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    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Aci, Galatea e Polifemo (2013)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Aci, Galatea e Polifemo (2013)

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Aci, Galatea e Polifemo (2013)
    EAC | FLAC | Image (Cue & Log) ~ 427 Mb | Total time: 45:10+45:08 | Scans included
    Classical | Label: Glossa | GCD 921515 | Recorded: 2012

    Fabio Bonizzoni returns with his long-awaited new recording of Handel’s 'Aci, Galatea e Polifemo'. Who better to team up with Bonizzoni, performing the role of the luckless shepherd Aci, than scintillating soprano Roberta Invernizzi. Her captivating contributions to Glossa's Handel series with La Risonanza as well as her 'I Viaggi di Faustina' have drawn powerful critical plaudits, including more than one disc of the Month.

    Fabio Bonizzoni, La Risonanza - Johann Caspar Kerll: Missa non sine quare (1999)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - Johann Caspar Kerll: Missa non sine quare (1999)

    Fabio Bonizzoni, La Risonanza - Johann Caspar Kerll: Missa non sine quare (1999)
    EAC | FLAC | Image (Cue & Log) ~ 266 Mb | Total time: 53:57 | Scans included
    Classical | Label: Symphonia | # SY 99171 | Recorded: 1999

    Johann Caspar Kerll (1627-1693) worked mainly in Vienna during the 17th century and was a pupil of Carissimi and teacher of Pachelbel, thus belonging within the line of succession culminating in Johann Sebastian Bach, who much admired his music. Eighteen masses by Kerll have survived of which only one, the first, a 5-part Requiem, is written a cappella, in the so-called old style. All the others are written in style concertato, that is, with soloists, one or more full choirs, various instruments (violins, violas, trombones) and continuo.

    Fabio Bonizzoni, La Risonanza - Luigi Rossi: La bella più bella (2004)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - Luigi Rossi: La bella più bella (2004)

    Fabio Bonizzoni, La Risonanza - Luigi Rossi: La bella più bella (2004)
    EAC | FLAC | Image (Cue & Log) ~ 291 Mb | Total time: 62:56 | Scans included
    Classical | Label: Stradivarius ‎| STR 33560 | Recorded: 1998

    Luigi Rossi (ca. 1597 - 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and maestro di cappella to the Spanish viceroy. Rossi later entered the service of the Caetanis, dukes of Traetta.

    Nuria Rial, Fabio Bonizzoni, La Risonanza - George Frideric Handel: Roma l'anno 1707 (2007)

    Posted By: ArlegZ
    Nuria Rial, Fabio Bonizzoni, La Risonanza - George Frideric Handel: Roma l'anno 1707 (2007)

    Nuria Rial, Fabio Bonizzoni, La Risonanza - George Frideric Handel: Roma l'anno 1707 (2007)
    EAC | FLAC | Image (Cue & Log) ~ 377 Mb | Total time: 77:47 | Scans included
    Classical | Label: ORF | SACD 3001 | Recorded: 2006

    Haendel n’a que 21 ans lorsqu’il quitte l’Allemagne pour l’Italie. C’est pour répondre à l’invitation du prince Jean Gaston de Medicis qu’il arrive à Rome en 1706 possédant déjà une culture musicale influencée par les courants italiens. Ces années en Italie seront des années de pur bonheur, il y fera la connaissance de Corelli et des Scarlatti, n’hésitant pas à se mesurer à Domenico dans une joute musicale dont il triomphera.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Apollo e Dafne [Le Cantate Italiane VII] (2010)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Apollo e Dafne [Le Cantate Italiane VII] (2010)

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Apollo e Dafne [Le Cantate Italiane VII] (2010)
    EAC | FLAC | Image (Cue & Log) ~ 382 Mb | Total time: 71:51 | Scans included
    Classical | Label: Glossa | # GCD 921527 | Recorded: 2007, 2009

    For the final volume in Fabio Bonizzoni’s survey of cantatas written by Handel during his stay in Italy, the background scenery moves – like a reflection of the Grand Tour – from Rome to Naples; probably the troubled times in a Rome besieged by Imperial troops during the War of the Spanish Succession may have encouraged the young, itinerant Saxon musician to consider that heading down south was safer and more conducive for his overall career prospects.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Olinto pastore [Le Cantate Italiane VI] (2009)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Olinto pastore [Le Cantate Italiane VI] (2009)

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Olinto pastore [Le Cantate Italiane VI] (2009)
    EAC | FLAC | Image (Cue & Log) ~ 354 Mb | Total time: 68:35 | Scans included
    Classical | Label: Glossa | # GCD 921526 | Recorded: 2008

    The Accademia degli Arcadi - that thought-provoking and ideas-creating literary circle set up by a group of poets, composers, aristocrats and churchmen, which championed a return to classical (and pastoral) ideals and one of whose keenest members was the Marquis Francesco Maria Ruspoli, Handel’s patron in Rome - forms the aesthetic background for this sixth and penultimate release in the series of Italian cantatas by the Saxon composer which Fabio Bonizzoni and La Risonanza are making for Glossa. In an engrossing essay written by Carlo Vitali (which additionally benefits from the counsels of Michael Talbot), the listener/reader is introduced to the social and political references contained within the pastoral texts of Olinto, pastore arcade, Duello amoroso and Alpestre monte, the three Handel cantatas which make up this CD.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Clori, Tirsi e Fileno [Le Cantate Italiane V] (2008)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Clori, Tirsi e Fileno [Le Cantate Italiane V] (2008)

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Clori, Tirsi e Fileno [Le Cantate Italiane V] (2008)
    EAC | FLAC | Image (Cue & Log) ~ 376 Mb | Total time: 75:02 | Scans included
    Classical | Label: Glossa | # GCD 921525 | Recorded: 2008

    In May 1707 George Frideric Handel entered into the service of the Marquis Francesco Maria Ruspoli, and under his protection, embarked upon a tremendous career. As well as making a name for himself as a spectacular virtuoso on the harpsichord and organ, through his plentiful concerts in the Roman academies, Handel lost no time in also becoming a highly sought-after composer through his felicitous and apparently inexhaustible inspiration. In addition to a significant number of cantatas for solo voice and basso continuo, Handel also involved himself in composing cantatas for larger numbers of voices, combining these with a large supporting orchestral group.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Aminta e Fillide [Le Cantate Italiane IV] (2008)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Aminta e Fillide [Le Cantate Italiane IV] (2008)

    Fabio Bonizzoni, La Risonanza, Maria Grazia Schiavo, Nuria Rial - George Frideric Handel: Aminta e Fillide [Le Cantate Italiane IV] (2008)
    EAC | FLAC | Image (Cue & Log) ~ 342 Mb | Total time: 67:01 | Scans included
    Classical | Label: Glossa | # GCD 921524 | Recorded: 2007

    Two new voices join Fabio Bonizzoni's project of recording the entirety of the cantatas with instrumental accompaniment which Handel composed when in Italy: sopranos Nuria Rial and Maria Grazia Schiavo enter the compan of Roberta Invernizzi, Emanuela Galli, Raffaella Milanesi and Salvo Vitale, the singers who we have been able to hear in the first three volumes of the collection. In this fourth instalment (out of a total of seven CDs planned for release up to the end of 2009), we rediscover the patronage of the Marquis Francesco Maria Ruspoli, which lay behind the important cantata a due entitled Aminta e Fillide; this was a work which was to provide the composer with a veritable seam of musical material for use, as "borrowings", in his operas Agrippina and Rinaldo - one of the reasons perhaps why this cantata has been rarely performed and even less recorded.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Cardinal Ottoboni [Le Cantate Italiane III] (2007)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Cardinal Ottoboni [Le Cantate Italiane III] (2007)

    Fabio Bonizzoni, La Risonanza, Raffaella Milanesi, Salvo Vitale - George Frideric Handel: Le Cantate per il Cardinal Ottoboni [Le Cantate Italiane III] (2007)
    EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 66:30 | Scans included
    Classical | Label: Glossa | # GCD 921523 | Recorded: 2007

    In the third instalment in Fabio Bonizzoni’s survey of the secular cantatas with instrumental accompaniment composed by Georg Frideric Handel during his stay in Italy, come a quartet of works associated with the Venice-born maecenas Pietro Ottoboni – including the substantial Ero e Leandro, the libretto for which is plausibly considered to have been written by the Cardinal Ottoboni himself. As well as the seldom-performed cantata for bass, Spande ancora a mio dispetto and Ah! Crudel, nel pianto mio scored forsoprano solo, Bonizzoni also directs the Spanish-texted Nose emendará jamás.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Marchese Ruspoli [Le Cantate Italiane II] (2007)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Marchese Ruspoli [Le Cantate Italiane II] (2007)

    Fabio Bonizzoni, La Risonanza, Emanuela Galli, Roberta Invernizzi - George Frideric Handel: Le Cantate per il Marchese Ruspoli [Le Cantate Italiane II] (2007)
    EAC | FLAC | Image (Cue & Log) ~ 386 Mb | Total time: 74:03 | Scans included
    Classical | Label: Glossa | # GCD 921522 | Recorded: 2005

    In the autumn of last year Fabio Bonizzoni and La Risonanza embarked on a journey taking a fresh look – musicologically as well as musically – at the chamber cantatas to Italian texts and with instrumental accompaniment composed by Georg Frideric Handel during his stay in Italy. Where the first release on Glossa focused on works associated with Cardinal Pamphili in Rome, this new recording contains pieces – including the dramatic cantata Armida abbandonata and Handel’s ‘own’ Hunt Cantata – originating in the establishment of the Marquis Ruspoli and written for sopranos such asMargherita Durastante and Vittoria Tarquini.

    Fabio Bonizzoni, La Risonanza, Roberta Invernizzi, Marina De Liso - George Frideric Handel: Duetti da Camera (2014)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza, Roberta Invernizzi, Marina De Liso - George Frideric Handel: Duetti da Camera (2014)

    Fabio Bonizzoni, La Risonanza, Roberta Invernizzi, Marina De Liso - George Frideric Handel: Duetti da Camera (2014)
    EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 64:43 | Scans included
    Classical | Label: Glossa | GCD 921516 | Recorded: 2013

    George Frideric Handel’s Duetti da camera from La Risonanza represent a welcome extension of the ensemble’s award-winning series of Handel solo cantatas on Glossa, and come with the luxurious vocal pairing of Roberta Invernizzi and Marina De Liso.

    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Cardinal Pamphili [Le Cantate Italiane I] (2006)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Cardinal Pamphili [Le Cantate Italiane I] (2006)

    Roberta Invernizzi, Fabio Bonizzoni, La Risonanza - George Frideric Handel: Le Cantate per il Cardinal Pamphili [Le Cantate Italiane I] (2006)
    EAC | FLAC | Image (Cue & Log) ~ 352 Mb | Total time: 66:14 | Scans included
    Classical | Label: Glossa | # GCD 921521 | Recorded: 2005

    The chamber cantata flourished in Italy as a counterpart to public opera and oratorio, cultivated by aristocratic patrons for their personal enjoyment. Perhaps because of its essentially private origins, this pervasive Baroque form remains little known today. During his years in Italy (1706-1710), George Frideric Handel composed nearly 100 cantatas for a series of important patrons, but they have tended to be passed over in favour of his larger operas, oratorios, concertos and orchestral suites.

    Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)

    Fabio Bonizzoni, La Risonanza - Alessandro Scarlatti: Serenate a Filli (2011)
    EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 63:40 | Scans included
    Classical | Label: Glossa | # GCD 921511 | Recorded: 2010

    By the time that Alessandro Scarlatti was writing the two serenatas recorded here by Fabio Bonizzoni and La Risonanza and inaugurating an exciting new series on Glossa, that celebratory cantata form, often employing allegorical characters, had been in existence for a mere half century. Scarlatti, as Bonizzoni says, “was one of the main sources of inspiration for Handel whilst the latter was in Italy, and this creates a real continuity with what we have been doing in the recent past”; notably the much-admired septet of recordings devoted to the Saxon composers Italian chamber cantatas.

    Fabio Bonizzoni, La Risonanza - Giuseppe Sammartini: Concerti per organo op. 9 (2001)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - Giuseppe Sammartini: Concerti per organo op. 9 (2001)

    Fabio Bonizzoni, La Risonanza - Giuseppe Sammartini: Concerti per organo op. 9 (2001)
    EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 56:16 | Scans included
    Classical | Label: Amadeus | # AM 139-2 | Recorded: 2000

    The many successes of La Risonanza, the ensemble led from the keyboard by Fabio Bonizzoni (notably with its survey of Handel secular cantatas), can often lead to Bonizzoni’s great talent as a harpsichordist and organist being overlooked. Here, in the delightful Op 9 concertos by Giuseppe Sammartini, we are able to enjoy Bonizzoni’s skill in the latter role, assisted by a small – but decidedly elegant – ensemble of all-stars in which feature the violin playing of David Plantier and Olivia Centurioni.

    Fabio Bonizzoni, La Risonanza - Jean-Baptiste Lully: Ballets et récits italiens (2009)

    Posted By: ArlegZ
    Fabio Bonizzoni, La Risonanza - Jean-Baptiste Lully: Ballets et récits italiens (2009)

    Fabio Bonizzoni, La Risonanza - Jean-Baptiste Lully: Ballets et récits italiens (2009)
    XLD | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 72:03 | Scans included
    Classical | Label: Glossa | # GCD 921509 | Recorded: 2008

    Nowadays, little introduction on record is needed for the dramatic output of Jean-Baptiste Lully: his style has become unquestionably associated with French music of the 17th century. But long before he became the all-conquering composer of tragédies en musique at the court of Louis XIV, Giovanni Battista Lulli, during his early years in Paris and encouraged by the also Italian-born Cardinal Mazarin, helped to spread the music from his native country into the French court. Lully’s own initial compositions - forging his unmistakable style - focused on music for ballets de cour and for these his instrumental entrées were combined with vocal sections in Italian such as arias and Le Florentin’s early treatment of recitative. Not just transalpine composers were welcomed in Paris but singers too.