chamber musician has included collaboration with the Drottningholm Baroque Ensemble in many countries in Europe and Asia as well as in the USA and Australia.

    Rachel Brown, The Brandenburg Consort, Roy Goodman - Johann Joachim Quantz: Flute Concertos (1997)

    Posted By: Designol
    Rachel Brown, The Brandenburg Consort, Roy Goodman - Johann Joachim Quantz: Flute Concertos (1997)

    Johann Joachim Quantz: Flute Concertos (1997)
    Rachel Brown, flute; The Brandenburg Consort; Roy Goodman, direction

    EAC | FLAC | Image (Cue&Log) ~ 325 Mb | Mp3 (CBR320) ~ 175 Mb | Artwork included
    Genre: Classical | Label: Hyperion | # CDA 66927 | Time: 01:16:08

    Flautists tend to know that Quantz gave flute lessons to Frederick the Great and that he wrote about 300 concertos for the instrument. Only a few of these concertos have been easily accessible in print or on disc. However, in this welcome recording of five Quantz concertos, flautist Rachel Brown seems the perfect ambassador to bring a few of these unfamiliar but intriguing works back into the repertoire. Whether playing a Baroque-inspired fugue, a more ‘classically styled’ Allegro or languid slow movement, Brown’s daring expression and technical brilliance – together with the Brandenburg Consort’s focused sound and racy pace – seem intuitive. Quantz and Brown appear together again, briefly, in Concert in Sanssouci. ‘Sans souci’ means ‘without worry’, and was the name of Frederick the Great’s country house near Potsdam. A certain joie de vivre is in the air in this recreation of a typical evening’s concert chez Frederick. The Hanover Band, under Roy Goodman, plays with real spirit, although Nathalie Stutzmann’s rich contralto lends a more melancholic feel in arias by CH Graun. Although Frank de Bruine is a rather understated soloist in the CPE Bach oboe concerto, the band’s dynamic interpretations and composer’s inventiveness win through.

    Dorothee Oberlinger, Ensemble 1700 - Rococo: Music a Sanssouci (2017)

    Posted By: ArlegZ
    Dorothee Oberlinger, Ensemble 1700 - Rococo: Music a Sanssouci (2017)

    Dorothee Oberlinger, Ensemble 1700 - Rococo: Music à Sanssouci (2017)
    EAC | FLAC | Image (Cue & Log) ~ 392 Mb | Total time: 78:57 | Scans included
    Classical | Label: Sony | # 88875134062 | Recorded: 2016

    Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.

    Palladian Ensemble - Trios for 4: Handel, Telemann, Leclair, Quantz (1997)

    Posted By: ArlegZ
    Palladian Ensemble - Trios for 4: Handel, Telemann, Leclair, Quantz (1997)

    Palladian Ensemble - Trios for 4: Handel, Telemann, Leclair, Quantz (1997)
    EAC | FLAC | Image (Cue & Log) ~ 290 Mb | Total time: 62:34 | Scans included
    Classical | Label: Linn Records | # CKD 050 | Recorded: 1997

    When Trios For 4 was first released the Palladian Ensemble was riding high following a sell-out ‘Rising Stars’ concert series in Europe with performances at the Amsterdam Concertgebouw, Konzerthaus Wien, Frankfurt Alte Oper, and London's South Bank Centre. Together Rachel Podger, Pamela Thorby, Susanne Heinrich and William Carter formed a quartet of the highest calibre; confirmed by the solo successes each went on to enjoy in their respective careers. In a cleverly chosen programme the Palladian Ensemble perform works by Handel, Telemann, Leclair and Quantz which perfectly demonstrate the diversity of styles typical of the eighteenth century.

    Frank Theuns, Les Buffardins - Des Königs Flötenmeister: J.J. Quantz - Flute concertos (2012)

    Posted By: ArlegZ
    Frank Theuns, Les Buffardins - Des Königs Flötenmeister: J.J. Quantz - Flute concertos (2012)

    Frank Theuns, Les Buffardins - Des Königs Flötenmeister: J.J. Quantz - Flute concertos (2012)
    EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 58:47 | Scans included
    Classical | Label: Accent | # ACC 24258 | Recorded: 2011

    These works demonstrate Quantz’s highly individual style. He left detailed performance instructions and technical indications. Frank Theuns and Les Buffardins bring their expertise to these authentic performances.

    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)

    Posted By: ArlegZ
    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)

    Zefiro, Alfredo Bernardini - The Baroque Collection [10CDs] (2019)
    EAC | FLAC | Image (Cue & Log) ~ 3.46 Gb | Total time: 11 h 20 min | Scans included
    Classical | Label: Arcana | A202 | Recorded: 1993-2017

    During the summer of 1989, oboists Alfredo Bernardini and Paolo Grazzi together with bassoonist Alberto Grazzi founded Zefiro, a versatile ensemble specialized in 18th century music predominantly featuring wind instruments. Zefiro soon made a name for itself worldwide, and to celebrate its thirty years of activity Arcana is releasing an elegant 10-CD set of their complete recordings of baroque music. From the ensemble’s first disc (Sonatas by Zelenka - Grand Prix du Disque), the compilation alternates recordings of repertoire composers and pieces that have become absolute points of reference, such as the Vivaldi Bassoon Concertos, Handel’s Fireworks (Diapason d’or de l’année 2009) or the Bach Overtures (judged by Gramaphone to be one of the 50 best Bach recordings of all time).

    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda" (1995)

    Posted By: ArlegZ
    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda" (1995)

    Reinhard Goebel, Musica Antiqua Köln - Concerti "per l'orchestra di Dresda": Heinichen, Veracini, Quantz, Pisendel, Fasch, Dieupart (1995)
    EAC | FLAC | Image (Cue & Log) ~ 381 Mb | Total time: 70:30 | Scans included
    Classical | Label: Archiv Produktion | # 447 644-2 | Recorded: 1994

    During the first half of the eighteenth century the Dresden court orchestra enjoyed international renown. Its excellence was on a par with those at Berlin, Paris and Vivaldi’s orchestra of ladies at the Pieta in Venice. The Enlightenment philosopher and amateur musician, Rousseau, rated it the most accomplished and best organized ensemble in Europe – and he had heard most of the competition. The Dresden achievement was largely thanks to Pisendel, who directed the court orchestra for over a quarter of a century and whose prowess as a violin virtuoso was probably unrivalled in Germany during his lifetime. Pisendel travelled, he knew Vivaldi and doubtless many other foreign musicians too, and he amassed a considerable number of their compositions which he copied or brought back with him to Dresden.