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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Fabio Biondi, Europa Galante - George Frideric Handel: Poro, Rè dell'Indie (1994)

    Posted By: ArlegZ
    Fabio Biondi, Europa Galante - George Frideric Handel: Poro, Rè dell'Indie (1994)

    Fabio Biondi, Europa Galante - George Frideric Handel: Poro, Rè dell'Indie (1994)
    EAC | FLAC | Image (Cue & Log) ~ 308 Mb | Total time: 65:55+50:42+50:46 | Scans included
    Classical | Label: Opus 111 ‎| OPS 30-113/115 | Recorded: 1995

    "Poro, re dell'Indie" (HWV 28) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Alessandro nell'Indie by Metastasio, and based on Alexander the Great's encounter with King Porus in 326 BC. The libretto had already been set to music by Leonardo Vinci in 1729 and by Antonio Vivaldi among others and was used as the text for more than sixty operas throughout the 18th century. The opera was first given at the King's Theatre in London on 2 February 1731 and on 15 further occasions. A run of 16 performances was a mark of success for the time as is the fact that the work was revived on 23 December 1731, and again in a revised form on 8 December 1736. It was also given in Hamburg and Brunswick.

    Gioachino Rossini Edition 50 CDs [Part 9] - Zelmira (2018)

    Posted By: ArlegZ
    Gioachino Rossini Edition 50 CDs [Part 9] - Zelmira (2018)

    Gioachino Rossini Edition 50 CDs [Part 9]: Claudio Scimone, I Solisti Veneti, Cecilia Gasdia - Zelmira (2018)
    EAC | FLAC | Image (Cue & Log) ~ 597 Mb | Total time: 80:47+73:06 | Scans included
    Classical | Label: Warner Classics | # 0190295611156 | Recorded: 1989

    The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.

    Roger Vignoles, Stephan Genz, Bernarda Fink - Hugo Wolf: Eichendorff-Lieder (1998)

    Posted By: ArlegZ
    Roger Vignoles, Stephan Genz, Bernarda Fink - Hugo Wolf: Eichendorff-Lieder (1998)

    Roger Vignoles, Stephan Genz, Bernarda Fink - Hugo Wolf: Eichendorff-Lieder (1998)
    EAC | FLAC | Image (Cue & Log) ~ 198 Mb | Total time: 57:06 | Scans included
    Classical | Label: Hyperion | CDA66909 | Recorded: 1997

    This important recording presents all of Hugo Wolf’s settings of the poetry of Eichendorff—26 songs in all, several of which seem never to have been recorded before (a fact which is hard to understand because they are very attractive). One of Wolf’s favourite writers, Joseph, Freiherr von Eichendorff (1788–1857) was the German Romantic poet par excellence and his poems are full of the sounds of nature, the beauty of landscape, religious faith, and much musical imagery, with references to minstrels and other musicians. He was the poet of Schumann’s Op 39 Liederkreis, though perhaps the most well-known Eichendorff setting is Im Abendrot from Strauss’s Four Last Songs.

    Bernarda Fink, Petra Müllejans, Freiburger Barockorchester - Johann Sebastian Bach: Solo Cantatas, BWV 35, 169, 170 (2009)

    Posted By: ArlegZ
    Bernarda Fink, Petra Müllejans, Freiburger Barockorchester - Johann Sebastian Bach: Solo Cantatas, BWV 35, 169, 170 (2009)

    Bernarda Fink, Petra Müllejans, Freiburger Barockorchester - Johann Sebastian Bach: Solo Cantatas, BWV 35, 169, 170 (2009)
    EAC | FLAC | Image (Cue & Log) ~ 373 Mb | Total time: 76:20 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 902016 | Recorded: 2008

    Mezzo-soprano Bernarda Fink is a remarkably versatile singer, but she has devoted the bulk of her career to the music of the Baroque. Her impeccable technique, fluent coloratura, and warm, pure tone make this an ideal repertoire for her. She tends to convey a sense of dignity that can come across as reserve. When called upon, as in more emotionally charged repertoire, she can generate the necessary passion, but her naturally dignified musical demeanor ideally suits these Bach cantatas.

    Bernarda Fink, Roger Vignoles - Schumann: Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)

    Posted By: tirexiss
    Bernarda Fink, Roger Vignoles - Schumann:  Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)

    Bernarda Fink, Roger Vignoles - Schumann: Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)
    WEB | FLAC (tracks) - 244 MB | 01:00:10
    Genre: Classical, Vocal | Label: Harmonia Mundi

    Bernarda Fink's voice is well suited to the nineteenth century lied; it's warm, full, and intensely focused, with a radiant luminosity over its whole range. She projects a sense of regal composure and a maturity that's not so much chronological as spiritual; you just have the sense that this is a very centered individual. Those qualities, along with her interpretive sensitivity, make this a truly memorable version of Frauenliebe und -leben.

    John Eliot Gardiner, Monteverdi Choir, Wiener Philharmoniker - Anton Bruckner: Mass No. 1 in D minor; Motets (2001)

    Posted By: ArlegZ
    John Eliot Gardiner, Monteverdi Choir, Wiener Philharmoniker - Anton Bruckner: Mass No. 1 in D minor; Motets (2001)

    John Eliot Gardiner, Monteverdi Choir, Wiener Philharmoniker - Anton Bruckner: Mass No. 1 in D minor; Motets (2001)
    EAC | FLAC | Image (Cue & Log) ~ 260 Mb | Total time: 66:01 | Scans included
    Classical | Label: Deutsche Grammophon | # 459 674-2 | Recorded: 1996, 1998

    Bruckner is one of those composers you either love or loathe. The trouble is, most people make up their minds only after hearing his symphonies. But Bruckner also composed some of the most original and profound church music after Bach, and although there are clear connections between the symphonies and the liturgical works, the musical voice is quite distinct. The connections with Rococo and Renaissance choral styles are much clearer – it’s surprising how well the shades of Haydn, Wagner and Palestrina get on with each other – and yet the music never sounds derivative or nostalgically archaic.

    Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)

    Posted By: ArlegZ
    Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)

    Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)
    EAC | FLAC | Image (Cue & Log) ~ 269 Mb | Total time: 60:54 | Scans included
    Classical | Label: DECCA | # 478 1466 | Recorded: 2008

    Rare recordings of two settings of Mary’s passionate Easter lament. For their second L’Oiseau Lyre disc, Il Giardino Armonico, again under their director Giovanni Antonini, are joined by celebrated mezzo-soprano Bernarda Fink, for a project exploring the Passion of Christ as seen through the eyes of the Virgin Mary. The two central works are both vocal settings of the Virgin’s lament.

    Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

    Posted By: tirexiss
    Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

    Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)
    EAC | APE (image+.cue, log) | Covers Included | 01:12:00 | 394 MB
    Genre: Baroque, Vocal | Label: Archiv Produktion | Catalog: 0289 453 4352 5

    “During this visit, these young ladies were so obliging as to sing me a Salve regina, lately set by their father, in duo. It is an exquisite composition, full of grace, taste and propriety.” What more could one ask of an antiphon than that which Charles Burney found in an impromptu performance by Hasse’s daughters during a visit to their father in Vienna in 1772? Hasse composed several settings of the Salve regina of which Reinhard Goebel has chosen two for his interesting programme of vocal and instrumental pieces by the composer.

    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Amadigi di Gaula (1991)

    Posted By: ArlegZ
    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Amadigi di Gaula (1991)

    Marc Minkowski, Les Musiciens du Louvre - George Frideric Handel: Amadigi di Gaula (1991)
    EAC | FLAC | Image (Cue & Log) ~ 714 Mb | Total time: 76:25+73:07 | Scans included
    Classical | Label: Erato | # 2292-45490-2 | Recorded: 1989

    Amadigi di Gaula (HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for London and was composed during his stay at Burlington House in 1715. It is based on Amadis de Grèce, a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. Charles Burney maintained near the end of the eighteenth century, Amadigi contained "…more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined.” The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715. Handel made prominent use of wind instruments, so the score is unusually colorful, and at points resembles the Water Music, which he composed only a few years later.

    Concertgebouworkest - Beethoven: Symphonies Nos 1-9 (2020)

    Posted By: delpotro
    Concertgebouworkest - Beethoven: Symphonies Nos 1-9 (2020)

    Concertgebouworkest - Beethoven: Symphonies Nos 1-9 (2020)
    EAC Rip | FLAC (tracks+log+.cue) - 1,56 Gb | MP3 CBR 320 kbps - 897 Mb | Digital booklet | 05:41:32
    Classical | Label: Royal Concertgebouw Orchestra

    Ludwig van Beethoven's 'Nine Symphonies' are the core repertoire of virtually every orchestra in the world and the Concertgebouworkest is no exception. Until the 1960s the Beethoven tradition of the Concertgebouworkest meant yearly symphony cycles that closed concert seasons. Later on Beethoven 'Symphonies' were mainly programmed one at a time, with a different (guest) conductor. This box set offers the finest recorded Concertgebouworkest live performances of the 'Nine Symphonies' since the 1970s. With a variety of conductors, from Leonard Bernstein to Nikolaus Harnoncourt it demonstrates the orchestra's incredible versatility.

    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)

    Posted By: tirexiss
    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)

    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)
    EAC | FLAC (image+.cue, log) | Covers Included | 77:00 | 251 MB
    Genre: Classical, Vocal | Label: Hyperion | Catalog: CDH55355

    Haydn’s songs, German and English, have never quite had the standing they deserve: two of the English canzonettas and one of the German songs here are not even in the current catalogue. Most often they are sung by sopranos, but there is no reason why a tenor shouldn’t be used; Haydn, a tenor, is known to have sung them himself. The performances here, by all three singers and Roger Vignoles’ alert and thoughtful accompanying perhaps plays a key role take them seriously and show them as the substantial music they are.

    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 05 [2011]

    Posted By: Vilboa
    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 05 [2011]

    Lumières - La musique du XVIIIème siècle (29 CD), Part 05 - Gluck: Orfeo ed Euridice [2011]
    EAC (flac, image, cue, log) | TT: 40.10+50.34 | Scans | 363 Mb
    Classical | Harmonia Mundi | 2908601.30 | Rec: 2001

    The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

    John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Bach: Christmas Oratorio (2014/1999) [Blu-ray]

    Posted By: Vilboa
    John Eliot Gardiner,  English Baroque Soloists, Monteverdi Choir - Bach: Christmas Oratorio (2014/1999) [Blu-ray]

    John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir - Bach: Christmas Oratorio (2014/1999) [Blu-ray]
    BluRay | BDMV | MPEG-4 AVC Video / 28749 kbps / 1080i / 29,970 fps | 146 min | 40.7 Gb
    Audio1: Deutsch / LPCM Audio / 2.0 / 16-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 2027 kbps / 16-bit
    ––––––
    BluRay-rip1 | MKV 1920x1080 / 4972 kbps / 29,97 fps | 146 min | 8,20 Gb
    BluRay-rip2 | MKV 1280x720 / 2000 kbps / 29,97 fps | 146 min | 5,16 Gb
    Audio: Deutsch / PCM / 2ch / 48.0 KHz / 16 bits | DTS / 6ch / 48.0 KHz / 16 bits
    Classical | EuroArts | Sub: English, German, French, Japanese, Korean

    In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. With this interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music.

    Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Johann Sebastian Bach: Weihnachtsoratorium (2008)

    Posted By: ArlegZ
    Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Chor - Johann Sebastian Bach: Weihnachtsoratorium (2008)

    Nikolaus Harnoncourt, Concentus Musicus Wien & Arnold Schoenberg Chor - Johann Sebastian Bach: Weihnachtsoratorium (2008)
    EAC | FLAC | Image (Cue & Log) ~ 735 Mb | Total time: 77:08+72:01 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 7333212 | Recorded: 2006-07

    Christine Schäfer models the notes in a sovereign and refreshingly light manner: Werner Güra not only convinces as an evangelist, but also proves his class in the arias." The two bassists intone a hearty-bawdy, sometimes very soft and gentle tone There is nothing wrong with Harnoncourt's portrayal of the opening movement of the Third Cantata, where the music explodes in a way that has not been heard before.

    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 01 [2011]

    Posted By: Vilboa
    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 01 [2011]

    Lumières - La musique du XVIIIème siècle (29 CD), Part 01: Couperin, Rameau, Campra, Pergolesi, Handel [2011]
    EAC (flac, image, cue, log) | TT: 81.16+77.59+80.11+74.50 | Scans | 1.52 Gb
    Classical | Harmonia Mundi | 2908601.30 | Rec: 1987-2010

    The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.